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Robert Jackson BennettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The titans, or leviathans, serve a largely symbolic role in the novel—they are representative of uncontrollable natural phenomena and as an image around which the Empire unites its disparate peoples.
Though the sea wall breach and later the approach of the titan that plugs this breach in the sea wall are technically events in the text, they hold little bearing on the rest of the plot. None of the novel’s central characters is majorly harmed in either titan event, and the drama of such incidents is quickly passed over so that attention can return to the main mystery. Even the relationship between the dappleglass bloom and the sea wall breach is ultimately proven to be a red herring; the Engineers were poisoned accidentally, and the affected officers were only on the wall due to Fayazi’s self-interest, rather than, as is initially suspected, a plot to breach the walls.
When the titans do emerge in the narrative, they are presented as mysterious, unknowable figures. Fayazi explains to Din, “Nor does anyone know where the leviathans truly come from, or why they come ashore” (365). Answering either of these questions is secondary to the pressing need to survive leviathan approaches, which threaten to quash entire cities. For all their danger, the titans instill a sense of the sublime in Din when he witnesses one—or even parts of one. The revelation that titans’ blood led to the magical augmentations used in Khanum also suggests that the relationship between the titans and humans is not entirely adversarial, though the details of this connection remain vague in the text.
For much of the novel, Din carries only a practice sword. This is a symbolic representation of his apprenticeship, as only full officers are permitted the real weapon. It is also a material limitation; when fighting defectors at Suberek’s house, for example, Din has to use trickery to avoid being slaughtered by a group wielding real blades.
Miljin’s sword, made from the bones of a titan, also carries symbolic resonance of the way the people of Khanum have turned their fight against the leviathans to their advantage. As Miljin notes, his sword is lighter and stronger than steel and keeps its edge better than any metal blade—which makes it enormously valuable. When Miljin gives Din this sword at the novel’s conclusion, it signifies transitions for both the older captain and the young assistant investigator. For Din, this shows a progression from his apprenticeship to being named an investigator; for Miljin, it shows a return to the fight against the leviathans, not against human injustices while wielding a leviathan-derived blade.
Oypat Canton, the district lost to dappleglass years before the novel begins, illustrates the injustice and corruption in Khanum. Though Oypat’s loss is initially considered a tragic, but unavoidable accident, Ana and Din discover that the canton was allowed to perish to boost the value of Haza land holdings outside the region. While Kaygi Haza is dismissive of the massive crime he committed, Jolgalgan and Uhad are unable to forgive this wrongdoing, leading to the poisoning plot.
The ripple effects of this long-lost canton thus serve as a reminder of the emotional disparity between how the corrupt feel about their corruption and how those with less social privilege are affected. Oypat thus emerges as a stark example in the novel’s anti-corruption narrative, particularly when Ditelus, only moments from dying in a dappleglass bloom, insists he is going home to Oypat—a place he has not seen in years and cannot return to. The scene’s viscerally moving emotionality is contrasted with Kaygi’s dismissive coldness of his victims, offering a keen indictment of the Hazas’ actions.
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