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57 pages 1 hour read

Ann Patchett

The Patron Saint of Liars

Fiction | Novel | Adult | Published in 1992

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Symbols & Motifs

Son’s Tattoo

Content Warning: This section discusses a death by drowning.

Son’s tattoo that says “Cecilia” is a motif that highlights The Complexity of Truth and Lies throughout the novel. He initially gets the tattoo to honor his love for his fiancée, Cecilia. However, she changes her mind about marrying him after he is medically discharged from the armed forces. The tattoo ends up having a deadly result: Cecilia is so angry when she sees it for the first time that she explicitly tells Son not to look at her and then goes swimming. As a result, he doesn’t notice she is drowning until it is too late. While he does go in to save her, he hesitates for a moment; she has made him suffer several times before by rebuffing his affection, and finally, she needs him so desperately as she is drowning that he enjoys it. However, he is too late when he tries to save her, and she dies.

Son never tells anyone about how he thinks he might have saved Cecilia’s life if he hadn’t hesitated; this lie of omission nevertheless haunts him always, and the tattoo represents the guilt he carries around. While Rose, too, is haunted by her lies, Son’s tattoo is a physical reminder that lies have consequences that extend into the future.

Water

Many of the novel’s most important moments happen around water. Water symbolizes change in the novel, though the exact nature of the change is different for different characters. Saint Elizabeth’s only exists because the hot spring broke through the ground, creating a source of magical water; in this way, water changed the town of Habit. Additionally, for many of the pregnant women at Saint Elizabeth’s, having their water break begins their labor process and indicates that they will have their babies and soon after leave Saint Elizabeth’s to return home. In this case, water symbolizes a period of change in their lives.

Swimming also plays a big role in the novel, and for many of the characters, it represents freedom—or, in other words, a change from their old, set ways. At the beginning of Rose’s section, she reflects on swimming in the ocean, which gives her an almost meditative peace. For her, swimming means freedom from people always watching her and expecting things from her. While Sissy, too, experiences a sense of freedom while swimming, it manifests as freedom of thought. When she swims at the river, Sissy realizes that she will always be different than the girls at Saint Elizabeth’s; she begins to take ownership of her life and actions, demonstrating this by going swimming alone.

Lastly, water symbolizes rebirth, which is a change in attitude or perspective in a character’s life. During Son’s first night at Saint Elizabeth’s, he washes dishes, and Sister Evangeline holds his hands underwater as she talks to him about his past—especially about his lack of control over and responsibility for the trauma he has endured. From that day forward, Son can release Cecilia’s hold on him, becoming a new person in a new place.

Rose’s Car

Rose’s car is a symbol of freedom and agency. When Thomas teaches Rose how to drive, she falls in love with his car, claiming it is her best friend. She admits that she “could leave [her] husband but not his car” (39). In Rose’s childhood, cars represented disaster and grief, particularly because her father died following a car accident. As a result, Rose’s mother refused to drive or teach Rose how to drive, instead depending on public transportation or other people. Rose dislikes being dependent on others and finds her happiest moments while driving.

Rose drives to Kentucky using the car, which lets her escape her stifling life in California. Additionally, Rose uses her car to teach her own daughter to drive, emphasizing the theme of The Power of Mother-Daughter Relationships. While Rose is an absent mother for the most part, her decision to teach Sissy to drive allows her to pass down the skills that are most important to her.

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