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56 pages 1 hour read

Toni Cade Bambara

The Salt Eaters

Fiction | Novel | Adult | Published in 1980

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Character Analysis

Velma Henry

Content Warning: This novel includes extensive discussions of mental health conditions, especially suicide. This guide refers to, but does not quote, some of the author’s uses of the n-word. The novel also contains references to assault on women, sexual assault, and blackface.

Velma is the central character of The Salt Eaters. She is both round and dynamic. Over the course of the novel, Velma is healed by Minnie during a mental health crisis. The rest of the characters in the story are directly or indirectly connected to Velma. Both Sophie and Minnie suspect Velma has psychic talents. Minnie, the healer, phrases this as “one of Oshun’s witches, I suspect” (43). Oshun is a goddess in Yoruba, and Minnie perceives Velma’s gifts as coming from this goddess. Sophie “had waited a long time for the godchild’s gift to unfold” and plans to train her after the healing (293). Velma, while being healed, considers moments of foresight, including information she had about a recent interview at the nuclear power plant. However, Velma struggles with integrating her psychic gifts into other aspects of her personality.

Velma’s mental health crisis culminates in an attempt to die by suicide and subsequently being put in the infirmary. This comes from carrying the stress of having a psychic gift and from stressors at work, participating in activist actions, and her family life. After taking on too much work at the academy, Velma leaves and gets a job at the nuclear plant to sabotage it from within. During her healing, she has memories of earlier meetings and events where she struggled with menstruation and camping out while men rode around in limos and stayed in fancy hotels. Additionally, Velma endures the stress of her husband’s extramarital affair while raising their son. Throughout all of this, Velma “[t]hought she knew how to build resistance [...] not be available to madness” (258). However, the combination of these factors resulted in Velma’s psychological crisis.

Velma stands out from other people. Her sister, Palma, finds an old picture where, “[r]igid, fearful, Velma had looked insane” (139). This sentiment is echoed by people at the academy, and Velma’s husband becomes concerned about her reputation as someone with a mental health condition. She is described as “[a]lways going against the grain” (252) and as a “fighter” (294). This can be seen in her activist work but also in her struggle to overcome her mental health crisis, which is described in terms of a splintered self. In this way, Velma comes to symbolize the Black community more broadly, her splitting self-image reflecting the Fracturing in Black Activism. However, Velma is tenacious, and throughout her struggles, “always there was a tug to come on, get up, move out nudging her back toward life” (272). Velma endures a kind of psychic death during the healing, but her desire for life and wholeness aids in her transformation, compared to a butterfly metamorphosis. With this, Velma represents hope and a path forward for the Black community.

Minnie Ransom and Old Wife

The healer, Minnie, and her spirit guide, Old Wife, are also responsible for Velma’s transformation. Minnie performs a kind of spirit or faith healing. She is considered a “legendary spinster” (4), “mojo lady” (270), and “the real thing” (105). However, at the beginning of the novel, she stalls, doubting her own gift. This results in her getting into arguments with Old Wife in the psychic realm and asking Velma questions before beginning the healing in the physical realm. Minnie smells like “coconut cream” (219) and wears a “bright-red flouncy dress” (3). Her shawl, which she places over Velma, becomes symbolic during Velma’s change in mental health. Although she is not completely dynamic, Minnie, as well as Old Wife, is a round character.

Old Wife, now deceased and only present in the psychic realm, knew Minnie before her death. She was called “Old Karen, the Old One, Wilder’s woman, Old Wife [...] Karen Wilder” (52). While Minnie respects and leaves offerings for Yoruban gods, Old Wife is Christian and condemns communicating with the loa. Old Wife dislikes their presence at the healing. Minnie explains she can only ask for help from the loa, not control them, and will not send them away at Old Wife’s request. After condemning Minnie’s attraction to Dr. Meadows and reminiscing with her about old times, Old Wife finally makes a suggestion regarding Velma’s healing: “Loan her some of yo stuff, Min” (252). Old Wife, unlike the people in the prayer circle, can question Minnie and help her stop stalling.

Minnie eventually gets a message about Velma in the psychic realm, which encourages her to complete the healing. The message is “Pentagon [...] Lower left bicuspid” (277). When Old Wife doesn’t help decipher this, Minnie calls her a “stubborn, weird old smelly witch” (295), and Old Wife replies, “[T]hat’s how I choose to manifest myself this time” (295). After this bickering, Minnie realizes that Velma has been reborn, has reunited the sides of her split self, and no longer needs Minnie’s healing hands.

Jan and Ruby

Ruby and Jan are part of Women for Action—an activist group—with Velma and others. They appear in moments from before the healing, such as during meetings with politicians at the Patterson suite, while staying in tents during actions, and while hanging out in Jan’s house. During Velma’s healing, Jan and Ruby are at the café. They are worried about Velma but are unaware of what is happening at the infirmary. They get caught under an awning when a sudden rainstorm starts, hug each other, and meet up with Velma’s other friends, who arrive on the bus. They are not dynamic but are somewhat round and represent larger groups of people.

At Velma’s request, Jan set up a meeting with a lawyer regarding her activism at the plant, but Velma didn’t show up due to her mental health crisis. Jan also invited Velma to their lunch at the café. Campbell, their waiter, is attracted to Jan. He notices her “[c]lose-cropped bush, weighty jewelry, wiry body, flowing clothes like robes” (212). Some students of Jan’s from the academy show up at the café, which is how Campbell finds out where she works. In one future moment that is envisioned, Jan’s name is Mrs. Janice Campbell. This indicates that they eventually date and get married.

While Jan reads tarot, Ruby is opposed to spiritual matters. Ruby argues for a material approach to organizing. She says, “Don’t anybody talk political anymore, talk Black anymore? [...] Look, the main thing I wish you’d get serious about is the next election” (236). Ruby wants Jan to run for office (while Jan hopes Doc Serge will run). These opposing viewpoints symbolize different approaches to Black activism, which often contend with each other.

Sophie Heywood and Palma Henry

Sophie is Velma’s godmother. She is also referred to as M’Dear and the “boardinghouse lady” (241). Velma’s memories of Sophie include her dragging oysters with Daddy Dolphy and participating in healings. However, Sophie leaves Velma’s healing. She “had been in attendance at every other major event in Velma Henry’s life” but stays in Doc Serge’s office during Minnie’s healing (11). While the other members of the healing group are shocked at her leaving the circle, Sophie thinks about training Velma to use her psychic gift when the healing is complete.

Palma is Velma’s sister and has an ex-husband, Sonny, and children. The meeting at the Patterson suite, which occurs in the past (before the healing), is where Palma meets Marcus Hampden, a member of the Coalition of Black Trade Unionists. Palma thinks about how Velma’s mental health has negatively affected other people, and Palma’s dream about Velma causes the group of women to travel to Claybourne on the bus. When Palma gets off the bus, she meets up with Marcus, who has become her romantic partner. The evolution of their relationship can be compared with Jan ending up with Campbell. Marcus and Palma go to the park for the Spring Festival when the other women from the bus go to the café.

Obie Henry and Campbell

Obie (aka James) is Velma’s husband. He works at the academy, and it is hinted that he has been collecting guns in the academy for revolutionary action. Obie is concerned about Velma’s mental health but cheats on her, adding to her stress and trauma. During the healing, he is in the gym and the locker room. Eventually, someone in the academy tells him that Velma is in the infirmary. Obie delays working out and delays going to see Velma at the infirmary. He talks with his masseuse about his stress and wishes the fracturing in Black activism at the academy would resolve instead of the factions working against one another. Obie is somewhat round and shows dynamism at the novel’s end.

Campbell is a waiter at the café, a writer, and a game creator. His writer friends wait for him at a table in the café, discussing script ideas. In addition to flirting with Jan, Campbell thinks about his series of articles on nuclear energy and his game about the topic, Disposal. The regulars who play games at the café test out his game. These game players are only referred to by Campbell’s nicknames. During the storm, Campbell has a revelation about “Damballah [which is] the first law of thermodynamics and is the Biblical wisdom and is the law of time” (249). He later goes on to marry Jan, as shown in a moment from the future when she takes his name. He does not have much dynamism and is somewhat flat. 

Doc Serge and Dr. Meadows

Doc Serge is the main doctor at the infirmary. He is a retired pimp and considers the philosophy of it to be similar to being a doctor. He had:

long ago stumbled upon the prime principle as a player—that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love (137).

Jan and Ruby consider him a community leader and a good candidate for political office. He embraces all forms of medicine, including Minnie’s spiritual healing.

The new, young doctor at the infirmary is Dr. Julius Meadows. He is from the country, noting, “That’s my country self talking” (122). He is lighter-skinned than most people in the novel. He feels like he stands out in some parts of Claybourne because of this and “[is] never more clear to himself than when Black people [examine] him this way, suspicious” (186). He leaves Velma’s healing and walks around the town. After wandering aimlessly, he ends up getting beers with guys who were initially suspicious of him but who accept him once they learn he works for Doc Serge. He also appears in the future moment with Jan and Sophie. This indicates how he eventually accepts things like spiritual healings, which initially make him uncomfortable.

The Bus Group

Another group of characters is those who ride on the bus with Palma. This includes the driver, Fred Holt, who is mourning a friend and who has health problems. He is unhappy in his line of work and imagines an alternate future: “They might’ve been twenty-seven miles back in the moment of another time when Fred Holt did ram the bus through the railing and rode it into the marshes” (86). Once in Claybourne, he seeks assistance with his stomach issues at the infirmary and stumbles upon Velma’s healing. He is awed by it but is kindly directed to his own room for treatment by members of the healing group.

Other people on the bus include Velma’s sister, Palma, and her activist friends Cecile, Inez, Mai, Iris, Nilda, and Chezia. They debate fracturing in Black activism; some argue for astrology while others argue against it. They are all women of color but are from different backgrounds. Nilda, who is Indigenous, points out birds during the bus ride. Mai writes about her Japanese great-aunt in the café. Inez says she is “Chicana” (64). Iris, who is Puerto Rican and misses her community in New York, thinks about “how dragged out they all [are]” in the café (239). The women are in a state of delay like Obie and Minnie until the storm. The storm causes them to connect with Jan and Ruby. They represent the community that can form among all people of color, particularly women of color.

The Healing Group and Nadeen

Another group of characters attends Velma’s healing. They include elders—“old-timers” (10)—in the community, such as Mr. Daniels, as well as “Cora Rider, whose bed, kitchen table and porch swing were forever cluttered with Three Wise Men, Red Devil, Lucky Seven, Black Cat, Three Witches, Aunt Dinah’s Dream Book, and other incense-fragrant softback books” (13). The group of 12 is called “The Master’s Mind” (11) and a “prayer group” (12). They are all disturbed by Sophie leaving and changing their number. They represent the different signs of the zodiac, as astrology and mysticism play an important role in the work.

A pregnant teen, Nadeen, also attends the healing. During the healing, “Nadeen saw it happen, saw something drop away from Mrs. Henry’s face” (101). Her lover, Buster, leaves the healing to interview Doc Serge. The healing group and Nadeen are somewhat flat characters and are mostly static.

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