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52 pages 1 hour read

Margaret Peterson Haddix

The Strangers

Fiction | Novel | Middle Grade | Published in 2019

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Chapter 51-EpilogueChapter Summaries & Analyses

Chapter 51 Summary: “Chess”

Despite Kate’s pleas for the kids to hide, they stay by her side as Joe continues to try to free her from her shackles. The stage platform tilts further, sliding Kate’s chair toward the front of the stage where she and the kids will be in full view of the audience. Kate implores Chess to get Emma and Finn to safety, and he tries to pull them away from their mother. 

Chapter 52 Summary: “Finn”

While Chess and Emma try to detach Finn from his mother, Judge Morales’s voice booms over the sound system, implicating “saboteurs” for their attempts to disrupt the trial. She then announces the appearance of “witnesses,” and a blinding spotlight shines down on the stage, illuminating a frightened Chess, Emma, and Finn Gustano.

Chapter 53 Summary: “Emma”

With the Gustano kids in the spotlight, Emma realizes the authorities are using them as leverage against her mother, still under the assumption they are Kate Greystone’s children. She beseeches Joe for help, but he seems to be out of ideas. Kate urges her children to stay out sight, reasoning that the only thing keeping the Gustano kids safe is the misconception they are the Greystones. Emma, however, worries that the Gustanos will know Kate is not their real mother. As the guards usher the Gustano kids toward the stage, Natalie, Joe, and the Greystones have nowhere to hide. With nothing left to lose, Emma holds her breath, trying to block out the bad air of the alternate world and clear her mind. Remembering her mother’s words to her, “love and logic” (360), Emma formulates a plan.

Chapter 54 Summary: “Chess”

As the guards approach the darkened stage, Emma hands Chess a smoke bomb given to her by Joe. They hurl them toward the guards, who are startled, thinking they’re under attack. In the confusion, the crowd panics and runs for the exits. Emma suddenly understands that the simple little smoke bombs, which come from the other world, contain “better” air which does not cloud the mind. She urges Chess to breathe in some of the smoke, and, doing so, he becomes energized and focused. With little time left, Kate exhorts Chess to rescue the Gustanos and meet her “on the other side” (365).

Chapter 55 Summary: “Finn”

The purer air from the smoke bombs disorients the guards enough that the Greystone kids are able to pry the Gustanos away from them. Amid the darkness and chaos, Natalie, the Greystones, and the Gustanos flee the auditorium and try to escape through an emergency door, but they are met by more guards. 

Chapter 56 Summary: “Emma”

Before the guards can drag them back into the auditorium, Emma and Chess use Natalie’s status to intimidate them, and Natalie, picking up on the cue, assumes an authoritative air, ordering the guards to stand down. After some indecision, they relent, allowing everyone to pass. Once outside, they run for the house and the tunnel leading back to their world. 

Chapter 57 Summary: “Chess”

The Gustanos stop mid-flight, wondering what’s going on and where they are. With no time to explain and the wail of police sirens filling the air, Natalie urges everyone to keep moving. Searching for familiar landmarks, Chess reckons that the park with the retaining pond that they passed on the way should be just ahead. He orders everyone to get off the road and seek the bike path behind the pond. 

Chapter 58 Summary: “Finn”

They flee along the overgrown bike path, hidden from view by the weeds and bushes. They eventually emerge from the sheltered path so they don’t miss the house. Running down a wide, empty street, they nearly collide with a woman who steps out from a gap in a fence: Ms. Morales.

Chapter 59 Summary: “Emma”

As the Greystones and Gustanos orient themselves to the presence of Ms. Morales, police suddenly appear over the fences. When Ms. Morales demands to know what’s going on, the police temporarily confuse her with Judge Morales. As Natalie takes advantage of the confusion, the kids race through a gap in the fence, and the abandoned house is directly in front of them. They bolt up the porch steps and through the front door. When everyone is safely inside, Emma locks the door, but as soon as everyone heads for the basement, the police start to break it down. 

Chapter 60 Summary: “Chess”

While Chess tries to convince the terrified Gustano kids to follow him, the police start hacking through the walls of the house. With Finn in the lead, Chess desperately urges the Gustanos forward and into the small room leading to the tunnel. With light only from Natalie and Ms. Morales’s phones, they flee through the tunnel until they find themselves back in the panic room in their own world. They hear the police close on their heels, and Natalie reveals the secret way to close off the tunnel: pull the lever that opened the door in the first place. Chess bounds across the room and wrenches the lever until it breaks off in his hands. “A split second later, everything exploded” (394).

Chapter 61 Summary: “Finn”

Amid the settling dust, the kids search the debris for each other. Everyone is safely accounted for except Ms. Morales who, it seems, has been trapped in the other world by the explosion. The tunnel—and any hope of passing back through—is gone. Natalie finds her mother’s phone in the rubble, and Rocky Gustano, Chess’s counterpart, calls his mother in Arizona to inform her that they’re free. Feeling empowered by their rescue of the Gustanos and realizing that Kate, Joe, and Ms. Morales are still trapped on the other side, Finn resolves to find a way back in and rescue them.

Epilogue Summary

Emerging from their house, Chess, Emma, and Finn find it surrounded by police and firefighters, having responded to the explosion. They quickly concoct a story about kidnappers leaving the Gustanos in their basement while their own mother was on a business trip, and the police, without further questions, take the Gustano kids away to reunite them with their parents. Natalie mourns her mother’s disappearance, and Chess, Emma, and Finn ponder the possibility of separation. Natalie, however, tells the firefighters that she and her father will take the Greystones in. As Emma suggests decoding the rest of her mother’s letter, they realize they are each other’s only support network. They vow to rescue those trapped on the other side. 

Chapter 51-Epilogue Analysis

As Natalie, Chess, Emma, Finn, and Joe try to formulate a rescue plan, Haddix revs the narrative pacing into high gear. Plot developments come at a furious pace—death threats, explosions, an emotional separation from an imprisoned Kate, and a narrow escape from guards and the police—until Haddix finally gives her characters a breather back in their own world. The protagonists overcome each successive obstacle with a combination of luck, ingenuity, or the contents of Joe’s pockets. During the temporary blackout in the auditorium, the kids conveniently have plenty of time for an emotional reunion, for passed messages between themselves and their mother, time to equip themselves with an arsenal of smoke bombs, and the opportunity to confuse the guards and drag the near-hysterical Gustanos to safety without attracting the attention of the authorities. Haddix relies on the wit and resourcefulness of her young characters to outsmart the vast machinery of the State, against all odds. While their cleverness isn’t enough to save Kate and Joe, they are still able to save three innocent kids from a sinister fate. In doing so, they are empowered and confident enough to presumably venture once more into the unknown for a second rescue mission.

Young adult literature is full of resourceful kids who outwit their adult contemporaries, like Coraline and Harry Potter, for example. Inevitably, these characters rely on their openness—and, to some degree, naivete about the machinations of the world—and their ability to think creatively. These are abilities that the grown-ups in young adult novels have lost to the rigors and demands of adult life. Children see the world as a vast environment beyond their control, and YA literature gives them an outlet through which they can gain some measure of that control.

The world of The Strangers reverses the roles. The adult, Kate Greystone, is helpless, and it falls to the children to take control of the situation. While they do rely on the timely assistance of grown-ups like Ms. Morales and Joe, when the stakes are high, they are usually left to solve things on their own. Further, as these kids grow older, they are less able to problem-solve outside rote patterns of thinking. It is mostly Finn and Emma who have the big epiphanies, while Chess seems mired in his adult responsibilities and Natalie looks to her phone for every answer. There is something precious and worthwhile, these tropes suggest, in imaginative thinking, a skill the adult world is only recently beginning to value. Books like The Strangers suggest that kids should be taught to hold on to those traits, rather than shed them in favor of adult “reality.”

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