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56 pages 1 hour read

Max Brallier

The Last Kids on Earth

Fiction | Graphic Novel/Book | Middle Grade | Published in 2015

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Chapters 7-12Chapter Summaries & Analyses

Chapter 7 Summary

Jack and Quint drive around the city in Big Mama looking for June. Quint thinks it’s foolish to look for a survivor since there is no evidence of anyone living. They go to the school—where Jack last saw June—and Jack calls out for her on a megaphone. She isn’t there. Jack tells Quint to check the mall next but Quint refuses to be his chauffeur and instead decides he will teach Jack how to drive. While learning how to parallel park, Jack decides he wants to have fun so starts speeding around the lot, but has to suddenly swerve when a living person appears. It’s Dirk Savage, the school bully.

Jack decides they can’t abandon him, despite Quint’s refusal to get involved. Dirk has bullied them before and Quint doesn’t think they should go back for him; but Jack firmly believes they shouldn’t abandon a fellow survivor. They finally compromise to retrieve Dirk, as long as Jack makes sure he will be “nice” (98). As they approach him, a flying wretch monster swoops down from the sky. Dirk saves Jack by grabbing the monster in mid-air and flinging it into the side of a building. Jack is impressed by Dirk’s “Conan the Barbarian'' strength (102). Dirk is about to leave them when Jack invites him to join their group. Dirk says he doesn’t want to hang out with “losers” but eventually resigns to Jack’s invitation and joins them (103). In the car, it’s awkward for Quint. He seems unhappy with the decision but goes along with it. In their conversation, June Del Toro is mentioned and Dirk says he saw her recently. Jack is ecstatic but worried. Dirk says he was unable to help her because she was too far away. Jack imagines her needing his help, and is determined to find her.

Chapter 8 Summary

The next day, Jack drives around looking for June, but to no avail. When he gets back to the treehouse, he is excited to be reunited with his giant dog, Rover. As a foster child, he never had the chance to keep a dog. Quint excitedly asks Jack to get a list of supplies from Home Depot for a project. Jack and Dirk go—but not before Dirk picks on Quint on the way out. Jack is there to mediate, and the two agree to be nicer to each other. At the Home Depot there are too many zombies, so Jack uses the “Scream Machine” which Quint built (113). The machine blasts the sounds of people screaming in horror movies and attracts zombies as a decoy. While the scream machine distracts the zombies, Jack and Dirk infiltrate Home Depot. Dirk responsibly collects the needed items, while Jack plays around with “crazy-cool drills” (115).

On their way out, they notice a ping pong table and think about taking it; but Blarg appears. The zombies are in a wild frenzy because of Blarg’s presence and they begin to approach the boys. Dirk grabs the ping pong table and uses it as a bartering ram shield to force his way out with Jack. They hop into Big Mama, with Blarg in pursuit. Scared, Jack unleashes movie theater “Butter-Slick Slingers” from a switch in the truck and it releases slippery fluid behind them which derails Blarg. Blarg slips, crashes, and falls. An angry Blarg watches them escape. Back at the treehouse, Quint is worried that they took too long and had become “zombie chow” (122). They explain what happened, then Dirk—realizing he’s maybe been overly mean to Quint—gives him the ping pong table as a birthday present. Quint is hesitant at first, but then stands taller than Jack has ever seen and embraces his former bully, who is now a friend.

Chapter 9 Summary

Quint creates an experimental lab in the neighbor’s abandoned garage. His goal is to fortify the treehouse with new weapons. Meanwhile, Dirk and Jack “go out and look for trouble” together (126). Jack ultimately wants to be prepared to defeat Blarg, which he considers the “final boss” if his life were a video game (128). He also drives around each day and looks for June, but without any success. They have a great time as friends, playing games, hanging out, drinking root beer floats, and enjoying each other’s company. Yet, Jack knows it won’t last forever and that Blarg will eventually find them.

Chapter 10 Summary

Quint has designed a saddle to be used on their giant dog, Rover. Jack hops on to test his new ride. Rover bolts wildly into the street, taking Jack for a long and dangerous ride. Rover uncontrollably romps up to Bear Hill—the highest point in town. Jack has fun along the way. Tired, Rover slows down and Jack enjoys the view of his neighborhood. He looks around while Rover rests. Then, Jack sees a sweatshirt hanging from the middle school’s window. It’s June’s sweatshirt; he figures she must be inside. He excitedly declares he will save her as “the ultimate Feat of Apocalyptic Success” (139).

Chapter 11 Summary

Back at the base, Quint and Dirk don’t understand Jack’s need to save June. They tease him for liking her, and he admits it to shut them up. They plan an escape mission for her. He tells Rover—who has just eaten a dozer—to stay put, and they’re off. Together, they ride Big Mama across the chaos and dangers of Wakefield, eventually reaching the school. But Jack accidentally crashes while parking—something they’ll address after they save June. The door to the school is locked and zombies are encroaching, but Dirk simply rips the door off and they enter the building.

Jack hates schools more than most, because it reminds him of being an orphan who transferred every year. New family, new school, same hatred. But seeing the school destroyed still saddens Jack, since it’s where he met his only friend(s). Inside it’s dark and quiet, but Jack hears something. When he looks, he sees a frighteningly large “zombie ball” rolling for them and he runs with his friends (151). It’s a literal ball of zombies unlike anything he’s ever seen. They can’t escape, and are eventually trapped in a hallway with locked doors. Seemingly doomed, they resign to their fate, when suddenly, the door opens and they fall in. A voice gives them orders and locks the door to prevent the ball from enveloping them. Confused, they look up. It’s “the damsel in distress,” June Del Toro (156).

Chapter 12 Summary

June, who looks battle hardened, tells them they must leave. Jack is surprised and tries to convince her to join them, but—as Quint and Dirk point out—she seems to be thriving. He tries to persuade her with smoothness and confidence, but fails miserably. He grows uncertain because “Angry girls are more terrifying than any beasts” (161). Resigning to a new tactic, he asks if they can stay overnight because of the danger. Reluctantly she accepts, and Jack asks for a tour. Before bed, Jack tries to convince June, while Quint and Dirk have “tickle fights” (166). She seems to listen but ultimately refuses to leave, and the boys pack for bed. Jack has trouble sleeping, and hears shuffling in the hall. He worries that a zombie may have gotten past their defenses so goes to see what it is.

Chapters 7-12 Analysis

The rising action occurs here, as the boys have small adventures together and Jack continues to look for June. It’s the middle section of the narrative, so the characters have largely been established and their roles have been set. The developing conflict between Jack and Blarg is palpable, as Blarg instills fear as a major threat for Jack: “I’m scared. Beyond scared. Scared to the second power. Scared squared” (117). For Jack—an otherwise intrepid and bold character—to admit fear is telling how threatening Blarg’s presence in the story is. He is not a mere zombie who can be bashed, or a dozer who can be tricked. Blarg is deadly—and it also seems to be intelligent and seeking revenge. There are growing signs of Blarg intentionally hunting Jack and, now, his friends. 

Another source of conflict in need of resolution is Jack’s inability to locate June. On top of being hunted by Blarg, the tension in the narrative comes from his desire to find his crush, yet constantly failing and feeling like his days are empty. He enjoys hanging out with his partners in the treehouse and goofing off, but the larger part of him feels incomplete without June. In a sense, he can’t validate himself as a true “hero” unless he is able to accomplish his big goal of saving “a damsel in distress.” Until then, he is just a boy causing trouble in a zombified world.

In addition to these conflicts, Dirk’s character experiences growth and redemption by evolving as a friend to the boys. He shows more compassion, care, and awareness for his companions than ever before, especially towards Quint. The act of having a “tickle fight” with the “dork” shows that he has transformed significantly in his ability to connect with others in a healthy and nurturing way. The act of “fighting” for a bully usually involves carnage and physical intimidation—maybe even bodily injury to the target—but that notion has been inverted and instead he is giggling and laughing with his new friend, showing that the sense of “fight” has become a sense of comfort and “tickles” within his new social ecosystem. He no longer has to gain respect and friendship by asserting dominance and aggression over others, but instead he learns he can gain respect and friendship through tenderness and sincerity.

Perhaps this shows how, despite the “end of the world” horrors that the boys see, there is potential for horrors in our regular society, we just don’t always view them that way. If the apocalypse would’ve never occurred, Dirk would still be the bully and Quint would still be the “dork.” Instead, a new social and literal landscape has emerged, and these boys—along with other potential survivors, like Jack and June—have the opportunity to reconfigure their characteristics, beliefs, and relationships to themselves and to others. Dirk Savage becomes less savage—ironically—since in this new world, it seems compassion towards the living is more important than brutality. It reinforces the theme of friendship as a form of survival—a recurring notion that appears in nearly every chapter of the book and forms the crux of the narrative’s plot development.

Jack’s character similarly undergoes this growth and identity shift. In the regular world he was a cast-off orphan without a family, without friends, and without a dog. Now, in this apocalypse scenario, he has been able to restart. He has a home, he has friends (whom he considers family), and he even has a dog, Rover. The development of Rover’s loyalty and friendship seems significant, since Jack has a particularly strong attachment and appreciation for the creature. Rover—who is technically a mutant dog—has likely found a similar sense of comfort with Jack, who looks out for him rather than fearing or being disgusted by him. Jack says, “now I’ve got my own dog—a monster dog. I’m trying to teach it tricks” (109). This level of rapport between the two formerly cast-off characters reinforces the idea of friendship and teenage innovation—what could’ve been a dangerous creature is now a companion for Jack to ride around town on and to potentially gain protection from.

Lastly, June’s emergence as a character signals her strength and independence. She isn’t the timid or weak girl that Jack seems to have imagined. Instead, she is a survivor and a battle-hardened fighter. She inverts the narrative by saving Jack and the boys, instead of the other way around. Her stubbornness and refusal to leave the school indicate a strong sense of will and character morale that Jack was not expecting. In a new test, he will have to win her over to further prove his heroic self.

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