logo

45 pages 1 hour read

Anita Diamant

The Red Tent

Fiction | Novel | Adult | Published in 1997

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Power of Bonds Between Women

The strength and influence of bonds between women pervade The Red Tent. Networks of women are formed away from the public eye and world of men. These bonds are powerful, nurturing and sustaining. However, they can also be fraught with competition. In the opening chapters, bonds between women are introduced as stories passed on from woman to woman. These stories of women’s experiences hold little value for men and are thus unrecorded by history. They are, instead, oral narratives that convey specific wisdom for younger women. Feasts, like that between Jacob and Esau’s families and that in Mamre, provide opportunities for preserving cultural histories. Bilhah’s legend of Uttu and Enhenduanna serves an additional, practical function, by helping Dinah learn spinning—an important part of domestic labor. The sense of being protected by goddesses helps the female characters feel safe in their separate world, one symbolized by the red tent—the color of blood, sacrifice, and passion.

Blood does not always indicate strong or loving relationships. Leah and Rachel’s jealousy demonstrates the competition that can result when women vie for status and influence within a household. Dinah describes them as achieving an uneasy peace: “They did not work together or consult with each other. They did not sit next to each other in the red tent, or address each other directly. And they were never in their husband’s presence at the same time” (91). However, Leah and Rachel support each other when needed. Leah nurses Rachel’s son Joseph when Rachel cannot, and Rachel pushes Jacob to accept Hamor’s bride-price for Leah’s daughter Dinah. Rachel also assists Dinah in her Opening ceremony, and teaches her midwifery. Though Jacob’s four wives have different claims on him, they work together to fulfill household tasks like raising their children.

By contrast, other female characters demonstrate the distress that comes with a lack of support system. Ruti, an enslaved woman abused by Laban, is only helped by the sisters when she begs. The sisters’ daughters-in-law do not always subscribe to their rituals, and though Rebecca’s shrine at Mamre is staffed by women, it is not a nurturing place. Rebecca rejects Tabea’s wish to become a priestess because she did not follow the rituals of the red tent, and Dinah believes her grandmother takes pleasure in her power over others. Werenro finds her service to Rebecca confining and takes an opportunity to escape.

Dinah’s experience as a midwife is the best example of the nurturing bonds between women. In this risky profession, women depend on other women for the survival of themselves and their infants. After she leaves her birth family, Dinah finds solace in other women. Though she is never accepted as an equal by would-be mother-in-law Re-nefer, she forms a close bond with fellow midwife Meryt. Meryt regards Dinah as a daughter, and though Dinah does not have a daughter of her own, she nurtures Meryt’s daughters and granddaughters. More than blood, the women’s shared values and need for survival bring them together.

Reproduction Versus Destruction

Just as the worlds of men and women are depicted as separate spheres, sometimes in balance or opposition, reproduction and destruction are in tension throughout the novel. Both reproduction and destruction play a part in the domestic world of women. Early on, reproduction in terms of fertility, conception, and childbirth are established as women’s tasks. It is the primary concern of Dinah’s four mothers, who share access to Jacob to bear children. Even Zilpah, who has no interest in Jacob, wants to participate in this process. A woman’s identity is tied to her reproductive power, her menstruation. When Dinah is at Mamre, she notes one of the priestesses never menstruated. Thus, this woman does not have the opportunity to retire to the red tent for rest; instead, like non-menstruating children and older women, she must continue serving men.

Both male and female power over female reproduction have the potential to be destructive. Jacob is complicit in Simon and Levi’s slaughter in Shechem because they see Dinah’s relationship with Shalem as sex outside of male approval. Ruti asks the sisters for help ending her pregnancy because of her abuse by Laban. Children with disabilities, like those born with a cleft palate, are abandoned due to their presumed chance of survival. The many deaths that women experience due to miscarriage, stillbirth, and difficult childbirth show death walks hand-in-hand with life. Jacob shows his own skill at reproduction in the form of animal husbandry. However, it is this very skill that leads to destruction: Jacob leaves Laban because he wants his own land, but when he finds some, he forsakes an alliance with the neighboring king, Hamor.

Jacob, Simon, and Levi claim Dinah disgraced their family, that Hamor’s family insulted them through her and Shalem’s extramarital sex. This excuse makes less sense when one considers Laban purchased a woman for sex (Ruti) and Jacob has sex with his four wives’ handmaidens without the benefits of marriage. Thus, it is not outrage on behalf of Dinah that spurs Simon and Levi’s violence, but greed, their wish to expand property. Rather than following a productive path, as Jacob did in raising flocks, Simon and Levi choose a path of destruction, which later reflects poorly on Jacob’s legacy. While some deaths within the female sphere (those of unwanted infants) are chosen for the sake of family (albeit unwelcome), Simon and Levi’s plunder actively endangers the family. Overall, the nurturing nature of female authority is framed as more productive than the violence of male authority in the novel.

Religious Beliefs and Curses

Belief in the divine plays an important role in the novel, as it guides characters. Though the Book of Genesis is rooted in ancient Hebrew belief, the novel portrays a variety of religious beliefs, reflecting the diversity of cultures in the regions of North Africa, the Mediterranean, and Southwest Asia during the story’s period. While characters use religious observance to request protection or prosperity from chosen spirits, the novel suggests human events are principally shaped by human actors—thus, the consequences that follow their choice to either help or harm are of their own making.

Jacob’s grandfather Abram made a pact with Canaanite god El and nearly sacrificed his son Isaac for him; this god is the reason why Jacob circumcises his own sons. Jacob instructs his sons in worship, but does not do the same for Dinah. El also does not allow competition: The teraphim (household gods) representing the gods of Laban’s household are seen by Jacob as a cause of misfortune, so he smashes them. By contrast, the sisters seek goddesses, those matching their personalities and wishes. Zilpah is the sister most attached to her goddess: She leaves stones on the family altar upon leaving Laban’s territory, and her death is associated with Jacob’s destruction of the last idol. Jacob’s act prioritizes his own god, an act of sacrilege that Zilpah does not survive.

As an adult, Dinah continues the religious observances taught in her youth, including baking bread and offering a portion of it. She respects others’ beliefs, such as Egyptian gods, but does not attribute her life to the will of gods. However, she is sensitive to supernatural influence (i.e., the presence of death and dreams) and successfully curses Jacob, Simon, and Levi after her brothers’ slaughter in Shechem. While gods and religious observances pervade the novel, they do more to reflect cultural beliefs of the time than explain events or characters. This approach subverts the Book of Genesis—which prioritizes a relationship between a group of people and their god—in favor of a narrative with a variety of human characters, flaws and all.

blurred text
blurred text
blurred text
blurred text

Related Titles

By Anita Diamant