51 pages • 1 hour read
Fiona DavisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As a child, Sadie discovers that her mother, Pearl Lyons, grew up in the New York Public Library’s apartment with her parents, Jack and Laura. Now aging and starting to experience dementia, Pearl is reluctant to talk about her childhood, so Sadie conducts her own research, hoping to use her family connection to the library to secure a permanent position as curator. Amid library records, she finds a note from an investigator, Edwin Gaillard, in which he suggests that the Lyons may be suspects in the theft of Leaves of Grass. Sadie calls her brother, Lonnie, to tell him about the note and ask about Pearl, who lives with his family.
Sadie visits and asks Pearl about her childhood in the library, but Pearl refuses to talk about it. Instead, she berates Sadie for not “moving on” after her divorce. The evening turns tense, but Sadie bonds with Robin, her niece’s babysitter, who understands the difficulty of an aging parent. The next morning, Sadie searches the library’s collection of Virginia Woolf diaries but finds the last one missing. That night, she and Claude conduct a meticulous search for the diary, but come up empty. The next morning, they inform Dr. Hooper. He calls Marlene to ask about the diary (as she was the last person to handle it, making her a suspect). Sadie returns to the office to search for more of Laura Lyons’s work, but Lonnie calls—Pearl has died.
Sadie attends a memorial gathering at Lonnie’s house. Perusing old photographs, she remembers, at eight years old, discovering her father, dead in the bathroom. Lonnie recalls Pearl’s final moments—seemingly lucid—in which she recalls leaving the library residence “because of the burning book” (80), an eerie echo of her last words to Sadie: “Don’t burn it. Whatever you do, don’t burn it” (68).
Sadie spends her Saturday searching the Lyons’s files for anything she might include in the exhibition. She finds Jack’s old calendar, and its last entry contains three words: “stepladder, rope, note” (83). She wonders if her grandfather died by suicide. The circumstances of Jack’s death and the family’s leaving the library are still unknown.
On Monday, Sadie visits Mr. Babenko in the “Binding and Processing” room. She tells him of the missing diary and asks for advice. He argues that “the people closest to the Berg Collection [are] the prime suspects” (87), including herself.
Laura, blocked from escape by the burly husband, identifies herself as a student reporter, which only infuriates the man more. When he threatens to “toss this one out the window” (88), a tall, commanding woman appears in the doorway. The room immediately defers to her authority. She dismisses everyone but herself, the mother, and Laura. She urges Laura to write about what she’s seen because no one else will. The woman, Dr. Amelia Potter, is part of a city-funded, infant care initiative. She coaches new mothers on the most effective post-natal practices. The program has been hugely successful, but the press has ignored the story.
As she and Amelia walk to the train together, Laura realizes they were classmates from her undergraduate days at Vassar. Amelia invites her to the “Heterodoxy Club,” a luncheon “for women who aren’t afraid to speak their minds” (93). She returns to Columbia, writes the article, and her advisor, Dr. Wakeman, promises to run it on the front page.
On Christmas Eve, Jack and Laura visit her parents, Laura determined to ask them for tuition money. Her father is reluctant, arguing that she should stay home and raise the children. She explains the importance of her work, but he denies her request. As they leave, Laura’s mother furtively passes her engagement ring to her, instructing her to sell it for the tuition money.
Back at the library, Jack and Laura meet Dr. Anderson and Edwin Gaillard. Anderson reports another book theft: Edgar Allan Poe’s Tamerlane. Two days later, Jack and Laura inspect the “cages,” the locked areas where rare books are kept, but there is no sign of tampering.
Laura heads to Greenwich Village to meet the Heterodoxy Club—in whom she sees potential for her graduate thesis—but all conversations are considered “off the record” (108). Topics include contraception, free love, and a woman’s right to vote. She reasons that since her thesis won’t be published, she is not violating any rules, and after several hours of lively debate, “the thesis was practically writing itself in her head” (112).
After the meeting, Laura accompanies Amelia back to her apartment where she regales Laura with her on-the-job exploits (delivering a baby while fending off an assault from their drunken father). She meets Jessie, Amelia’s lover; Laura is taken aback but also intrigued by Amelia’s bohemian lifestyle. As she discusses her own life, she finds she is not as satisfied as she had thought.
At the library, Sadie meets Nick Adriano, a security consultant hired to assist in the investigation of stolen books. He asks when she saw the diary last, and she wonders what Claude may have said to Nick during his interview. At a cocktail party for donors, Dr. Hooper approaches Sadie and Nick to inform them of another theft—a first edition of The Scarlett Letter, stolen from the cage. Since Claude was the last person to handle it, Nick confiscates his key. Sadie then shows Nick an early draft of Leaves of Grass to acquaint him with the Berg Collection.
The next morning, Nick visits Mr. Babenko in the book binding department and reports a spate of book thefts over the decades. He mentions the Tamerlane theft and the implication of Jack Lyons as a suspect. Babenko then checks off a list of bookstores “that have been flagged for purchasing stolen items in the past” (130-31).
As the narrative alternates between the past and present, grandmother (Laura) and granddaughter (Sadie), a connection emerges—the theft of rare books. Leaves of Grass and Tamerlane are stolen in 1914, and 80 years later, a Virginia Woolfe diary is taken. Fiona Davis drops tantalizing clues along the way: the death of Pearl Lyons who appears to harbor a dark secret about the past, the mystery of Jack Lyons’s death, and the identity of the thief who is stealing books from the seemingly impenetrable fortress of the New York Public Library. Davis provides historical (and economic) context for these crimes. Far from being just old books, these rare manuscripts are remnants of the past, a window into the artistic soul of their creators. Their economic value (as much as $400,000 for a first edition of Tamerlane) is what the market will bear. As long as collectors are willing to pay large sums and bookstore owners are willing to harbor stolen merchandise, the incentive remains for thieves to keep stealing them. While Laura and Sadie exist decades apart, they share a love of and respect for books—and as the novel unfolds, a desire to be understood.
Meanwhile, Laura is set on a path that will eventually transform her from eager student and devoted mother to activist and essayist. When she meets a former classmate, now a doctor specializing in pediatric care for poor women, her interest is initially academic; Amelia’s work, as well as the work and lifestyles of members of the Heterodoxy Club, she believes, would be the perfect subject matter for her graduate thesis. While careful to maintain a journalistic distance, she is nevertheless drawn in by the importance (and lack of coverage) of these women’s work. The stark contrast between Amelia’s bohemian flat and Laura’s own apartment—“part public space, part private” (112)—fascinates and allures her (despite the lack of indoor plumbing). Amelia’s sexuality is another marker of their difference and, in Laura’s eyes, her friend’s bold and unapologetic lifestyle. The women of the Heterodoxy Club awaken in Laura a latent yearning to do something important with her life, something socially active beyond raising children (although she bridles when a woman at the luncheon appears to disparage motherhood). But as of now, Laura has only dipped a toe in the waters of activism. Who she is, and the feminist icon she will become, are still worlds apart. Her transformation promises to shed light on the mysteries Davis has only begun to establish.
By Fiona Davis
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