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48 pages 1 hour read

Donal Ryan

The Queen of Dirt Island

Fiction | Novel | Adult | Published in 2023

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Chapters 1-30Chapter Summaries & Analyses

Chapters 1-5 Summary

Content Warning: This section of the guide discusses self-harm, suicide, and racist, sexist, and anti-gay language.

A man drives home with his newborn daughter and wife, promising to himself to always care for them. They stop to pick up a hitchhiker, a religious man whom the new father knows. However, both men are killed in a car accident directly after.

In the girl’s earliest memory, she’s four or five and standing under blossoms falling from a tree. Her mother, Eileen, denies the memory’s truthfulness, but the girl knows it is real. The girl’s name is Saoirse, which her mother dislikes as non-Irish speakers won’t know how to pronounce it. Eileen’s mother-in-law and Saoirse’s grandmother declares, “We had no choice but to call her that good name. After all the battles our people fought along the years against the English to be free” (6). Saoirse wonders about her father. The other families living in the estate (housing development) have fathers, and Saoirse notices them leaving for work every morning.

One morning, Saoirse overhears her grandmother, Nana, and her mother discussing a letter her mother received from her brother. While the specific contents of the letter are never revealed, the women perceive the letter as abusive and selfish.

Chapters 6-10 Summary

Saoirse realizes that her mother has never told her anything of substance regarding her own life, so Saoirse takes to eavesdropping to figure out her mother’s mysteries. Nana, instead, is the one who tells Saoirse about life. One summer day, a blackbird hits one of the house’s windows and breaks its neck. While Nana is dismissive, Eileen is distraught, picking up the dead bird to kiss it. Saoirse runs off to find the local priest to deliver the bird its last rites, and they all bury the bird together.

Saoirse speculates that the end of the world sounds “like someone chewing with their mouth open” (15). She tries to get out of eating with her extended family due to this sound. Saoirse understands that nuclear weapons will likely cause the end of the world. Her mother wants to practice hiding under a table from the bombs, but Saoirse thinks it’s merely a way to keep everyone scared.

On the anniversary of Saoirse’s father’s death, the three women always go to the graveyard. When Saoirse is nine years old, a female stranger greets them at the gravesite. The woman’s name is Sally, and she is the daughter of the other man who was killed in the car accident. Sally hugs Saoirse while she cries. One day, Nana begins to talk about Saoirse’s uncles, her father’s brothers, Paudie and Chris. They work as farmers, having been cast adrift in life following her father’s death. Nana then makes Saoirse promise to visit her uncles after Nana is gone.

Saoirse’s uncle Paudie is arrested for storing illegal weapons and explosives in his shed. Paudie is kept in jail for a month and is then released to stand trial. He returns with bandaged hands, claiming that British soldiers tortured him for information, which he never gave up. Nana smacks him in the face, knocking him over, for hiding the weapons.

Chapters 11-15 Summary

On a summer evening, Saoirse’s uncle Chris proposes to Eileen. After stumbling nervously through the conversation, Chris suddenly asks Saoirse’s mother to marry him, which she responds to by yanking him into the kitchen and shutting the door. Chris is dumbfounded at being roughly handled and tries to explain his reasoning, but Saoirse’s mother rejects him, and he doesn’t return for a long time after.

On her way down the road, Saoirse passes a boy named Gleeson, who is riding a bike without any hands on the handlebars. As the boy passes Saoirse’s mother, he invites her to his 21st birthday party. Saoirse’s mother sends her inside, and she and the boy have a private discussion overheard by Saoirse, implying that Eileen and Gleeson are having an affair.

Saoirse is 12 now and eavesdrops on a conversation between Nana and Eileen. Nana tells Eileen that she saw a lesbian couple in town, using a slur to refer to them, which angers Saoirse’s mother. When Nana argues that the lesbians should keep their business private instead of “broadcasting it to all the living and the dead” (28), Saoirse’s mother suddenly screams at her to shut up. Nana storms off, and Saoirse’s mother follows to make up for the fight. People tell many stories about the girls in the area. One girl is known for sleeping with truck drivers passing through. Another is fired for sleeping with several of her bosses. A third girl is known for walking around the neighborhood with her father and brother, injuries from abuse visible on her face. There are also good girls, but Nana and Saoirse’s mother laugh about them, claiming they never knew them.

Stories are also told about the local boys. One boy hit a teacher’s car with a chestnut fired out of a slingshot and was beaten up in the hallway for doing so. Another boy, a hurley star, died by suicide after winning a game. Another was always covered head-to-toe in black dust due to his delivery job. Finally, a local boy was killed in a car accident the week after his child was born. The chapter ends with the words, “God help us, God help us, God help us” (32).

Chapters 16-20 Summary

Nana frequently tells Saoirse happy stories as well. Saoirse loves them so much that she wants to write them down. She recalls one story in which Nana and her family head into town to sell a sack of chickens to purchase a cardigan. On the way, Saoirse becomes motion sick and vomits into the sack containing the chickens, and the chickens go berserk inside the car. Saoirse is afraid of being punished, but nobody blamed her for the incident.

Saoirse stands in the yard, kicked out of the house while Nana and Eileen discuss whether Eileen should get a job. Saoirse wanders away from the house and encounters a boy she has a crush on. She pushes him onto the ground impulsively because he doesn’t seem to notice her. Unable to explain herself, Saoirse insults the boy, who responds with a dig at her incarcerated uncle, infuriating Saoirse. Back home, Saoirse discovers that her mother is going to get a job.

Saoirse’s mother becomes a bookmaker. While Saoirse imagines this to be about making books, she knows it has something to do with horseracing. When she visits her mother at work, she sees Eileen slap a rude customer to the laughter of the men around her.

A black car comes down the driveway to Eileen’s consternation. Eileen sends Saoirse to her room to cover her bare legs. From her room, Saoirse hears her mother refer to the man who arrived as “Daddy.” Eileen then hauls Saoirse out of her room to introduce her to the two people who’ve arrived.

Saoirse thinks about how it’s impossible to fully know what’s going on in another person’s head. While her mother claims Saoirse’s father was a perfect man, Saoirse can’t find any evidence of this in the photographs of him. At the bottom of a photograph of her parents, Saoirse spies a date that indicates that she was born only four months after her parents’ wedding. This is why Saoirse has never met her grandparents before—they were ashamed of her.

Chapters 21-25 Summary

One day, a woman named Concepta visits the house and asks after Saoirse. Nana and Saoirse’s mother both treat the woman with disdain until Concepta tells them that there’s been an allegation that Saoirse is left at home alone while her mother goes to work. Saoirse’s mother produces her work schedule, proving that she only works during school hours, and she sends Concepta away. A few weeks later, Saoirse is summoned to Concepta’s office, where she is asked a number of questions about her home life. Saoirse feels angry that she’s been brought in and insults Concepta in her head but is unable to say what she feels aloud. Saoirse begins to cry, realizing that sitting in Concepta’s office is the first time in her life that she’s felt afraid.

The boy whom Saoirse pushed over is expelled from the school. The boy, whose name is Oisín, tells a group of kids the story of how he punched a teacher due to the teacher’s physical discipline. Oisín then asks Saoirse to walk home with him. During the walk, Oisín takes her hand, and the two of them sit at the edge of a lake, where Oisín kisses Saoirse on the cheek.

When Saoirse is 15, she visits her mother’s birthplace of Dirt Island, which consists of a farm and small town on an island in the middle of a lake, for her maternal grandmother’s funeral. Saoirse’s mother receives comfort from the large bald man who earlier visited their home, who turns out to be Saoirse’s grandfather. During the wake, Saoirse greets many distant relatives whom she’s never met before. Her uncle Richard suddenly takes her outside to tell her the story of himself and her mother as a child. Afterward, he tells Saoirse that her mother “broke [their] parents’ hearts” and that Eileen is a “whore” (52). He then sends Saoirse away, telling her she’ll never visit Dirt Island again.

Chapters 26-30 Summary

One morning, Nana has a ministroke during a walk. At the hospital, she tells her old friend, Kit, a story about the African doctor she had. She asked the doctor why he was caring for her instead of people back home in his birth country.

Oisín’s father is a barber, and he gives Oisín and Saoirse two pounds to spend. When Oisín insults his father’s cheapness, Saoirse says that he seems like a kind man. Oisín drops her hands and asks her, “What do you know about fathers?” (56). Saoirse, infuriated, pushes Oisín again, but he yanks at her jumper, and Saoirse flees to go find her mother.

Paudie is to be released, and Saoirse’s uncle Chris borrows a fancy car to pick him up in. They don’t return for a long time, worrying Nana. When they do finally return, Paudie is asleep in the backseat, smelling of booze.

On the bus, a girl named Breedie Flynn asks Saoirse about her uncle, whose release was reported by the local newspaper. Breedie also invites Saoirse to Friary Castle on Friday night, but Saoirse, angry at Breedie’s assumptions, rudely tells her to go away. Breedie refuses to leave until Saoirse agrees to join her at Friary Castle, and Saoirse acquiesces. On Friday night, a huge crowd gathers at the Friary Castle to watch a local band play. Breedie and Saoirse find a group of boys to hang out with, one of whom propositions Saoirse. Breedie pushes one of the boys off of her, and the two girls run off laughing, hand in hand.

Chapters 1-30 Analysis

The first 30 chapters of The Queen of Dirt Island establish Saoirse’s coming-of-age story arc by describing Saoirse’s childhood and her growing awareness of the adult world around her. The setting is Ireland in the late 20th century. Following the death of her father in a car accident, Saoirse grows up in a household entirely composed of women: her mother, Eileen, and her grandmother, Nana. In many ways, Saoirse has an idyllic childhood, exploring nature and playing with her supportive and loving mother and grandmother. However, the outside world of adults intrudes into her growth more than once. She hears gossip from Nana about people in town and witnesses her mother in distress due to an abusive letter from her uncle Richard. Saoirse has such a physically safe childhood that when she must talk to a social worker whom she dislikes, she cries because “for the first time in her life, in this office of a woman whose job it was to protect children, she [is] afraid” (46).

This section also reveals how Saoirse’s worldview and personality are shaped by her mother’s characteristics and her father’s death. Ryan establishes Saoirse as having a similar personality to her mother, who is characterized as tolerant, intelligent, and rebellious. Similarly, as Saoirse grows, she learns what boundaries she can and can’t push. When a boy she likes is expelled from school for pushing a teacher, Saoirse then pursues a relationship with him, despite the warning signs of his explosive personality. These events foreshadow later negative experiences Saoirse will have with men. Saoirse’s worldview is also informed by the early loss of her father. Her grief over this loss is portrayed as different from her grandmother's or mother’s grief since she wants to “join their sadness […] but she c[a]n’t” because she never knew him (6). Her curiosity about her father contributes to the later interest she takes in various men, who, with few exceptions, end up disappointing her.

Despite the peaceful nature of her childhood, Saoirse also learns how gossip and rumors can spread firsthand in a small community. When her uncle Paudie is arrested for hiding weapons for the IRA, Saoirse experiences her first brush with notoriety as the news attracts the attention of a popular girl on the school bus, who turns “half around in her seat so she [can] look at her fully, and she [is] asking, What’s he like now? Did he get a tattoo in prison?” (59). Saoirse pretends to not care about these overtures, but she is secretly excited by the attention. This moment establishes a dynamic that repeats throughout the novel: the push and pull of the community’s attention. While Saoirse is frequently happy to be known and talked about, she also suffers the pain of rumors and rejection, first through her association with the unpopular Breedie and then later through her early pregnancy.

Richard’s treatment of Eileen serves as a pivotal tension that introduces the theme of Women in Society and shapes Saoirse’s understanding of the dynamic between men and women. Richard has explicitly rejected his sister Eileen because she became pregnant with Saoirse before she and her husband were married. During her grandfather’s funeral on Dirt Island, Richard first speaks to Saoirse about his relationship with her mother during their childhood, saying, “Every summer we lived out there… We were king and queen of that island. We used to make rafts and we’d camp outside until all hours” (51). However, this moment of connection is interrupted by Richard’s invective as he transitions into telling Saoirse, “Your mother broke my parents’ hearts. She’s a whore. Do you know what that is?” (52). Through this conversation with Richard, Saoirse learns that love and personal history alone cannot overcome prejudice, especially in familial relationships with men. This lesson, which will recur throughout the novel, illustrates the connection between the themes of Women in Society and The Pitfalls of Relationships. Saoirse’s interaction with Richard establishes a dynamic that is repeated in different ways through The Queen of Dirt Island: The men in Saoirse’s life frequently let her down, and she learns that she can only rely on the women that she knows love and care for her.

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By Donal Ryan