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Upton SinclairA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Having already waited more than a year, Ona and Jurgis are eager to marry, but Elzbieta insists that they have a traditional Lithuanian ceremony. To raise the necessary money more quickly, Ona considers looking for work.
Around this time, the family has an alarming conversation with a neighbor named Grandmother Majauszkiene. Her son works for the company that built all the houses in the neighborhood, and she tells them that the homes are built with the belief—usually correct—that the residents will fall behind on their payments, allowing the company to foreclose on them. The Rudkus-Lukoszaite family’s own house has been resold multiple times, often after its residents contracted tuberculosis.
To their horror, Grandmother Majauszkiene then explains that the family will not only have to pay the twelve dollars a month they expected but also seven dollars’ interest on the outstanding debt: “As if in a flash of lightning they saw themselves—victims of a relentless fate, cornered, trapped, in the grip of destruction. All the fair structure of their hopes came crashing about their ears” (76-77).
After confirming Grandmother Majauszkiene’s words with the housing agent, Ona secures a job sewing covers on hams. The family also decides that Elzbieta’s oldest child, Stanislovas, will need to find work, which requires getting a certificate claiming he’s older than he is. With this, Stanislovas gets a position filling cans of lard. Despite the setback, the extra income allows the family to once again begin planning for the future.
Jurgis and Ona marry in November, and the wedding leaves them in debt. Meanwhile, the family’s health suffers as a result of unsanitary living conditions and poor nutrition:
[H]ow could they know that there was no sewer to their house, and that the drainage of fifteen years was in a cesspool under it? How could they know that the pale blue milk that they bought around the corner was watered, and doctored with formaldehyde besides? (84).
Antanas suffers most; he develops a chronic cough, and the pickling room chemicals eventually eat through his shoes, causing him to break out in sores. He dies of a pulmonary hemorrhage just as winter sets in.
The cold only makes matters worse, facilitating the spread of illness and exposing workers to frostbite on their way to and from work. After seeing another boy lose his ears in this way, Stanislovas becomes so terrified of the snow that he has to be escorted to and from work by Jurgis. Meanwhile, the freezing conditions make accidents more likely in the warehouse where Jurgis works: “On the killing beds you were apt to be covered with blood, and it would freeze solid […] Also the air would be full of steam, from the hot water and the hot blood, so that you could not see five feet before you” (89).
Winter also leads many workers to drink, The saloons are one of the few warm places to eat or cash a paycheck, but they require customers to order drinks as well. However, Jurgis’s devotion to Ona keeps him from indulging. He returns directly home each night, and the family huddles together for warmth in the drafty house.
Tamoszius visits the family frequently, having fallen in love with Marija while playing violin at Jurgis’s and Ona’s wedding. Marija starts to accompany Tamoszius to events at which he’s asked to play, giving the entire family something to look forward to: “[N]ow there was a member of the family who was permitted to travel and widen her horizon; and so each week there would be new personalities to talk about” (94). On the way back from a wedding one night, Tamoszius proposes to Marija, who joyfully accepts.
With their relatively high income, the couple believes they will be able to marry in the spring. Marija is therefore devastated when she shows up to work one day and learns that, with demand having fallen off after the holidays, the plant is temporarily closed. As this is common practice in Packingtown, Marija struggles to find another job once she is out of work. Meanwhile, Jurgis’s factory cuts its workers’ hours and therefore his earnings.
Increasingly frustrated, Jurgis decides to join a union, and the rest of his family follows suit. Although Marija is disappointed to learn the union offers no protection against factory closures, the family continues to attend meetings which provide them with a sense of solidarity and a place to vent some of their anger.
In order to better participate in his union, Jurgis enrolls in a free night class and learns to speak and read English. Meanwhile, he has also become a naturalized citizen; not long after his arrival, Bush Harper—a night watchman at Durham’s—approached him about naturalization and later paid him to vote as instructed in the Packingtown elections. Jurgis now learns from his union friends that American politics, though nominally democratic, is plagued by this kind of corruption; his own district is controlled by the Democrats and in particular by a man named Mike Scully, who owns much of Packingtown.
Jurgis also learns more about the meatpacking industry’s many unsanitary practices. For instance, the federal government only requires that contaminated meat be kept in-state, effectively allowing corrupt local inspectors to clear it for local sale. Moreover, much of the canned meat is not what it purports to be: “‘De-vyled’ ham was made out of the waste ends of smoked beef […] and also tripe, dyed with chemicals so that it would not show white; […] [a]ll this ingenious mixture was ground up and flavored with spices to make it taste like something” (108-109).
Finally, Jurgis discovers that meatpacking workers often develop illnesses or injuries specific to their jobs. Anyone who uses a knife, for instance, risks repeated cuts to the hand that eventually deaden the nerves; what’s more, each cut leaves one vulnerable to blood poisoning. However, everyone agrees that the men working in the fertilizer and cooking rooms are the worst off, both because the stench comes to permeate their skin, and because they’re in danger of falling into the vats and ending up as fertilizer themselves.
By late winter, the family worries constantly about money: “This was in truth not living; it was scarcely even existing, and they felt that it was too little for the price they paid” (112). Meanwhile, expenses continue to pile up: The family learns they must also pay taxes and insurance on the house, and on one occasion they have to hire a plumber after a pipe freezes and bursts. Spring brings some relief but also new problems: The streets flood as the weather warms up, and by summer the heat is once again oppressive inside the warehouses.
When Marija’s canning factory reopens, she resumes planning for her wedding. However, just a few weeks later, she loses her job after complaining of being cheated out of wages. It takes her more than a month to secure another, lower-paying job as a beef-trimmer.
Ona, now pregnant, is also struggling. She is subject to constant harassment from her forelady, Miss Henderson, who also works as a madam and has secured meatpacking jobs for several women from the brothel: “[Ona] understood now that the real reason that Miss Henderson hated her was that she was a decent married girl” (119). However, having seen what happened to Marija, Ona refrains from complaining about her own working conditions.
Jurgis saves enough to hire a doctor for Ona’s delivery, and she gives birth to a healthy boy named Antanas after Jurgis’ father. Although Jurgis is hardly ever able to see his son, he is enraptured with the child and more devoted than ever to his family. Meanwhile, Ona is forced to return to work just a week after Antanas’s birth, which permanently ruins her health, leaving her prone to a number of aches, pains, and anxieties.
Among Sinclair’s many criticisms of capitalism, its effect on the family looms especially large. In one sense, this is unusual: Marx and other socialist thinkers have described the nuclear family as complicit in maintaining a capitalist system by, for example, normalizing hierarchical relationships between husband and wife, and parents and children.
Elements of this argument occasionally surface in The Jungle, but by and large Sinclair takes a different route, romanticizing family life and suggesting that capitalism poses a unique threat to it. In this section, for instance, Marija and Tamoszius become the latest of several Packingtown couples who find themselves unable to afford to marry. Given that Sinclair himself was somewhat conservative on issues related to sex and marriage, his emphasis here may simply reflect his personal beliefs. However, it is also possible that Sinclair made a strategic choice designed to elicit public sympathy; over the course of the 19th century, home and the family had been idealized as bastions of peace and morality in the face of a rapidly industrializing society. In this climate, Sinclair’s depiction of the unraveling of Jurgis’s family would have hit particularly hard.
Two aspects of Sinclair’s critique especially stand out in this respect. The first is the family’s house, which they initially buy partly in the belief that it will save them money, and partly because it represents their aspirations towards middle-class domesticity: property ownership, a hard-working head-of-household who provides for his family, and a sweet and virtuous female homemaker. When it comes time to furnish the house, they’re even swept up in a kind of bourgeois consumerism, at least to the extent that their wages allow it: “It was, in truth, a never-ending delight the fixing up of this house. […] It must always be done at night, so that Jurgis could go along; and even if it were only a pepper cruet, or half a dozen glasses for ten cents, that was enough for an expedition” (61). However, as it becomes increasingly clear how hollow these dreams of domesticity truly are, the futility of the family’s aspirations is reflected in the house itself, which proves to be a money trap sold to them under various false pretenses.
The other area Sinclair devotes particular attention to involves sexuality and female gender norms. From the start, Sinclair depicts Ona as both unfit for the hardships of work outside the home and ideally suited to the role of wife and mother. She is gentle, modest, and physically delicate, but these very qualities— which were idealized in 19th-century women—give her moral influence over those around her: “From all of these things Jurgis was saved because of Ona. He never would take but the one drink at noon-time […] Then at night he would go straight home” (91). Ona, however, is ultimately forced to seek work outside the home and exposed to new dangers as a result. These dangers include pressure from Miss Henderson to prostitute herself, and sexual harassment from a foreman named Connor. Although Ona is repelled by all of this, financial necessity compels her to subject herself to Connor’s advances and eventually assault: “In such a place Ona would not have stayed a day, but for starvation” (119). Thus, Sinclair portrays capitalism as a threat to women's sexual purity, both because of its tendency to commodify everything—including sex—and because of the economic desperation it engenders.