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Jessie BurtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nella stays in bed for a week. She pretends to be asleep whenever Marin sits beside her. On the seventh day, Marin brings Nella sweet-smelling rose-water wafers. When Marin takes the cradle from Nella’s cabinet to look at it, Nella angrily orders her not to touch it.
Nella hopes to shock Marin by revealing that Johannes is “a sodomite.” However, her sister-in-law shows no surprise at the announcement. When Nella accuses Marin of depriving her of the chance to be a “proper woman,” Marin admits to persuading Johannes to marry but says she hoped Nella would change him. She also points out that Nella has benefited financially from the marriage and that most married women are powerless or die in childbirth.
Marin asks Nella to consider what would happen to Otto and Cornelia if she reported Johannes to the burgomasters. Expressing gratitude for the protection Nella offers them, Marin clarifies that the legal punishment for men like Johannes is drowning with a weight hanging from the neck. Marin explains that she wants to do business with the Meermanses because she hopes it will protect the Brandt household. She does not believe the couple would be merciful if they knew Johannes’s secret.
Nella overhears Marin arguing with Johannes. Marin says he is neglecting Nella and asks him how much money he has given Jack. Johannes claims he is paying Jack to guard the sugar in the warehouse.
Nella allows Peebo to fly around the great hall. Meanwhile, Cornelia tries to persuade Nella that Nella is a valued family member. Nella is unconvinced but has no desire to return to her life in Assendelft. She is also curious about the miniaturist’s intent.
Telling Cornelia about the love note in Marin’s room, Nella asks if her sister-in-law ever loved anyone. Cornelia admits she gleans most of her knowledge from listening at “keyholes.” The maid reveals that Frans Meermans fell in love with Marin years ago. As the Brandts’ parents were dead (their mother died shortly after giving birth to Marin), Johannes was his sister’s protector. When Frans asked his permission to propose to Marin, Johannes refused. Marin only learned of her brother’s intervention once Frans had married her friend, Agnes.
Cornelia suggests that Frans married Agnes for the wealth created by her sugar plantation. Agnes inherited the plantation, as her father failed in his attempts to produce male heirs. Cornelia believes Agnes is in love with Frans, but his continued love for Marin has resulted in their marriage being childless. She claims that Frans sends Marin gifts of meat as a sign of his devotion. Nella returns to the great hall to find Peebo has escaped through an open window.
For the rest of the day, Nella and Cornelia fruitlessly search for Peebo. Nella knows that her parakeet will not survive the freezing temperatures. The next morning, Johannes leaves flowers outside Nella’s door. An accompanying note explains that the flowers represent friendship and “restoration.”
Nella receives another parcel from the miniaturist containing eight dolls with the message, “THINGS CAN CHANGE” (181). The dolls are likenesses of Nella, Johannes, Marin, Cornelia, Otto, Agnes, Frans, and Jack. There is also a miniature of Peebo. Each doll features a defining characteristic: Nella holds an empty birdcage, a large bag of money weighs down Johannes, Cornelia makes a hushing gesture with her finger to her lips, Otto is lean and wears “simple servant clothes” (181), Marin’s dress is lined with fur, Agnes holds a sugar loaf, Frans has a large brimmed hat and sword, and Jack has a leather jacket and a “cherry red” mouth. Looking out of her window, Nella thinks she sees the miniaturist walking away. She shouts out, but the woman disappears.
Nella runs downstairs to follow the miniaturist but stops when she hears Marin and Johannes arguing. Marin warns that the Meermanses’ sugar will become damp if it stays in the warehouse any longer. She tells her brother that she has ordered a barge, and his things are packed and ready. When Nella interrupts them, Johannes says he is going to Venice to sell the sugar. Nella sees her husband off with the flowers he bought in her hair. Johannes is moved when she tells him they symbolize “restoration.”
Late that night, Nella hangs the golden key around her doll’s neck and decides to go in search of the miniaturist. As she prepares to leave the house, she hears Marin taking a bath. Spying through the keyhole, Nella is surprised that her sister-in-law is less slender than she appears. She also notices that Marin has a bowl of candied walnuts close by. Nella watches as Marin shreds her love note into the bath water and cries. Confused, Nella returns to bed.
As the waters of the canal freeze, various items float to the surface, including dead kittens and a limbless man. Nella is disappointed not to catch sight of the miniaturist while Christmas shopping with Cornelia. Visiting the confectioner’s shop, they learn from Hanna that the burgomasters have banned gingerbread and puppets.
Weeks go by, and Nella receives nothing more from the miniaturist. One day Marin angrily confronts Nella with the doll of Jack and throws it out of the window. When Jack’s doll lands on the icy canal, Nella feels uneasy about leaving it there. She unsuccessfully encourages Rezeki to retrieve it. The next morning, Nella looks out the window and sees Jack’s doll propped against the door.
Nella’s mother invites her daughter to return to Assendelft for Christmas. Marin is relieved when Nella decides she will not go. Despite Marin’s concerns about appearances, Nella hangs out of her window to hear nearby musicians playing.
Nella writes a letter to the miniaturist asking her to send a verkeerspel board (a Dutch game). She sees Otto leaving the house alone and follows him to the Old Church. While Nella watches Otto praying from behind a pillar, Agnes surprises her. Nella assures Agnes that Johannes is in Venice selling her sugar. However, Agnes angrily reveals that all the sugar remains in the warehouse and will soon mold, rendering it worthless.
Distracted from delivering her letter to the miniaturist, Nella goes home to tell Marin the news. The house door is wide open, and she sees Jack inside.
Jack gives Nella a package from the miniaturist and calls out for Johannes. Nella reveals her husband is in Venice, and Jack suggests Johannes is there searching for young men. Jack blames Marin for Johannes’s decision to cut him out of his life. When he slashes a painting with his dagger, Marin approaches Jack and challenges him to kill her. Jack raises his dagger, and Marin slaps him across the face.
Jack takes the money Marin offers to pay him off. He then forces on her a prolonged kiss. Otto returns, and Jack taunts him, claiming that Johannes plans to dismiss him. Rezeki runs toward Jack, barking aggressively. Jack stabs the dog in the head. During a scuffle with Otto, Jack is hurt. He pretends to be dying before pulling the dagger out of the wound and declaring it evidence of “attempted murder.”
The title of Chapter 18, “Inside Out,” reflects the protagonist’s altered position within the Brandt household. In Chapter 1, “Outside In,” Nella is a naive outsider, looking in at the family without understanding what she sees. Nella’s discovery of Johannes’s sexual orientation transforms her into an insider. Like the other members of the household, she looks out on the world while closely guarding the household’s secrets.
Nella’s initial outrage at being unable “to live as a proper woman” (161) underlines the novel’s theme of Gender Roles and Autonomy. She feels a sense of loss that she will never experience marital sex or motherhood. Marin challenges Nella’s acceptance of prescribed gender roles, but Nella struggles to accept Marin’s claim that her marriage to Johannes is “an opportunity. For everyone” (158). Nevertheless, Nella realizes that her shocking discovery gives her a new power within the household. Instead of a redundant and humiliated wife, she becomes the key to the family’s protection. Her decision to keep Johannes’s secret and stay in Amsterdam marks a crucial change in her mindset.
Nella’s acceptance of her unconventional marriage is symbolized when she adorns her hair with flowers, representing “restoration.” The gesture of reconciliation marks her coming-of-age and the beginnings of a new relationship with her husband based on mutual liking and respect. Freed from her fixation on fulfilling prescribed gender roles, Nella begins to consider what being a woman means beyond these conventional boundaries. Increasingly, she looks to Marin and the miniaturist as strong alternative versions of womanhood.
The motif of observation continues as Cornelia admits to eavesdropping on her employers, and Nella spies on Otto and on Marin. Nella’s decision to watch Marin bathing through a keyhole reflects her determination to understand “what lies beneath” her sister-in-law’s contradictions and enigmatic veneer (192). Despite noting that Marin’s body is more well-nourished than expected, Nella learns nothing about her sister-in-law’s essence. While the clues to Marin’s pregnancy are right before her, Nella fails to see them.
The intentions of the miniaturist remain enigmatic in these chapters. The arrival of dolls modeled after all the key characters in Nella’s life again displays the miniaturist’s uncanny insight. The unexplained retrieval of Jack’s doll from the icy canal suggests supernatural forces are at work. The empty bird cage and parakeet sent by the miniaturist after Peebo’s escape are most ambiguous in meaning. While the miniaturist’s messages seem to advocate freedom, Nella’s certainty that Peebo will not survive outside highlights the potential dangers of complete liberty. Nevertheless, Nella begins to perceive the miniaturist as a positive mentor. When the protagonist hangs the miniature key around her doll’s neck, she signals a new faith that she can be mistress of her house and destiny.
In the latter half of Part 2, the novel creates an atmosphere of increasing foreboding. The news that the burgomasters have banned gingerbread men and puppets suggests a climate of increasing religious intolerance in Amsterdam that does not bode well for Johannes. The motif of rising waters reappears in Chapter 23 when macabre items such as drowned kittens and a limbless murdered man ascend to the surface of the freezing canal. The visual symbolism of this event evokes the idea that the hidden sins of Amsterdam are coming to light; this again foreshadows Johannes’s fate, as the contemporary society views his sexual orientation as sin worthy of capital punishment. In Chapter 25, “The Fox is Feverish,” tensions come to a dramatic climax when Agnes and Jack appear in feverish states, threatening the security of the Brandt household.