47 pages • 1 hour read
Jeanne BirdsallA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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The oldest Penderwick sister, Rosalind, takes on the responsibilities of caring for her younger sisters in their mother’s absence. In addition, Rosalind is the only sister who shows emotion over the loss of their mother, and she keeps a photo of Mrs. Penderwick by her bedside at the cottage. Batty says, “She takes care of me because Mommy died when I was a tiny baby” (68). Rosalind hides her grief from Batty, but after Skye tells her the awful things Mrs. Tifton said about their mother, she can’t conceal her anguish. Since she oversees Batty’s nightly bedtime routine, Rosalind uses the time to impart stories about their mother, giving Batty a sense of who she was. Rosalind is the only sister who maintains a close connection to home during their trip, often thinking of her best friend, Anna, and writing her describing their summer adventures, most notably that she fancies Cagney, the handsome older boy who tends Arundel’s gardens. Rosalind doesn’t connect deeply with Jeffrey like her sisters do. However, when he runs away from home, she presides over the sisters’ meeting to help him develop an escape plan.
Rosalind misses out on many of her sisters’ and Jeffrey’s adventures to help her father and, once she falls for Cagney, to spend time with him and learn about his interests. At 12, Rosalind is experiencing the beginning of adolescent changes, and Cagney becomes her first love interest. However, she worries about her feelings toward him and what others might think of her romantic dreams: “She was the practical Penderwick. And practical people, she thought, shouldn’t go all silly and forgetful around handsome teenage boys” (40). Her mother’s death causes Rosalind to miss much of her childhood, and the author portrays her as a sometimes sad character who is much more serious than her sisters. While Jane and Skye enjoy lighthearted, childish adventure books and characters, Rosalind compares herself to Ophelia, arguably one of Shakespeare’s most tragic female characters. Rosalind’s attraction to Cagney offers her a chance to embrace adolescence and briefly escape the grown-up responsibilities she carries. When she overhears Cagney calling her a child, Rosalind’s dream turns into an adolescent nightmare because she feels embarrassed and shameful for pining over a boy that could never be hers. However, Rosalind’s narrative ends on a hopeful note, as Cagney says his goodbye and presents her with a rosebush, a sweet gesture of friendship. However, Cagney’s affirmation of her character means more to Rosalind than his gift.
Just one year younger than Rosalind, Skye too has memories of her mother but doesn’t show her grief like Rosalind. Feisty and whip-smart, Skye is pragmatic but quick to speak her mind, which often leaves her wishing she could retract her words. Aside from her intelligence, Skye looks distinctively different from her brunette sisters because she has blonde hair and blue eyes: “It was a strongly held belief among all the Penderwicks that Skye would grow up to look exactly like her mother” (18). However, Skye doesn’t think she looks like their mother. In fact, Skye doesn’t think much about her appearance at all. Her interests are more cerebral. She has an ardent passion for mathematics and astrophysics, and she often feels like she doesn’t fit in with her sisters. Skye envisions spending her summer poring over her math equations, but a chance encounter with Arundel Hall’s mysterious young resident brings her the opportunity for a friendship and new adventures. After a rocky start, Jeffery and Skye become fast friends, and instead of spending three weeks inside her room, Skye not only experiences thrilling adventures on Arundel’s grounds but also gains a new friend. However, Jeffrey’s insufferable mother proves too much for Skye’s short fuse and seriously tests her self-control. Skye learns that nothing’s wrong with being self-assertive, but she must choose her battles and restrain herself when necessary.
If Skye is the family’s realist, Jane is the sister with her head stuck in the clouds. However, at 10, Jane already has a well-developed sense of self and wastes no opportunity to display her theatrical personality or find moments in the family’s everyday life to incorporate into her novels. Jane’s hero, Sabrina Starr, is fearless and clever, and the family’s vacation at Arundel provides a fount of inspiration for Jane’s novel. Jane and Skye both love soccer and are closer to each other than to Rosalind and Batty. Skye is proud of Jane’s accomplishments: “Soccer was the only thing at which she outshone Skye—other than writing books—and she loved it when Skye was generous enough to brag about it” (73). Jane often confuses fantasy with reality and sometimes requires a swift kick under the table or a nudge from her older sisters to break the spell. In Jane’s previous Sabrina Starr books, the hero rescues only animals, but Jane’s adventures at Arundel are the inspiration for Sabrina’s first human rescue mission.
Jane has an alter ego named Mick Hart, who helps her maintain a tough exterior when she gets frustrated and emotional on the soccer field. Hopelessly optimistic, Jane longs to believe in the best in people. Long after her sisters see Dexter Dupree’s true nature, Jane asserts that he might still have a good side. When he heartlessly rejects her book, Jane crumbles, her dreams shattered.
The only son of the pretentious Brenda Tifton, the owner of Arundel Hall, Jeffrey couldn’t be more different from her. He cares nothing for wealth and status, vehemently opposing his mother’s plan to send him to an elite military school in preparation to become a soldier. A talented pianist, Jeffrey longs to attend music school rather than pursuing the interests set out by his mother and her boyfriend, Dexter Dupree. When Jeffrey’s solitary life literally collides with his summer neighbors, his loneliness is swept away as he becomes part of the noisy, sometimes chaotic, but always adventurous life of the Penderwick sisters. Churchie says, “Jeffrey’s been happier since you Penderwicks have arrived than I’ve seen him for a long time” (90). Although Jeffrey’s life vastly differs from the sisters’ lives, they share the tragedy of missing a parent. Through Churchie, who cares for Jeffrey like he’s her son, Rosalind learns that Jeffrey’s father abandoned him, and Jeffrey has no knowledge of his whereabouts. Jeffrey’s grandfather, General Framley, loved and treasured him but died when Jeffrey was young, and Jeffrey now lives in his grandfather’s shadow, as symbolized by the General’s ominous portrait hanging in the dining room watching over his every move.
Jeffrey bonds most with Skye and Jane because they’re close in age and all love soccer, but he also develops a tender relationship with Batty and becomes like an older brother to her. After he saves her from the charging bull and a passing car, Jeffrey becomes Batty’s hero, leading her to believe that she’s destined to marry him one day. Jeffrey‘s selflessness solidifies his place in the hearts of all the Penderwicks—including Mr. Penderwick, who deems him a part of the family. With the Penderwick sisters’ help, Jeffrey finds the courage to contest his mother’s plans and convinces her to let him pursue his dream to become a concert pianist.
Jeffrey’s mother, Brenda Tifton, inherited Arundel Hall from her father, General Framley. She takes great pride in Arundel’s carefully manicured gardens and spends more time preparing for the annual Garden Club competition and trying to impress the English judge, Sir Barnaby Patterne, than she does with her son: “Mrs. Tifton could not bear to fail in the eyes of a man with Sir in front of his name” (155). Mrs. Tifton is the story’s main antagonist and becomes the source of much of the narrative’s conflict because she dislikes children and animals, which instantly puts her at odds with the summer cottage guests. The Penderwick sisters fear Mrs. Tifton before even meeting her after an ominous warning from Harry the tomato guy. His prediction about Skye causing the most trouble comes true because the middle Penderwick sister is the one who finally puts the ostentatious woman in her place. Mrs. Tifton considers the sisters coarse and impolite after only meeting them once and incessantly scolds Jeffrey for spending time with them, even though their companionship brings him immense joy. Each time her cacophonous heels announce her presence and each time the Penderwicks meet her, Mrs. Tifton incites fear and anxiety in them, especially in Batty who is already distrustful of strangers.
Dexter Dupree, Mrs. Tifton’s pompous boyfriend, is an excellent match to her snobbery, and the two band together to force Jeffrey to conform to their vision of a gentleman. Mrs. Tifton’s iron-clad rules serve as a foil to Mr. Penderwick’s more relaxed parenting style. Seeking to control every aspect of Jeffrey’s life, Mrs. Tifton is more concerned with his social status, whereas Mr. Penderwick prioritizes teaching his children ethical behavior and caring for their emotional health. Despite her cruel exterior, Mrs. Penderwick harbors pain from her past, which complicates her character. A scandalous elopement and her subsequent abandonment by Jeffrey’s father left Mrs. Tifton a single mom, forcing her to become dependent on her father again and submit to his will for Jeffrey’s future. Her complicated history doesn’t excuse her lack of empathy for Jeffrey or her callous treatment of the Penderwick sisters, but it does explain some of her parenting decisions. By the novel’s end, Mrs. Tifton extends mercy toward Jeffrey by not forcing him to attend Pencey and allowing him to pursue his musical education, providing hope that she’ll become a better parent to him in the future.
Action & Adventure
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Animals in Literature
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Books & Literature
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Brothers & Sisters
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Childhood & Youth
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Coming-of-Age Journeys
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Family
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Friendship
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Juvenile Literature
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Loyalty & Betrayal
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Music
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National Book Awards Winners & Finalists
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Realistic Fiction (High School)
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Realistic Fiction (Middle Grade)
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