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Samuel ColeridgeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
In real-life maritime history, the albatross has been seen as a good omen. This also appears to be the case when the albatross first appears in the poem. The wind picks up and moves the trapped ship. However, some sailors believed that if an albatross were seen, one of their crew would soon die. There is confusion between the crewmen in the poem. When the Mariner kills the albatross, they are angry at first, but then are happy later. The symbol of the albatross becomes complicated with the Mariner’s killing of it. First, the Mariner’s line that: “Instead of the cross the Albatross / About my neck was hung,” suggests that the albatross can be read as a symbol of Christ and yet also, and instead, a symbol of the natural world; there is overlap between the theological and the natural here, but also separation. The albatross saved the Mariner and the sailors, and the Mariner’s killing of it is inexplicable, other than he did not appreciate it. He therefore had to be punished. When he finally appreciates nature and the sublime, the albatross drops from his neck, returning to the water—its rightful place as a seabird.
The Wedding Guest is drawn in by the Mariner’s eyes and finds he cannot leave the Mariner and rejoin the wedding party (1). The eyes can both communicate and control. They also become a to communicate when speech is no longer an option. When the Mariner’s shipmates are thirsty and unable to speak, they give the Mariner “evil looks,” as they blame him for the circumstances in which they find themselves (7). When Death and Life-in-Death’s ghost ship appears, the crew “Each turn’d his face with a ghastly pang / And curs’d [the Mariner] with his ee” (9). This form of communication continues even after the deaths of the Sailors: "All fix’d on me their stony eyes / That in the moon did glitter. / The pang, the curse, with which they died, / Had never pass’d away: / I could not draw my een from theirs / Ne turn them up to pray” (19-20). Although he is partially absolved, the Mariner realizes he is still under the curse as he suffers the stares of his dead crew.