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64 pages 2 hours read

Carissa Broadbent

The Serpent and the Wings of Night

Fiction | Novel | Adult | Published in 2022

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Part 5Chapter Summaries & Analyses

Part 5: “Crescent Moon”

Part 5, Interlude Summary

Content Warning: This section of the guide features discussions of flashbacks of rape and references to sexual abuse.

At age 17, Oraya believes that she is in love with the young vampire. Knowing that Vincent wouldn’t approve, she hides her new relationship from him. Eventually, she wishes to experience sex. Though he starts gentle, his thrusts become rough, turning Oraya’s pleasure into pain, and her love into fear. In the throes of lust, her lover draws blood from where his nails bite into her arms. The blood causes him to succumb to his bloodlust. She thrashes against him as he latches onto her throat, begging him to stop, but he doesn’t. She grabs the silver candelabra from beside the bed and hits him with it. She sees his expression transition from confusion to horror, “as if he had not even realized what he had done” (271). She grabs her clothes and runs for Vincent’s room with a broken heart. Vincent lets her inside and cleans her wounds.

Part 5, Chapter 31 Summary

At this point in the trial, 11 contestants remain. Ibrihim is the last to pass through the gate after killing his own partner, and once he does, the contestants are returned to the Moon Palace. The Ministaer greets them and announces that they’ll meet at sundown for a feast. Back in the privacy of their shared apartment, Raihn tells Oraya how magnificent she is, but the interaction is stilted. He and Oraya are unsure how to navigate their alliance, for it was only needed for the Halfmoon trial. Afterward, allies usually turn on one another. Raihn and Oraya know that eventually, one of them will need to kill the other in order to win the contest. He offers to get ready in a different apartment, and the subtext of this suggestion is that he does not intend to make any moves to kill her yet.

Just as the Ministaer said at the beginning of the Kejari, the Moon Palace caters to the contestants’ needs; in this moment, it provides Oraya with an opulent gown for the feast. Staring at her reflection, Oraya cannot “remember the last time [she] had seen [her]self in clothing created to be beautiful” (276). Despite not feeling entirely comfortable wearing the dress, she admires it and realizes that the color perfectly matches Ilana’s silk scarf. She ties the scarf around her throat and straps her daggers to her body.

Part 5, Chapter 32 Summary

Oraya arrives at the feast and looks for Raihn but instead finds Vincent approaching her. She cages up her anger at Vincent for breaking his promise about Raihn and allows him to pull her into a dance. Afterward, Oraya walks out to the patio in search of Raihn. In the garden, she discovers Angelika, Ivan, and Septimus speaking. She is unable to glean anything from their conversation before Septimus dismisses them and heads for her. Up close, she realizes that he is a Bloodborn vampire. She immediately dislikes him and is relieved when Raihn appears. Raihn addresses Septimus by name, revealing that the two vampires know each other. When Septimus leaves the garden, Raihn reveals that Septimus is one of the House of Blood princes and is the reason why so many Bloodborn contestants have entered the Kejari. Having lost Nyaxia’s favor after becoming scornful of her original gifts, the Bloodborn had been cursed by her and scorned by other vampire factions, so winning the Kejari is a Bloodborn’s only chance at regaining the goddess’s favor. When Raihn suggests going someplace else, Oraya agrees.

Part 5, Chapter 33 Summary

Raihn and Oraya sit on an abandoned rooftop in the human districts. Oraya can’t help but admire Raihn’s appearance, and she feels Raihn’s gaze linger on her, too. However, they each avoid acknowledging the other’s interest. Asking about Oraya’s plans for what to ask of Nyaxia, should she win, Raihn is disappointed to hear that she would request to be Turned into a vampire. Oraya believes that being Turned will give her the power she needs to change things for the better. Raihn cautions her against throwing away her humanity and emphasizes that she is perfect as she is. The tender words break down Oraya’s walls even further, and she doubts her ability to kill him when the time comes.

On their return to the Moon Palace, Raihn gives Oraya the opportunity to kill him if she wishes to. Instead, she places her hand on his chest and only desires to touch him more. He asks if she is afraid, but the only thing she finds terrifying is the fact that she’s not afraid of him at all. He asks if she’s going to kill him and when she says, not yet, he admits, “You might destroy me anyway” (301). Oraya pulls away, but she does not miss the hunger of her desire for him.

Part 5, Chapter 34 Summary

When they return to the Moon Palace, there’s an unspoken agreement to stay together. For days, they share their apartment, falling asleep on the couch beside each other or sleeping with their bedroom doors open—blatant, foolish acts of trust, yet neither makes a move to kill the other. Instead of daydreaming about ways to kill Raihn, Oraya finds herself daydreaming about much more intimate activities. One day, Oraya enters the kitchen to find Raihn cooking vegetable stew for Mische. Oraya can’t get over how good it tastes, and Raihn jokes, “That wasn’t how I’d imagined making you come for the first time” (305). The implications of the joke create a heavy tension in the air, but Oraya ignores it. Oraya pleases him by asking if she can come along to visit Mische.

Part 5, Chapter 35 Summary

Raihn flies them to the farmstead where Mische is staying. The owners, Cairis and Ketura, greet Raihn with warmth and Oraya with hostility. During the visit, Oraya overhears Raihn speaking with Cairis and Ketura. When Ketura implies that Oraya is not welcome, Raihn commands her to back down. In response, Ketura mentions that the Nightborn King is currently killing his way through Isca and Genra, Rishan cities that Oraya notes are very near to her own birthplace of Salinae. Their conversation ends as Oraya makes her presence known, and Raihn suggests they return to the Moon Palace. On the flight back, Oraya tells Raihn that she is originally from Salinae and that she’d like to return to find what remains of her family. She finds herself leaning into his embrace for the remainder of the journey.

Part 5, Chapter 36 Summary

The next night, the Moon Palace refuses to let candidates leave. When Raihn scopes out the feast hall, he comes back with human food and nothing else. The Moon Palace is no longer providing blood and aims to starve the remaining vampire candidates. Raihn plans to ration his remaining blood. Two weeks pass, and vampires begin to pace outside the apartment, drawn by the scent of Oraya’s blood. She and Raihn ignore them, training inside to prepare for the Crescent trial. Oraya positions a mirror so that Raihn can watch the sun rise each day.

On the third week, Raihn’s blood runs out, leaving him short-tempered as he struggles to keep control of his growing bloodlust. He becomes defensive and angry when Oraya implies that she should leave, accusing her of not trusting him. Even though he claims that he’d never hurt her, and she trusts him never to hurt her intentionally, she knows that in this moment, his profession of complete self-control is “a lie even if Raihn completely believed it was the truth” (323). When she harshly tells him that she doesn’t want to wake up with him at her throat, Raihn reluctantly agrees to leave.

Part 5, Chapter 37 Summary

Oraya wakes in the forest, where the Crescent trial has begun. The starving contestants rip into forest animals and subsequently behave erratically, ripping themselves apart. Oraya realizes that the animals are poisoned and runs in search of Raihn. She finds him fighting off a Shadowborn contestant. When Raihn kills him and moves to hunt a deer nearby, Oraya tackles him to the ground, willing him to see past the fog of bloodlust. She lets him go when he seems to recognize her and explains that the animals are poisoned. He has been weakened by his fights with other contestants and by starvation, so Oraya helps him through the forest to find shelter before the sun rises.

Part 5, Chapter 38 Summary

They seek shelter in a cave just before sunrise but have no solution for Raihn’s hunger. Realizing he’s close to dying of starvation, Oraya insists that he feed on her because the only other option is to watch him die. He looks at the old wounds in her neck, from her old lover, and understands what this sacrifice means to her. Oraya is not surprised that he has inferred enough about her past to know how she got the scars. She recognizes that this situation is different, and she trusts him not to kill her.

She straddles his thighs and moves her neck toward him. She prepares herself for the intoxicating effects of the vampire bite, aware that it often induces intense arousal—especially if there is already an existing attraction. Raihn positions her blade in her hand, directed at his heart, and commands her to use it if she needs to. As he gently feeds from her, she succumbs to her arousal. She reaches for him as he pulls away, wanting more—wanting sex—and kisses him. He pulls away again, putting space between them. She knows by his arousal that he wants to give in to his attraction to her. He admits to previously fantasizing about having sex with her, but he doesn’t want to do so now with the effects of the venom coursing through her. When she attempts to stand, she stumbles, weakened by the blood loss. Raihn pulls her toward him and curls around her, admitting aloud that she’s the “most stunning thing [he’s] ever seen” (344).

Part 5, Chapter 39 Summary

Oraya wakes to Raihn’s arms around her, ashamed of her behavior last night. They study the fog rising and lowering over the land every 90 seconds, which burns upon contact with their skin. Raihn finds the Shadowborn man he killed the night before and steals his cloak, which is made of near-impenetrable Avathrian silk. They formulate a plan to make it to the end point of the Cresent trial—the gold gate that stands miles in the distance. Every 90 seconds when the fog raises, Raihn will fly them as far as possible, and in the 90 seconds it lowers, they will drop to the ground and huddle under the cloak for protection.

Part 5, Chapter 40 Summary

The cloak shields Raihn and Oraya from the worst of the burning. Closer to the gold gate that marks the end of the Crescent trial, they catch sight of the city surrounding them. It’s Salinae, a Rishan city of half a million vampires and humans, and Oraya’s birthplace. It has been decimated by Vincent’s Asteris power. He has killed everyone.

Part 5, Chapter 41 Summary

Oraya is overcome with grief to realize that Vincent has not only killed so many innocent people, but also any remnant of the family she planned to search for after winning the Kejari. Ivan attacks while they’re distracted, cutting into Oraya’s stomach. Raihn rips Ivan from Oraya, but before he can land a killing blow with his Asteris, Angelika arrives and threatens to kill Oraya if Raihn harms Ivan. Just as the fog returns, Raihn tosses Ivan into it and throws himself and the cloak over Oraya while Angelika is distracted by mourning the loss of Ivan.

Raihn urges Oraya to brace herself before hurtling them through the last of the fog and through the gold gates. On the other side, they’re greeted by the Ministaer and by Ibrihim, who is the only other contestant to have made it through. The Ministaer announces that the date for the final trial, the New Moon trial, will be moved to tomorrow instead of three weeks from now. His reasoning is that he’s not sure the capital city, Sivrinaj, will survive another month. Raihn and Oraya are speechless at what they see outside the colosseum—Sivrinaj is now strung up with hundreds of Rishan bodies, pinned by their wings: evidence of what Vincent has been doing while they have been isolated in the Moon Palace.

Part 5 Analysis

The Part 5 Interlude presents the backstory to how Vincent has managed to gain such a stranglehold over Oraya’s heart. Having sex for the first time with the vampire she loves is a very significant act of teenage rebellion against Vincent’s many rules. In her moment of greatest vulnerability, the vampire she loves takes advantage of her trust by succumbing to his bloodlust and feeding on her. In this moment, Oraya learns that while she thought herself to be in love, “[s]he had not learned yet how deadly such a thing could be” (271). Ultimately, the traumatic experience only confirms the misguided idea that Vincent’s judgment is superior to her own, and from this moment forward, The Power of Fear keeps her shackled to his will, even as an adult. In addition to heightening the protective barriers guarding her heart, the traumatic incident also creates her aversion to physical touch.

Ilana’s purple silk scarf is reintroduced when the Moon Palace presents Oraya with a matching gown. Oraya hasn’t worn anything worth drawing attention for years, and faced with the unexpected frivolity of dressing formally, she decides to wear Ilana’s matching scarf around her neck because “if [she] was going to let [her]self be a spectacle, at least [she]’d be one that fucking meant something” (277). The decision represents Oraya’s break with her previous conformity. For years, she has failed to realize How Intense Loyalty Erodes Identity, but now, even this small act of individuality represents her growing boldness in asserting herself in new ways. Underlying her choice of accessories is her anger at Vincent’s willingness to break his promise not to harm Raihn; additionally, he has put innocent humans in danger for the sake of vampiric entertainment, and his blatant disregard for humans inspires a powerful sense of distrust in him.

Meanwhile, Oraya’s and Raihn’s relationship continues to develop, further demonstrating The Complexity of Love. Oraya continues their alliance past the Halfmoon trial because “it was worth something to know [she wasn’t] alone” (303). Isolation is something she has come to see as lonely rather than a necessity, and she now prefers Raihn’s presence. He sees and honors her true self in a way that no one, not even Vincent, ever has. This fact is terrifying for Oraya, whose “instinct [is] to lash out at [Raihn] for just acknowledging that he saw those things [that] she so fiercely guarded” (295). Her instinct is to protect her heart and her desires, which she views as weaknesses because of Vincent’s cruel use of The Power of Fear, yet Raihn does not treat these attributes as weaknesses. As much as she tries to fight her feelings, because “they g[i]ve [her] no way to sink [her] blade into them” (336), they prove inevitable. Oraya is aware of the dangers of her budding attraction. She’s aware that she should be worried about the fact that she is no longer afraid of Raihn’s close proximity. Yet despite this knowledge, the first time she sleeps curled up to him, she feels infinitely safe, and by becoming so close to Raihn, she unexpectedly regains the same sense of safety she once enjoyed in her childhood home, with her human family in Salinae prior to the Rishan attack.

The Complexity of Love gains new dimensions as a dominant theme when Raihn’s growing love for Oraya is introduced. Their romantic relationship becomes a point of comparison to the harsh and unforgiving nature of the father-daughter relationship between Vincent and Oraya. Whereas Oraya’s fear-based loyalty to Vincent’s warped, narcissistic version of reality has slowly whittled away her identity, Raihn’s love challenges her to rebuild her identity and celebrate every aspect of it without shame. By contrast, her previous life with Vincent in the Nightborn Castle “forced [her] to divvy [her] mind up into many little rooms, each containing a different part of [her]self” (281), and while this unconscious practice might have kept her safe from Vincent’s crueler whims, it has also forced Oraya to live a life of unsatisfying restraint. She cannot be who she truly is and cannot seek what she truly wants because Vincent’s expectations form a rigid mold that she forces herself to fit, trapped in the knowledge that “there was nowhere for [her] to go, nothing for [her] to be, but what he made [her]” (282). Vincent forces her into this mold because he believes it is for her own protection, but also because he is incapable of fully accepting her humanity. In direct opposition to this dynamic, Raihn is open about his unconditional acceptance of who she is, believing it a “fucking travesty” (297) that anyone ever convinced her to hide her true self. Raihn now views her not as Vincent’s pet, or even as a goddess as he did after the Halfmoon trial, but simply as a human woman. To Oraya, that validation of her worth in a world beyond Vincent’s control is something infinitely precious.

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