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27 pages 54 minutes read

Nathaniel Hawthorne

The Maypole Of Merry Mount

Fiction | Short Story | Adult | Published in 1832

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Themes

The Fallibility of Man

The short story represents an allegory for the fallibility of Man. Throughout the story, Hawthorne examines how the inherent sins of humanity negatively breed adverse consequences. The author alludes to various references throughout the story in order to assert this point; in fact, the entire story can be seen as a reference for the Christian mythos of humanity’s fall from grace. Just as the Judeo-Christian religion believes that Adam and Eve were kicked out of the garden of Eden, so too are the Merry Mounters removed from the sanctuary, their community destroyed. However, because Hawthorne argues that all human beings are inherently flawed, the Merry Mount community—while resembling the paradise of Eden—is not without its own flaws. Most of the happiness that seems to arise out of the community is what the author refers to as “counterfeit” (Paragraph 4), indicating that the Merry Mounters’ emotional experiences are not real. Therefore, their happiness is not real, either. Hawthorne repeatedly uses sarcasm in order to demonstrate the false nature of the community, juxtaposing the real happiness of love with the false nature of the Merry Mount community.

However, Hawthorne does not only suggest that the Merry Mounters are culpable for their flaws. Rather, he also indicates that the Puritans, although allegedly more spiritual and rigid in their piety than the Merry Mounters, nonetheless exhibit the flaws of humanity as well. Hawthorne shows the similarities in human nature between the two use by discussing the Puritans and the Merry Mounters as opposite sides of the same coin. As a group, the Puritans are incredibly violent: Endicott even assaults the Maypole, the embodiment of Nature, which Hawthorne, as a Romantic author, views as the ultimate indication of evil. Similarly, Hawthorne suggests that the Puritans themselves are hypocrites in terms of their spirituality, as the violent fervor with which they force their religion upon others goes completely against the Christian virtue of mercy. Neither the Puritans nor the Merry Mounters are without their flaws. In fact, the only characters who Hawthorne deems good are Edith and Edgar, as this couple represents the palliative power of love which Hawthorne argues exists as mankind’s only method to counteract its inherent fallibility.

The Importance of Love

Throughout the short story, Hawthorne represents love as a force of power, one that exists as a panacea for human nature. Hawthorne uses juxtaposition in order to demonstrate the power that love has, arguing that love exists as the most important concept in the world. Part of the reason that Hawthorne believes love to be so important lies in its capacity to reveal truth, especially that which the wickedness of human nature blinds us to. In order to demonstrate the revelatory nature of love, Hawthorne constructs an opposition between the bond displayed by Edgar and Edith and the false happiness of the Merry Mounters. Hawthorne then suggests that the nature of the conflict in the story is not between the Merry Mounters and the Puritans, but really between truthful goodness and the counterfeit nature of humanity. Hawthorne even goes so far as to assert that love has magical properties, such as its ability to soften iron.

Love represents all that is good within humanity; although Hawthorne does argue that humanity is naturally flawed, he views love as a method to counteract these baser instincts. Of course, Hawthorne’s construction of love is heteronormative to the extreme. He considers love as the relationship that arises in the bond between husband and wife. He only believes that love’s panacea extends within the romantic and sexual entanglements of love, not those that are platonic in nature. Hawthorne makes no mention of the love for humanity, which does make sense considering the fact that Hawthorne regards humanity as inherently evil. Hawthorne argues that only through sexually romantic heteronormative love can humanity be saved, an idea which renders his work inherently problematic for society as it negates any alternatives for love that are neither romantic/sexual or heteronormative in nature. 

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