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Colleen OakleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The gun is a symbol of power throughout the narrative. The gun is first referenced by Louise’s neighbor, who tells Tanner about Louise’s threat to her boyfriend, Declan. Tanner is worried about the gun and spends the time that Louise is at bridge searching the house to no avail, finding only a few locked closets, boxes, and drawers that she can’t open. When she calls Jules about the gun, she promises her that it’s locked in the bedside table and kept unloaded. The gun appears again in the glovebox when Louise and Tanner are heading toward St. Louis. It scares Tanner, who demands that Louise unload the gun and store the ammo separately from the pistol itself. Tanner is afraid of what power could mean in her hands or do to her. Louise also uses the idea of the gun in Tanner’s purse to escape going up the St. Louis Arch, using her soft power of manipulation over Tanner.
After Tanner’s angry outburst at Louise for calling her “girlie,” Louise takes her to the woods behind their St. Louis motel to learn to shoot the gun. Though Tanner resists and expresses fear at first, after she gets the hang of it, she tells Louise that it was “absolutely amazing” (179). Even though she misses the targets, Tanner learning to shoot the gun symbolizes her learning to harness her own power. At dinner afterward, Tanner opens up about her fear of being perceived as impolite or told that she was overreacting if she had shoved the drunk frat boy out of the way. She feared expressing her power and now turns her anger on both herself and those around her, like her mother. Louise tells Tanner that she understands her anger and the feeling of powerlessness.
Louise leaves the gun in Tanner’s bag when she spends the night with August in Redding. When Tanner questions it, Louise tells her that she wanted to leave her with a measure of protection, because regardless of how nice August seems, a woman should always have a “leg of lamb” (278). Louise wanted to remind Tanner that in her intimate situation with August, she has the power to say no or walk away.
The symbolism of the gun reaches a climax when Tanner uses it to shoot at Salvatore D’Amato. When she bursts down the door and points the gun at him, Salvatore taunts her about not knowing how to use the gun, and in that moment, Tanner sees the boy on the balcony instead of Salvatore. In a moment of claiming her “space on the balcony” (298), she shoots at him. Though she misses him, it’s still a moment in which Tanner claims her power and right to exist in the world.
The Kinsey Diamond is a symbol of autonomy. It is first mentioned in the news broadcast that Tanner sees in Atlanta that announces Patricia Nichols as a new suspect. From there, it disappears from prominence in the plot until Special Agent Lorna Huang begins investigating the case. She wants to crack the cold case that has passed from agent to agent for 48 years, and the fame and prominence of the Kinsey Diamond is central to the importance of the case. A jewelry heist is one thing, but a jewelry heist in which a world-famous, 37-carat diamond is stolen is quite another. Agent Huang craves the glory and recognition that would come with cracking the case and finding the diamond, recognition that would advance her career in the FBI and give her greater professional autonomy, along with what she truly desires: a better work-life balance, with time to repair her marriage and to spend with her son Philip. When she fails to find the diamond, she makes her own autonomy and decides to spontaneously stay at the coast and take time off, inviting her husband and Philip to spend a vacation with her.
The diamond reappears during the big reveal, when it is revealed through flashback that George and Louise did pull off the Copley Plaza heist and steal the Kinsey Diamond. Its location remains unclear until Louise is on her deathbed, when she gives it to Tanner hidden in an envelope. This passing of the diamond is significant. Louise lived her life with autonomy, and as Jules notes in her initial phone call with the police, she did nothing she did not want to do. She and George also used their whisper network to help other women find greater autonomy and freedom from abusive relationships. When Louise gives the diamond to Tanner, she gives her the freedom to decide what to do with it, representative of Tanner’s new ability to decide what she wants to do with her life. Though the door to soccer is closed, Tanner has the autonomy to find a new path.
Louise’s hair is a motif that connects to the theme of Aging and the Body. Her hair is first mentioned when Jules calls the police to report her missing, stating that her mother would never miss her hair appointment. Hair is so important to Louise and how she perceives herself that her missing the appointment is something that greatly alarms Jules.
In St. Louis, Louise wakes up early while Tanner is hungover to walk two miles, there and back, to get her hair done. When she returns, Tanner tells her that her hair looks nice, to which Louise replies, “It looks like a football helmet” (180). Louise also swears that she never thought she’d have “old lady hair” (180), but the texture of her hair with aging has left her with few styling options. Though Louise feels young on the inside, she hates how her body is betraying her with age (first the brittle bones that broke after she tripped over the rug, then the Parkinson’s disease). Her hair is part of her identity, so much so that she walked four miles with a healing broken hip in the Missouri heat to have her hair fixed. she also wore a scarf around her head prior to her appointment, which Tanner even mistook for a disguise. She would not go out without the scarf until her hair was coiffed how she wanted it. Though she calls her style “old lady hair” (180), it is still something that she can control about her body. She cannot control her hand tremors and night terrors from Parkinson’s, she cannot control her declining mobility, and she cannot control her lapsing memory, but she can control her hair.