54 pages • 1 hour read
Caroline O'DonoghueA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide briefly mentions abortion and anti-gay bias.
The central relationship of The Rachel Incident is Rachel and James Devlin’s friendship. Their bond anchors the two characters through all the growing pains of their twenties and thirties: breakups, career changes, a miscarriage, and coming out. Though both experience romantic love with other people, the platonic love between them is deep and abiding. Rachel borrows the language of romance, describing their initial bonding as “falling in love” (26). Like a youthful crush, their chemistry is near-instantaneous. Rachel’s college boyfriend, Jonathan, is dismissive of her bond with James because he assumes James is gay and not a threat to the dating relationship. Ironically, James does “steal” Rachel, though not due to romance: “I would be colonised by James on a molecular level, and my personality would mould around his wherever there was space to do so. The official line is that Jonathan dumped me. The truth is that I left him for another man” (16). Inside their tight-knit friendship, the two of them become what Rachel calls “the James and Rachel show” (79). Her later relationship with James Carey is plagued by jealousy over which James is more important. Both Carey and Jonathan come to recognize the deep ties between James and Rachel.
In adulthood, James and Rachel’s relationship evolves. They are still very close and support one another, but they live on different continents and have careers and other relationships. Caroline O’Donoghue depicts a close friendship that has endured the test of time and shows that to do so, it had to change. The “James and Rachel show” made sense for the Shandon Street phase of life, but it bordered on codependency. To have healthy relationships with other people and with each other, James and Rachel have to learn to let their friendship breathe. The physical distance between them allows them to weather the trauma of the Byrne affair and Rachel’s miscarriage, but they maintain an emotional connection throughout. Adult Rachel often reflects on the idea of “making things work” in marriage (289). In the novel’s closing paragraph, she applies this phrase to her relationship with James. When she gives his name and address to Deenie, she repeats “the same sentence that [she] ha[s] been saying for years now, each time with more pride […] ‘My best friend is called James Devlin’” (289). James’s name is in the first and last paragraph of O’Donoghue’s novel, emphasizing the primacy of this friendship in Rachel’s life.
O’Donoghue follows her protagonist as she experiments with different identities, attempting to find out who she really is. The novel demonstrates that self-discovery requires not only trial and error but honesty and self-compassion. Like many young people, Rachel enters college feeling insecure about her place in the world. She is attending university in the town she grew up in and feels trapped and resentful. Initially, she tries to become an intellectual, “serious to the point of dullness” (14). She chooses to work in the bookstore with a vague idea of becoming “the persona broadly known as Girl Who Works in Bookshop” (11). Rachel imagines that people who work in bookstores are clever, reserved, and highbrow. Her friendship with James begins to shatter that identity. She sees him as someone real, which is part of his attraction. She admits that she chose her English major with a vague idea that she is good at reading: “In the absence of any other discernible gift, it seemed like a fine thing to pursue, if only to receive more praise” (35). Realizing the emptiness of that pursuit, she tries to understand who she is and what she might care about besides the approval of others.
Later in the novel, she explores other avenues to self-knowledge, often in relationships with others around her. She parties with James, pursues a romance with Carey, and interns with Deenie. Each of these people shapes aspects of her personality, but Rachel struggles to be honest about her real interests and motivations, making it harder for her to learn more about herself. She eventually learns to set her own boundaries and make her own choices. Once she is living in London, truly alone for the first time, she starts to become her own person. O’Donoghue depicts the beginning of this revelation humorously when Rachel has to tell her creepy male roommate to leave her alone: “I could feel something happening within myself. I had told a stranger to fuck off, and I had meant it. I had drawn a line with someone. I had never really done that before” (256). Rachel stumbles into her career as a journalist through a series of mishaps, but it takes off when she connects her work to her personal experiences. First, she experiments with Twitter for the bookstore, then with fashion writing and more serious journalism. When she begins covering the fight for reproductive rights in Ireland—partly as a way to process the lingering trauma of her own failed pregnancy—she discovers both her professional and personal voice. James, too, spends his adult years experimenting with different ways of living, discovering through his mistakes and failures what he wants and who he is. Through these characters, the novel demonstrates that the path to growth and happiness lies through experience and honest self-exploration.
Through the character arcs of Rachel and James Devlin, O’Donoghue shows that while the intensity of first love can be enchanting, it is also unsustainable and sometimes harmful. When the novel opens, Rachel is dating her long-term boyfriend, Jonathan, and believes that she is happy with him. However, the relationship is “somehow both stale and naive,” and when she breaks up with him, she realizes “[she] had never been in love with Jonathan, after all” (42). In contrast, her love for Carey is passionate and all-consuming, sometimes to her detriment. When they are together, she forgets to eat, sleep, or go to class: “We didn’t need regular meals, or real sleep, or date nights. Our love had short fingernails. It was clawing and mischievous and it wrapped us in spit. I couldn’t pull myself away from it” (85). When Carey leaves her, she says she feels like it is “eating [her] organs” (93). As adults, Carey and Rachel reconnect and start their relationship anew, eventually marrying and having a son. They have lost the intensity of their first years together, but that proves to be a good thing. Though their love is deep and abiding, Rachel describes it as comfortable. They have outgrown the all-consuming passion of their initial affair, but in its place is something more stable.
James Devlin is also marked by his first true love, but his relationship does not have the happy ending that Rachel’s does. He and Fred Byrne bond over their shared attraction and loneliness, but because he grew up during a period of intense anti-gay bias, Byrne finds it impossible to be open about his sexuality or his love for James. He is also married and has no plans to leave his wife. Byrne is angry when James decides to be open about his sexual orientation. James has empathy for him, telling Rachel, “He’s just jealous. And lonely. He’s in the closet alone, now” (143). Eventually, Byrne’s desire for secrecy overcomes his desire for James, and he lets his wife believe he and Rachel are having an affair rather than admit that he is bisexual. James never speaks to him again. Though brief, this intense relationship marks James for the rest of his life. Rachel thinks that Byrne’s “shadow” follows James even into adulthood: a “roaming sense that a boyfriend was supposed to be a big person who lectured you about books” (273). Though James has other romantic relationships as an adult, he never settles down with anyone else, seemingly still pursuing the passion of the first love he felt with Byrne. First love can shape all subsequent experiences of love, and the fact that James’s first love inadvertently confirms his fear that he is unworthy of true love and devotion prevents him from forming long-lasting relationships.
BookTok Books
View Collection
Coming-of-Age Journeys
View Collection
Friendship
View Collection
Irish Literature
View Collection
LGBTQ Literature
View Collection
Popular Study Guides
View Collection
Pride Month Reads
View Collection
Romance
View Collection
The Best of "Best Book" Lists
View Collection
Valentine's Day Reads: The Theme of Love
View Collection