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Murasaki ShikibuA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The title of Chapter 4 is taken from the name of a flowering vine, yugao (“evening face”). These flowers are mentioned in a series of messages exchanged between Genji and a young woman who lives near his former nurse. As with several female characters, the young woman is then referred to by the distinguishing feature of her plot line: in this case, this particular young woman is called “Yugao” because of the subject of her letters with Genji.
Chapter 4 opens as Genji is still 17 and visiting his former nurse, who has become a nun. In the same area he is also secretly courting a woman called the Rokujo Haven (named after the Rokujo, “Sixth Avenue,” where she lives). Genji tells his former nurse how much he appreciates her care for him after his mother died. He thenasks after the young woman who lives in a house near the nunnery, and who is later called Yugao.
The nurse’s son, Koremitsu, who is also Genji’s foster brother, is with him during his visit. As they are preparing to leave, Genji notices a fan he has been sent is also inscribed with a poem from whomever lives in the house to the west of the nunnery. Genji asks Koremitsu if he knows anything about the resident, which Koremitsu takes as Genji looking for another romantic interest, even though he is married to Aoi and also is currently having an affair with the Rokujo Haven: “Here he goes again! thought Koremitsu, but he kept his peace…” (58).
After asking about, they determine a young woman lives next door, whose sister is also visiting. Genji begins a correspondence with her, but cannot seem to get close to her physically, though now Koremitsu is encouraging Genji to “take some liberties” with her, partially because he cannot do it himself (59).
Eventually autumn comes, and Genji finds he is no longer interested in his affair with the Rokujo Haven. He realizes part of what attracted him initially was how she pushed him away, and now the challenge for him is over.
As his correspondence with Yugao continues, he and Yugao hurriedly leave with Ukon to a mansion some distance away to have their affair. Meanwhile, while there, Genji dreams of a jealous woman resembling Lady Rokujo, and in his dream the woman silently shakes Yugao. To his horror, upon waking he sees Yugao is gravely ill, and after much confusion with Ukon and calling for Korimitsu, Genji cannot believe that it seems Yugao was attacked by a spirit. Shortly after, Yugao dies.
Koremitsu orders Genji to return to the palace at Nijo, while he takes Yugao’s body to an Eastern Hills nunnery. Terrified and devastated, Genji becomes ill riding his horse back home, and falls off his horse. Genji recovers and takes Ukon under his service. Finally, Ukon reveals Yugao’s true identity, and informs Genji she had a child. Genji then insists Yugao’s daughter, who becomes Tamakazura, be raised by him, especially since he suspects the father is his own brother-in-law, To no Chujo.
He has taken Yugao’s servant, Ukon, into his own service. He questions her and asks her to finally tell him who she was and Ukon does so. She reveals she had a child and Genji immediately insists on Ukon bringing her to him to raise as his own child.
As the chapter chronicles both love affairs and also Genji’s potential role in the spiritual attack on Yugao, the narrative voice intervenes to end the chapter. Speaking directly to the reader, the narrator reminds the audience:
I had passed over Genji’s trials and tribulations […] out of respect for his determined efforts […] I have written of them now only because certain lords and ladies criticized my story for resembling fiction, wishing to know why even those who knew Genji best should have thought him perfect […] No doubt I must now beg everyone’s indulgence for my effrontery in painting so wicked a portrait of him (86).
Chapter 5 begins in the spring following the previous chapter, and opens when Genji is 18. Genji happens to have fallen ill once more, and travels to the Northern Hills to be treated by a high priest. As usual, when wishing to travel unseen, he wears a cloaked disguise while on the road.
While in the hills recuperating, he finds the home of a 10-year-old girl who looks remarkably like Fujitsubo (the favorite partner of his father, the Emperor), and so he is instantly fascinated by the child.Later in the evening, when Genji is invited to visit by the priest, he learns the child looks like Fujitsubo because she is in fact Fujitsubo's niece. The child’s name in the story is “Murasaki,” and Genji immediately wants to adopt her. However, her guardians suspect he only has poor intentions for the girl and is not aware how young she is, and so they reject his pleas to be able to take her with him. While he sleeps in the same bed with her, the narration conveys this act as chaste. Devoted to the idea of raising her and eventually marrying her, he continues to beg her grandmother in messages to allow her to come live with him, to no avail.
While Genji’s marriage to Aoi continues to decline, his beloved Fujitsubo takes ill. Secretly, Genji visits her room with the help of her ladies, and he stays with her overnight. Even though Fujitsubo helped care for him as foster mother, and despite the fact she is the favorite concubine of his father, the Emperor, she and Genji secretly sleep together. Soon after, it is revealed Fujitsubo is pregnant.
The Emperor, Genji’s father, is thrilled to have a son by Fujitsubo, who the Emperor believes is his child. He is unaware Genji is the true father, and Fujitsubo and Genji agree the truth must remain a secret, especially because the child is meant to become the next Heir Apparent after Suzaku (son of the Kokiden Consort).
Back in the Northern Hills, Murasaki’s grandmother dies, and Genji sees this as a chance to finally take the young Murasaki to his home to raise her, and eventually make her his wife. He rushes to take her with him before her father can reach her first, and against her guardians’ resistance, he kidnaps her and takes her to live with him at his mansion. While her remaining nurse, Shonagon, initially resists, she agrees to go with Genji.She is eventually impressed by the opulence of Genji’s lifestyle, and is thus persuaded Genji must have honorable intentions.
Genji brings Murasaki playmates, her favorite gentlewomen to wait on her, and offers her toys and paintings to please her. The narrator ends the chapter assuring us Genji treats her during this time as mostly a loving father, despite his ultimate intentions of marrying her: “No daughter by the time she reaches this age can be so free with her father, sleep so intimate[ly] beside him, or rise so blithely with him in the morning as this young lady did with Genji” (127).
This chapter is omitted from this edition.
Chapters 4 and 5 chronicle Genji’s deepening romantic exploits, as he is now 18 yearsold. Though he is still married to Aoi, and up until now he has experienced the death of his new lover, Yugao, and potentially the involvement of the living spirit of another jealous mistress (Lady Rokujo), in these chapters the story still portrays him as suffering very few consequences.
The narrative voice at the end of Chapter 4 acknowledges the narrator is finally including these hardships in the story to assure the reader Genji also has difficult times, since audiences had accused her of praising Genji’s beauty and grace as too good to be true. In this same segment concluding Chapter 4, the narrator regrets she has to speak so “wickedly” of Genji at all. This conclusion to Chapter 4 is perhaps once of the clearest examples of the narrative voice expressing the expectation audiences of the 11th century would still support and sympathize with Genji, despite his hurtful affairs and exploits, since he is not only a hero nobleman, but his heart is well-intentioned. As mentioned earlier, the narrator’s constant defense of Genji may perhaps prove one of the more complex concepts for modern readers to understand.
The narrative tone continues supporting Genji in all he does, which is highly apparent to modern readers in Chapter 5. In this section, Genji adamantly pursues the 10-year-old Murasaki, partially because she resembles Fujitsubo (and therefore also looks like his mother). There is much ambiguity around the merits of Genji’s actions towards Murasaki: she is technically kidnapped by him against the permission of her guardians, then raised by him, and ultimately his intent is to have her as a wife when she is older, which he does (even if not publicly). In later chapters, Murasaki seems increasingly frustrated and sad with her situation, especially as she ages and realizes the context of why Genji wanted her. However, the narrator makes clear Murasaki would perhaps not have had a more prosperous or happier life, had Genji not taken her without consent. As a middle-born child with an angry father, Genji’s decision to kidnap and raise her potentially offers her protection and luxuries she may not have had. In exchange, though, she experiences a young life of social isolation and lacking comprehension of why she has been raised by Genji at all, until she finally understands her upbringing better when he officially marries her (in Chapter 9).
Chapter 6 is not included in the Royall Tyler abridged translation.