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Both main characters, Li-yan and Haley, struggle with finding a sense of belonging. The search for identity unites them, mother and daughter, despite their separation and lack of knowledge about each other’s fate. Li-yan, the novel’s protagonist, grows up in a close-knit, traditional community, but she begins to feel her lack of belonging when she is still a little girl. While everyone else around her seems to accept the Akha traditions and way of life, Li-yan asks many questions and looks at the Akha culture critically. Her sense of not belonging in the village where she was born and raised becomes especially acute after she witnesses the birth of twins. Superstitious, the villagers kill the twins and exile the parents. This has such a strong and lasting effect on Li-yan that she begins to explore the possibility of a life outside her village.
When she starts studying at trade school, her background makes her different from everyone else, and Li-yan has to try very hard not to stand out. At first, she feels like a complete outsider, but with time she makes friends and adjusts to life beyond her village. Yet when she moves to a big city, she struggles to find her place there: It is too big, too crowded, and too noisy for her. She finds solace in her daily walks in the park, where she can reconnect with nature. When after many years Li-yan wants to come back to her village and embrace her heritage, she is treated as an outsider. She has to gradually restore the people’s trust in her so that they will begin to treat her as a true Akha. Although at the beginning of the novel Li-yan tends to reject her Akha identity, as she grows older, she becomes more rooted in Akha traditions. Her decision to wear traditional Akha clothes on her wedding day testifies how much she values her heritage and how proud she is to be able to call herself an Akha.
Haley, like many adopted children, also struggles with belonging. Despite growing up in a loving family, Haley knows that because of her looks, she is different from both her adoptive parents and from other Chinese children. Her school peers bully her for not being “Chinese enough” (282), exacerbating her feelings of isolation. Apart from this, she doesn’t know anything about her origins, and this makes her continuously question her identity. Haley feels a sense of belonging only when she arrives at Yunnan province, where she realizes that she is “[o]ne hundred percent American and one hundred percent Chinese” (352).
There are three important mother-daughter relationships in the novel: between A-ma and Li-yan, Constance and Haley, and Li-yan and Haley. The relationship between A-ma and Li-yan is the most complicated. When Li-yan is a child, she is afraid of her mother and considers her insensitive. Yet as she grows older, she realizes how wise and caring her mother is. The first test of their bond comes when Li-yan gives birth to her daughter: Instead of punishing Li-yan for breaking Akha Law and turning away from her, A-ma protects her from other villagers and helps her deliver her daughter to a safe place. Afterward, Li-yan’s mother hides her resentment towards San-pa and gives her permission for their marriage because she knows that Li-yan must make her own choices. And when her daughter, disillusioned and widowed, returns to Nannuo Mountain, she once again helps her by making plans to send her trade school so that Li-yan can start her life anew.
Correspondences in the novel demonstrate that Constance has a strong connection with her mother and strives to establish the same bond with Haley. Although Haley feels her adoptive mother’s love and appreciates her care, she feels pressured to meet her demanding expectations. Constance must reconcile that Haley’s longing to understand her own heritage is not a reflection of her failure as a mother.
The connection between Li-yan and Haley exists throughout the novel despite their separation. The two women think about each other a lot and create a relationship in absence. Their emotional bond is so strong that eventually, against all the odds, they reunite. By portraying different relationships between mothers and daughters, See explores multiple layers of mother-daughter love and demonstrates its beauty and complexity.
In the beginning of the novel, the Spring Well Village is a distant place with bamboo houses, no electricity, and squat toilets. But by the end of the novel, it is a place where people have cellphones, drive cars, and live in big concrete houses. The people of the Spring Well Village benefit from China’s rapid economic development and the growth of tea trade, but they also pay a price for this progress. As the village becomes more prosperous and open to the outside world, the Akha people start losing their shared identity: Instead of wearing their traditional clothes, they switch to Western-style clothes, and instead of following Akha Law, they began to abandon their values.
Although the people’s lives improve on the material level, they become poorer on spiritual and cultural levels. Li-yan recognizes this change and encourages the people to restore their ancestral roots. Whereas Ci-teh’s vision of the village’s future includes abandoning the tea trade for coffee and rubber, Li-yan maintains that the people should adapt their tea processing to the modern world. In this way, the villagers can intertwine both the new and old without completely abandoning their Akha tea practices. Later, the Yunnan area flourishes in both tea and coffee, demonstrating the possibility of harmonious change.
By Lisa See