58 pages • 1 hour read
Tess GuntyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Content Warning: This section mentions animal and human sacrifice.
A teenager in C12 at the Rabbit Hutch has been watching Malik, Jack, and Todd. He admires the boys and is intimidated by them at the same time, thinking that they might have been friends in another life. He finds that “the walls of the Rabbit Hutch are so thin, you can hear everyone’s lives progress like radio plays” (354).
Meanwhile, in C8, Hope tells her husband that she is afraid of their son Elijah’s eyes. Anthony laughs because everyone says that Elijah has Hope’s eyes.
In apartment C4, a text detailing St. Teresa’s transverberation, when her heart was pierced by an angel, is taped beside Blandine’s bed. It is a visceral, evocative passage, and she has it memorized by the time she exits her body on July 17. Although she is only 18, Blandine has been waiting her entire life for this to happen.
In C2, Joan is haunted by Penny’s warning about the man who has been following her. Still, she is distracted by the screaming and drumming from C4 upstairs, where the animal sacrifice is taking place. When she hears Blandine’s scream, she finds that she cannot intervene.
The noise in the Rabbit Hutch is so loud that Reggie and Ida, the elderly couple a few floors above the foster kids’ flat, call the police. Meanwhile, Todd is brandishing a knife, and Moses is trying to resurrect a body with his trench coat belt. Later, at the police station, everyone reports seeing a flash of light, owing to Moses’s glowing aspect.
Malik has posted a video online. It includes horrific scenes, including a rope-bound goat and a white-haired girl matching Blandine’s description with blood on her stomach. Sapphire, Malik’s former foster sister, sees the video on social media. She thinks that “Malik always loved attention; she believes that he is capable of hurting someone for it” (371). She reports the video.
This chapter illustrates what happened from Todd’s point of view. We see the knife brandished and the goat tied up, and then a man tied up in its place. There is a picture of a shirtless Malik with his phone out and another of a girlish silhouette, apparently dissolving. Then, a phosphorescent Moses stands above a reclining Blandine. Then, there is a man who has Blandine on his back and is brandishing a knife. This is followed by a struggle in which a man appears to be stripping off Blandine’s clothes. Finally, the naked silhouette of a woman comes to Blandine’s rescue.
Jack gives the facts of how they heard and found the goat and tied it up. Todd retrieved the bongo drums for the ritual, while Jack got the knife and Malik reached for his phone. Jack and Malik bully Todd into taking the knife against his will. While they do not like the goat’s fearful bleats, one of them must kill it. Blandine emerges and gets between Todd and the goat. She is furious. Jack tries to tackle her, but she shields the goat with her body. Jack rips off her dress, and she kicks him in the balls. Malik is filming the whole thing. Blandine reaches for Todd who has the knife and screams “why do you have to kill everything” at him (390). Todd turns on Blandine and stabs her instead. Blandine’s blood is all around him. In the doorway, there is a glowing stranger (Moses). He ties Blandine’s stomach with his coat’s belt and tries to rescue her. Malik films the whole thing, grinning. Then sirens are heard, and the police arrive.
James Yager’s ex-wife wants to know what Tiffany Watkins meant to him. From his cheap, riverside apartment, Yager knows that Blandine was stabbed in the stomach three times. While Yager tries to dismiss Tiffany as unimportant on the phone with his ex-wife, she maintains that she thought he was Tiffany’s mentor. The news of Tiffany’s being stabbed in the stomach forces him to “admit that it was possible to wound Tiffany Watkins” (395). Meg is morbidly curious about the stabbing. He breaks down in tears, and Meg asks him to pick up their daughters from school.
Jack puts on a good show at the police station after he relates the facts; he has been crying intermittently. Observing him, Officer Stevens “is reminded of a white rabbit, pulled by the scruff from a magician’s hat, frightened and surprised” (399).
Hildegard has a vision of “a light-filled man” who “pour[ed] his brightness over the aforementioned darkness” (400). She feels touched by light and fire and the power to communicate a message. While the language describes a medieval vision, it could also apply to Hildegard the goat seeing the glow-stick daubed Moses.
Joan goes to the intensive care unit to visit Blandine on Friday, two days after the stabbing took place. It is the first sick day Joan has ever taken from work. The receptionist at the hospital asks her how she is related to Blandine. Joan explains that she is Blandine’s neighbor and that Moses was aiming to stab her but got the wrong apartment. The receptionist reveals that no one has visited Blandine yet and that she has no emergency contact.
As she waits to be allowed to visit Blandine, Joan opens the local gazette and learns that all three boys were arrested on charges of attempted second-degree murder and complicity. While all three are due to plead guilty at a trial, their fates depend on their intent to kill.
When Blandine recognizes Joan, she asks her how the goat is doing. Joan says that the goat is doing well and that she has been to the vet. The goat has become an Internet sensation with memes made about her. Joan longs to connect to Blandine and tell her that she has no emergency contact either. Instead, she only finds that she can comment “you’re awake” (410). Blandine replies affirmatively and asks Joan if she is also awake.
The final parts deal with Blandine’s stabbing by her roommates, which leads to her out-of-body experience and its aftermath. Gunty revisits the Intersecting Lives at the Rabbit Hutch as she relates the stabbing piecemeal and from several perspectives. First, Chapters 35 and 36 relate the aftermath of the stabbing; Reggie and Ida call the police because of the noise coming from the teenagers’ apartment, and Sapphire, Malik’s foster sister, views and reports his video of the event. This disorients the reader and builds suspense as to why Blandine has blood on her stomach. Then, Todd’s report, rich with imagery of rabbits and birds of prey, shows vignettes of the sexual violence and stabbing Blandine endures, as well as conveying the sense that she traverses to another dimension. It is only through Jack’s blow-by-blow report that we get a more accurate depiction of what has happened.
The Social Conditioning of Gender, which in the American Midwest especially forces boys to bond through violence, is present here as weaker Todd is coerced into sacrificing Blandine’s goat against his will. However, when Blandine surprises them, she quickly becomes the sacrifice instead of her goat. Ironically, while the sacrifice was meant to be in Blandine’s honor, her own body becomes the sacrifice, as it is stripped, slit open, and filmed for entertainment on Malik’s phone. The filming of the stabbing adds another sinister layer; Gunty reminds us here how often the sacrifice of a young woman’s body is played out as entertainment. However, the fact that Malik’s former foster sister reports the video as inappropriate shows how communities can denounce bad behavior and set standards. Joan does this in her own way later by visiting the hospital. Haunted by visions of Blandine’s slashed belly, she is compelled to move beyond the narrow parameters of her life and help her neighbor.
While the story of Blandine’s stabbing is soon second-page news and only Joan visits her in the hospital, Gunty shows that her protagonist has influenced the lives of many—her roommates will likely go to jail for what they have done to her, while Yager, the man who seduced her, is miserable at the thought that she could be wounded. Gunty thus confirms the novel’s central premise: Every life has an impact far beyond what its bearer imagines.