42 pages • 1 hour read
Raymond ChandlerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of Marlowe’s defining traits is that he is a relentlessly moral man. At the same time, he is not a rich man. Often, Marlowe must decide between accepting payment for services which contradict his moral code. He frequently refuses. Whether he is offered money to babysit Wade, a lucrative future job working for Harlon Potter, or a $5,000 bill sent to him by Lennox, Marlowe has no trouble turning down material rewards. He lives in a small house in a low-income neighborhood, operates out of a small office, and lives a limited lifestyle compared to the people he works for and investigates. Marlowe sacrifices material wealth in favor of his morality. Luckily for Marlowe, this distinction makes his services coveted. People seek him out because they know that they can trust him to do what is right, rather than just what pays best or is easiest. The irony of Marlowe sacrificing immediate rewards so that he can take a moral stance is that, by taking the moral stance, he increases the likelihood of future business. Morality and wealth intersect in a complicated way in the novel, but Marlowe always favors morality over money, even though doing so keeps him perpetually balanced on the brink of poverty.
For the other characters, the distinction between morality and money is not as clear cut. Marlowe spends most of the novel working for and investigating people who are very wealthy. The neighborhoods he visits, the cars they drive, and the clothes they wear are all well beyond Marlowe’s means. Yet his experiences working for the rich people in their isolated neighborhoods teach him to associate wealth and immorality. He would rather be poor and moral than be like Wade, who drinks in excess and is never happy. While Marlowe may not be happy, he can at least be satisfied that he has done the right thing. To Marlowe, this distinction is important. Other characters such as Lennox and Linda recognize Marlowe’s innate morality, and they envy him for being able to make this decision. Because of greed and self-interest, most people cannot make the sacrifices that Marlowe makes. Few people are willing to pay the real price needed to be a moral person.
Ultimately, Marlowe makes no money over the course of The Long Goodbye. He is beaten up, thrown in jail, threatened, and more, all in the pursuit of truth. He refuses to accept that the rich Harlon Potter should be allowed to cover up the scandalous truth about his daughter’s murder, even though every institution in the city is willing to help him to do so. Even as his career is threatened and his life is placed in danger, Marlowe goes out of his way to ensure that the truth is revealed to the public.
The capitalist society Marlowe inhabits alienates and makes miserable all its inhabitants. Marlowe’s work on the Lennox and Wade cases takes him into a world populated by the very wealthy. The wealthy people have all the money they will ever need, allowing them to live in isolated communities, surrounded by other similarly wealthy people. Despite this access to vast sums of money, none of the people Marlowe meets are happy. Instead, they feel separated from reality. They do not know how to make their lives better, finding little pleasure in their careers, cars, hobbies, or romantic partners. As such, these wealthy communities are rife with discord and immorality. Marlowe realizes that the spate of extramarital affairs, alcoholism, and violence indicates that no amount of money can repair the glaring holes in these peoples’ lives. While men like Marlowe struggle to get by, the rich and powerfully are stricken by moral rot and social alienation. They are isolated from the aches and pains of the real world, so they torture one another to feel anything other than the numb, cloying pain of their unhappy lives. They shut themselves away from the poor by building neighborhoods which, though they are intended to be happy, wealthy communities, become like prisons of alienation. These wealthy people are the true beneficiaries of capitalism, but they have gained nothing from their unearned success.
Marlowe meets the incredibly wealthy Harlon Potter and the disreputable gangster Mendy Menendez. While Potter is considered to be one of the smartest and most upstanding men in the country, Menendez is dismissed as a violent crook. Despite their vastly different reputations, both men deal with Marlowe in the same way: They like Marlowe and appreciate his honesty, but they threaten him with violence if he dares to intrude into their private lives. From Marlowe’s perspective, the successful capitalist and the petty crook are the same. They share the same outlook on life, the same moral code, and the same way of interacting with the world. The only difference is that Harlon Potter is deemed permissible by society while Menendez is deemed a criminal. The similarity between them is a damning indictment of capitalism. The rich are all criminal, whether they made their money legally or not. As Marlowe and Ohls suggest, there is no way to become as rich as Harlon Potter without exploiting someone. The only real difference is that Potter owns a newspaper, so he can shape the truth of the world to his will. Menendez, on the other hand, must rely on a knife.
Marlowe and Ohls recognize the capitalist alienation that shapes their world. They see the encroaching modernity, separating the rich into their own unhappy neighborhoods and forcing the poor into a life of constant struggle to get by. There are those who can straddle both worlds. Lennox marries into money and for a brief time divorces out of it. Nevertheless, he is constantly unhappy, whether rich or poor. He demonstrates how material wealth fails to repair the lingering trauma in a person. The money from his wife only allows him to fund new ways to alleviate his pain, either by drinking heavily or becoming increasingly numb and distant. When Eileen sees Lennox, she understands that he is not the man he once was. He is now completely alienated and traumatized. Unfortunately for the characters, they can envision no other solution. As Ohls implies to Marlowe, they must deal with capitalist alienation because this is the only system they have.
Marlowe’s investigations reveal to him the unspoken trauma lurking within everyone he encounters. Although he meets many rich, successful people, he never meets a happy person. Instead, every character wrestles with the pain of their past as they try to resolve the tensions they hide from the world. The society Marlowe inhabits values tough exteriors. As men like Harlon Potter shape the world, their values are spread through the society. Potter abhors publicity and values privacy, and in turn the society he shapes teaches its inhabitants to hide themselves and their pain from the world. As such, the entire city seems to repress its trauma on an colossal scale. A solution such as mental health treatment is stigmatized; some characters mock it, while the police view psychology as an interference in their work. Most people view therapy and the acknowledgement of trauma as modern nonsense. They continue to hide their true feelings from the world and seek out ways in which they can self-medicate to deal with problems they do not understand.
A key source of this trauma is the terrible things the characters have witnessed. Lennox is a key example of this, as he is forever changed by his experiences in World War II. He was captured and tortured; he brings that pain and those memories back to America, but he cannot resolve the anxieties of his past. No matter how much money he has, how much he drinks, or who he meets, he will never be able to forget his experiences during the war. Similarly, Eileen can never forget the pain of losing Lennox during the war. She can also not forget the pain of the abuse inflicted on her by Wade, though ironically Wade has no memories of these violent outbursts. Even a less prominent character like Earl struggles to resolve the tensions of his past, which are made manifest in his violent and unexpected outbursts.
Even though these random outbursts of traumatized violence are frequent and deadly, they continue to be repressed. Potter uses his power and influence to hide the scandalous murder of his daughter from the public, socially repressing the story just as he encourages other people to repress their personal emotions. Society’s institutions help him; the police and the district attorney bend the justice system to Potter’s whim, allowing him to further the repression of traumatic events and thereby perpetuating the cycle. Marlowe is unique because he presses back against this repression. He demands that the public know the truth, no matter how scandalous or traumatic it might be. Marlowe wants to use the unspoken trauma and the secrets of his society to force the public and the people involved to confront reality. He succeeds to some degree, but even Marlowe struggles to deal with his own feelings.
By Raymond Chandler