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44 pages 1 hour read

Robert Alexander

The Kitchen Boy: A Novel of the Last Tsar

Fiction | Novel | Adult | Published in 2003

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Chapter 18-EpilogueChapter Summaries & Analyses

Chapter 18 Summary

Leonka watches as the Bolsheviks bicker over how to deal with the Romanovs’ bodies. Komendant Yurovsky reprimands his men for pillaging the Romanovs for their gems and orders them to cart the bodies into a vehicle for transport. While the Bolsheviks are distracted, Leonka sneaks over to the vehicle and steals the tsar’s gold watch off his wrist; he also steals Aleksei’s candy box.

When the vehicle drives away, Leonka follows it, sneaking through the woods. He sees two bodies fall out the back of the vehicle—the mutilated body of Aleksei and that of Maria, who is still alive but seriously wounded. Leonka tends to Maria with scrap clothing and hides her in the woods.

Maria begs Leonka to bring Aleksei’s body into the woods. After Leonka complies, Maria then orders him to follow the Bolsheviks and retrieve her sister, Tatyana.

The Bolsheviks prepare to bury the Romanovs at the ruins of the Four Brothers mine. Komendant Yurovsky orders his men to strip the bodies and ensure they cannot be identified; he discovers two of the bodies missing. Panicked, he orders his men to find Aleksei and Maria. Leonka leaves before he can be caught.

Chapter 19 Summary

Leonka returns to Maria and finds her close to death. He moves Maria and Aleksei’s body to a safer hiding spot in the woods before running into town to find Sister Antonina and Novice Marina. He tells them what happened, and they gather medical supplies and rush into the woods to help Maria.

Chapter 20 Summary

Leonka, Sister Antonina, and Novice Marina reunite with Maria. Sister Antonina and Marina tend to her wounds and feed her. Leonka then helps the women bury Aleksei’s body. The next day, Maria develops a fever and is beyond help. As she dies, she tells Leonka and Novice Marina to bury the Romanovs’ remaining riches, some of which are hidden in town. She commands them to keep the Romanovs’ gems hidden until the end of Bolshevik rule; then, they are to return the riches to the people.

Adult Leonka tells Kate that Maria’s final words effectively “married the Novice Maria and me in both duty and fate” (198). They went on to flee Russia with the Romanov riches, marry, and settle in the United States for the rest of their lives. According to his tale, Leonka’s wife “May” was Marina.

Chapter 21 Summary

Adult Leonka concludes his recording for Kate. He seals the tape in an envelope, gathers other documents, and unlocks a secret vault hidden behind his bookcase—where he keeps the Romanov gems. He and May sold some of the Romanovs’ riches to escape Russia and establish a life in America. He reflects on the fact that the gems’ safekeeping will now be Kate’s burden.

Leonka takes a vial of cyanide out of the vault and reflects on the tape’s lies. He hopes Kate believes his true identity is Leonka, “when in fact nothing could be further from the truth” (207). While he was stationed at Ipatiev House to witness all of the events he described, he is not Leonka; it was May’s idea to have him claim this identity. He prays that God does not forgive his sins and drinks the cyanide, killing himself. 

Epilogue Summary

The Epilogue follows Kate (or Katya) as she travels to St. Petersburg in 2001, having followed the trail prompted by her grandfather’s tapes. She meets with Dr. Kostrovsky, the director of the Hermitage Museum, to discuss the return of the Romanov gems to the Russian people. After the meeting, Kate takes a taxi to a mysterious address.

Kate arrives at the address. The babushka who answers the door is initially uncertain, but upon hearing Kate’s voice, invites her inside. Kate tells the old woman about her grandfather’s tapes: She reconsidered his story after her son, Andrew, was diagnosed with hemophilia—the same affliction suffered by Aleksei Romanov. She researched the Romanovs’ final days and those who witnessed them—which led her to a British historian who gave her the old woman’s address.

Kate’s research revealed that the address is listed under the name “Marina.” The old woman confirms she is Novice Marina. Marina tells Kate the truth regarding the Romanovs’ assassination: The “White Army’s” letters were fakes, written by the Bolsheviks to trick the Romanovs. These letters were smuggled into Ipatiev House by Kate’s grandfather, a Bolshevik guard named Volodya.

Volodya was assigned to kill Maria. He injured but did not kill Maria; he later found her alive on the side of the road and treated her wounds. Marina reveals that she and Sister Antonina helped Volodya save Maria’s life. She then reveals that Kate’s grandmother May was Maria herself. Volodya and Maria fled Russia with the Romanov riches, married, and settled in America under fake identities—making Kate and her children the last living descendants of the Romanovs.

Chapter 18-Epilogue Analysis

The final chapters of The Kitchen Boy are transformative, quite literally altering the nature of the entire work. Whereas the tragedy in the earlier chapters was that of the Romanovs’ violent end, these last five chapters deal with a different kind of familial tragedy: Volodya’s suicide and Kate’s discovery of her grandparents’ tumultuous history. Just as Kate must examine her life through a new lens, these revelations prompt readers to examine the novel—all of Volodya’s lies and regrets—through a new framework.

Volodya’s layers of self-loathing come to a head in these final chapters. As he concludes recording his version of history for Kate, the weight of his deception causes him to launch into a barrage of self-criticism. He sees himself as a liar, his final and biggest lie being his recording for Kate. Volodya considers himself beyond salvation and commits suicide because in his religion, it is one of the most serious sins of all. Before he drinks cyanide, he muses that he “must sin again so that he would suffer not just in this life, but in the life hereafter and forever more” (207). Volodya kills himself as a final sin to seal his fate as one doomed to eternal damnation—revealing that nobody hates him more than he hates himself.

Before retrieving the cyanide in his hidden vault in Chapter 21, Volodya stops to inspect an old candy box with odd knickknacks inside—an important symbol of his guilt. This candy box was once Aleksei’s, whose secret stash of peculiar objects first appears in Chapter 4. Volodya choosing to place the cyanide next to Aleksei’s stolen goods not only signifies his guilt, but is in itself an act of self-inflicted pain. The intentionality of this placement reflects Volodya’s bitter mission to constantly remind himself of his sins: His past haunts him because he himself insists it must.

The Epilogue is the most important chapter of the novel—not only because of its reveal of Volodya’s identity and Kate’s heritage, but because of its thematic weight concerning guilt and forgiveness. Upon hearing why Volodya lied, both Kate and readers alike are encouraged to place more weight on his virtues than his sins—just as Maria did. It is only after the novel’s primary point of view is taken out of Volodya’s hands that readers can explore his virtues, seeing the lengths to which he went to save Maria and protect the legacy of the Romanovs. With his epilogue, Alexander creates an active reading experience that pushes readers to decide whether or not to forgive Volodya for his actions. While Volodya himself refused to acknowledge the good he had done, Alexander purposefully devotes the final pages of The Kitchen Boy to detailing the former guard’s love for Maria. Alexander ends his novel on a bittersweet letter, encouraging the embrace of forgiveness: the one thing Volodya denied himself. 

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