57 pages • 1 hour read
Chitra Banerjee DivakaruniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tilo reflects on the qualities of fenugreek, a spice known for its healing properties. She recalls instances where she used fenugreek to help her customers with various issues, ranging from physical ailments to emotional distress.
The narrative then introduces a group of young, confident Indian American women, whom Tilo refers to as the “bougainvillea girls.” Initially, Tilo regards these young women—with their modern lifestyles and disregard for the traditional—as naïve and foolish. She imagines that nothing bad has ever happened to them. She briefly imagines using harmful spices to punish them for their arrogance, and she fantasizes about casting off her disguise—the body of an aged woman—and revealing her true self, in comparison to whom the Bougainvillea Girls would be “like mud scraped from the feet before one crosses the threshold” (51). Remembering the words of the Old One, she chastises herself for her vanity and envy and blesses the women.
Tilo also reflects on her past, particularly her time on the island where she was trained as a Mistress. She remembers the ceremony where she and her fellow trainees were given their assignments and the places they would go to serve. Tilo chose Oakland, driven by a sense of destiny and challenge despite the Old One’s cryptic warning that she had “a feeling” that this choice would lead Tilo into danger.
After choosing their destinations, the Mistresses walk one by one into a magical fire that consumes their bodies painlessly so they can be reborn in their new bodies and new homes. The Old One warns them that on rare occasions, when a Mistress becomes rebellious and neglects her duties, the fire comes for her again. In such cases, the errant Mistress is given three days to get her affairs in order before the fire consumes her, this time with all the physical suffering that would come with an ordinary fire. Sometimes, the Mistress is allowed to return to the Island and begin again, and sometimes her life ends.
Tilo reflects on her life in Oakland. She is happy, though she often wishes she could have her young and beautiful body back. At night she sleeps in the shop. As she lies on the floor, she hears the thoughts of people around her, including an Indian woman who worries that her husband may lose his job and that she won’t have enough money to feed her children, many Indian men who lament the harshness of their jobs in America and dream of going home with money in their pockets, and a young Indian girl who wishes to have white skin and blonde hair like her Barbie dolls.
Tilo muses about the unique character of each day in her shop. Fridays are restless, and it is therefore fitting that Friday is the day she meets a man she calls “the lonely American” (69), whose mysterious nature intrigues her. Tilo remarks that she has met many Americans (by which she means non-Indians), and she is often curious about them, but she does not involve herself in their lives because to do so would violate the rules. The Old One has warned her that her job is to help only her “own kind” (meaning Indian and Indian American people). She describes a Black man named Kwesi who frequently visits the store and whom she finds particularly alluring, but she resists the temptation to ask him questions about his life.
The lonely American, however, is more difficult to resist. She describes him as handsome and elegant, dressed all in black, in simple but expensive clothes. Trying to avoid conversation, she begins packing away her merchandise to close up for the night, but he decides to help her. As their hands accidentally touch, she feels erotic attraction for the first time in her life. When he leaves, he says, “I’ll be seeing you” (73), and she hopes he means it.
After the lonely American leaves, Tilo searches for a special spice for him. The Old One told her that for each person, there is a particular spice—the mahamul, or root spice. While she searches the shelves, she fantasizes about seeing him naked—something she has never desired before—and fears that her desires will prevent her from seeing the spices clearly. Her hands, searching of their own accord, settle on a jar of asafetida: A spice known as an antidote for love, it hardens the heart and strips away emotion. She puts it aside for the lonely American, feeling both relieved and immensely saddened: If she gives it to him, it will eliminate any chance of love between them.
Geeta reflects on her various customers. She has to fight the impulse to feel resentful toward the “rich Indians” who live in the Oakland hills. Though they are often haughty and even rude, she realizes that many of them are dealing with serious private struggles and that their lives are not as easy as they appear.
On Saturdays, the shop is crowded, and everyone is full of their private desires. On these days, sometimes, Tilo glimpses the future. Longing to see the lonely American again, she becomes conscious of her own desire and tired of catering to everyone else’s desires. She imagines using the spices to make the lonely American fall in love with her, but this would be a profound breach of the rules Mistresses must live by.
A man Tilo calls “Geeta’s grandfather” comes in and talks to Tilo, complaining about Geeta’s modern, independent lifestyle. When he leaves, Tilo lights incense in the hope that Geeta will keep her independence and learn to forgive her grandfather for his stubbornness. When Geeta’s grandfather returns the next day, he is extremely upset. Geeta has revealed that she is in love with a Latino man named Juan Cordero. At the news that she is romantically involved with a man who is not Indian, her parents have disowned her. There is so much discord in the family that Geeta’s grandfather asks Tilo for some remedy. She gives him powdered almond and kesar, instructing him to boil it in milk and have the whole family drink it at bedtime. It will sweeten their words and help them to remember that they love each other. However, Tilo warns him that the medicine will not work unless Geeta comes to the shop herself and asks for Tilo’s help.
The chapter concludes with a vivid dream that Tilo has about the island. In the dream, the Old One’s face becomes a void, and Tilo hears a warning about the chaos that can ensue when a Mistress uses her power for personal gain. This dream leaves Tilo shaken and reinforces her commitment to her role, despite the personal cost.
Ever since the lonely American’s visit, Tilo finds herself increasingly empathetic and concerned about her customers, unlike before. This shift is evident in her worry over Ahuja’s wife, Lalita, who hasn’t visited the store for months. Tilo fears for her safety, as she had previously provided her with turmeric to protect her from domestic abuse. She fears that the spices are losing their power, which would signal that she is failing in her duty. When Lalita does come in, she tells Tilo tearfully that she remains deeply unhappy in her marriage. Her husband rapes her and hits her. They married in India, and she hoped that when they moved to America he would change, but if anything, he became worse. Recently he has become even more controlling, forbidding her from leaving the house without him, insisting on reading her private letters, and subjecting her to constant surveillance. She used to long for a baby, but she does not want to bring a child into this household. She has begun to consider dying by suicide.
Tilo gives her fennel seeds, a spice symbolizing ordinary lives and ordinary, middle-aged people, and tells her to eat a pinch of them whole after every meal “to freshen the breath and aid digestion and give you mental strength for what must be done” (109). She tells her to give some to her husband, too. Lalita is disappointed, but Tilo cannot tell her more without diluting the spice’s power. When Lalita is gone, Tilo begs the spices to help her. For the first time in the book, the spices speak to her, telling her that she has overstepped her boundaries and that there will be a price to pay.
Tilo is slicing kalo jire seeds for Haroun when the lonely American comes in unexpectedly. Startled, she cuts her finger. He apologizes, takes her hand, and puts her injured finger in his mouth, sucking the blood away. Moments later, the cut is mysteriously healed. As she and the lonely American are talking, Haroun comes in to collect his packet of kalo jire. The lonely American walks to another part of the store to let her serve this customer, and Haroun loudly tells her that she should be more careful, that this stranger could be dangerous. She tells Haroun that she can take care of herself and asks him not to insult her customers, and Haroun leaves, his feelings hurt.
The lonely American tells Tilo that he has an ache in his heart, taking her hand again and placing it on his chest. She is overwhelmed with attraction and, sensing that he is flirting with her, she flirts back, suggesting that the cure for his ache is love. Realizing that she is breaking the rules, she pulls away and says she will retrieve a spice for him. She feels the spices willing her to give him the asefetida—which would end any chance of love between them—but she is not yet willing to do so. Instead she gives him churan, which she tells him is for “the too-indulgent life” (120).
In the morning she remembers that she has forgotten to clean the blood off her knife—a gift from the Old One, meant to protect her—and it is irreparably stained. She feels guilty for having broken the rules and for having offended Haroun.
Kwesi comes in and asks permission to put up a flyer for his martial arts dojo. He tells her how, many years ago, his deep involvement in martial arts helped him overcome his substance use disorder. After Kwesi leaves, Jagjit comes in. Tilo hasn’t seen him since he was 10 years old. Now he is a young teen, still struggling to fit in and find his identity. He treats her disrespectfully and appears troubled, and Tilo wonders whether the spices are punishing her for her transgressions.
The story continues to explore Cultural Identity and the Immigrant Experience, particularly through Tilo's interactions with the "bougainvillea girls" in Chapter 4. These young women, embodying a modern, Americanized outlook, starkly contrast with Tilo's deeply rooted Indian traditions and mystical wisdom. This juxtaposition highlights the complexities of cultural identity amid the immigrant experience, as Tilo navigates her feelings of envy, disdain, and eventual acceptance. There is no one correct way to be an immigrant and adapt to a new culture, and this intervention leaves room for Tilo to explore new feelings and build deeper connections with her customers.
The Tension Between Duty and Personal Desire is illustrated as Tilo grapples with the limitations and rules of being a Mistress of Spices. Her internal struggle intensifies in Chapter 5 with the arrival of a mysterious American man she calls “the lonely American.” Her attraction to this man challenges her commitment to her duties. In her training on the Island, Tilo was instructed never to fall in love, as a Mistress of Spices is expected to love only the spices. As she finds herself drawn to this mysterious stranger, Tilo remembers the words of the Old One: “[A] mistress must carve her own wanting out of her chest, must fill the hollow left behind with the needs of those she serves” (71). Tasked with living only for others, Tilo has been given no opportunity to discover what she wants for herself. Her attraction to the lonely American threatens to upend what she thought was a settled existence. Because she fears this destabilizing desire, she prepares to give him asafetida—a spice that hardens the heart and acts as an antidote to love—but she cannot bring herself to do it yet. She is unready to foreclose the possibility of love between them, and this openness to desire makes all her personal growth possible.
Chapter 6 further explores Tilo's emotional journey and the consequences of her actions. Her growing empathy and attachment to her customers, such as her concern for Lalita and the teenager Jagjit, reflect the theme of Healing and Transformation Through Risk and Sacrifice. The risks involved in healing extend to the healer as well. Tilo remembers the Old One warning her students about the dangers of too much empathy: “One step too close and the cords of light connecting a mistress to the one she helps can turn to webs, tar, and steel, enmeshing, miring, pulling you both to destruction” (102). Tilo feels this risk in her relationship with Lalita. She is so concerned for Lalita that she touches her arm, breaking the rule against physical contact with the customers. She feels Lalita’s fear and pain, and then she hears the spices speaking to her: “Pull away pull away Tilo, before you’re welded down” (103). This specific threat—of being metaphorically welded down—explains the purpose of many of the Old One’s rules. To care deeply about another person is to run the risk that their pain becomes your pain. The rules are there to keep the Mistresses remote from their customers’ emotional lives and thus free to administer medicine as objectively as a doctor. Tilo, however, is learning the limits of this objectivity. She can’t help Lalita without listening to her and absorbing her pain, just as she can’t help Haroun without leaving the store to find him. To help anyone, she must accept her vulnerability.
Throughout these chapters, Tilo's character arc evolves significantly. From her initial rigid adherence to the rules of her role, she gradually becomes more human, experiencing emotions and dilemmas that were previously foreign to her. These include her burgeoning love for Raven and her deep and painful empathy for Lalita, Jagjit, Geeta, and Haroun. In developing these entanglements, she is leaving behind the protection that comes with her isolated role, but she is also learning who she is.
By Chitra Banerjee Divakaruni