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57 pages 1 hour read

Richard Osman

The Thursday Murder Club

Fiction | Novel | Adult | Published in 2020

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Part 1, Chapters 11-20Chapter Summaries & Analyses

Part 1, Chapters 11-20 Summary

Chapter 11 begins with Elizabeth telling Ibrahim that she has a job for him: She needs him to “lie to a senior police officer” (29). Quickly changing perspective, Chapter 12 opens with a debriefing at the precinct by Detective Chief Inspector (DCI) Chris Hudson. Donna is there delivering them tea, and she does her best to linger on her way out in order to hear more; for example, she bends down to pretend to tie her laces, even though her boots don’t have any. Chris is describing the surveillance they were able to get on Tony’s travels after leaving Coopers Chase on the day of his murder: He left at 2:00 pm and died at 3:32 pm. Cameras in the surrounding areas hold footage that could tell more, so Chris wants to get a hold of the recordings. Until they get that, “[T]he biggest lead is the photograph the killer left by the body” (30). Donna recognizes one of the people in the photo that Chris brings up before she leaves the room, but she hears Chris say that they know all three of the men in the photo very well.

Joyce’s diary entry in Chapter 13 concerns her thoughts surrounding Tony’s death, describing how he was bludgeoned to death. Being included in the investigation is exciting for Joyce, as she says she is now someone who needs to keep her phone on her.

In Chapter 14, Elizabeth speaks to her friend Penny Gray, an ex-cop who is in a coma in Willows; the doctors say that Penny cannot hear, but Elizabeth speaks to her anyways. John, Penny’s husband, talks to his wife as well. Elizabeth leaves after telling Penny how great it is that they have a “real murder to investigate” (35). Flipping back into Joyce’s first-person narrative, Chapter 15 details the residents’ weekly Wednesday trip into Fairhaven. Leaving Joyce’s diary, Chapter 16 opens with Joyce on a bus. Just as it is about to leave, Elizabeth jumps in. Joyce hopes to visit a café, but Elizabeth wants her to investigate the murder. Going into a police station, Joyce is shocked when Elizabeth begins to fake cry and tell the officers that she had her bag stolen; she says that she will only speak to a woman. The officer that comes in is Donna, just as Elizabeth planned, and Donna realizes what is going on the minute she gets into the room.

Chris is in his office going over Tony’s file and the details of his last crime. Tony was involved in a “shooting at the Black Bridge pub, which left a young drug dealer dead” (56) and resulted in the disappearance of a taxi driver. Looking at the photo, Chris sees that it contains three men: Tony, Bobby Tanner, whose whereabouts are unknown, and ex-boxer Jason Ritchie.

Chapter 18 returns to the confrontation between Donna and the two women. Elizabeth calls Donna out on the fact that she left London to move to a city with a low crime rate. She adds that Donna, as the new woman at the station, is still stuck earning her place and that any promotion isn’t in her near future, no matter how hard she works to impress her superiors. Elizabeth asks Donna if she wants to investigate the murder. Donna says yes but asks how Elizabeth can make that possible. Elizabeth doesn’t give her an answer, only stating that she can make it happen within the hour. Elizabeth asks that in return, Donna helps them out if in the future they have questions regarding the case.

In Chapter 19, Chris pulls in to Coopers Chase to have a conversation with Ibrahim and Ron. Ibrahim tells Ron that the detective wants to ask him about the argument that he saw, elaborating that Ron forgets things because he is a “very, very old man” (48). Following Elizabeth’s instructions, Ibrahim then asks if Donna could be there for the interview, putting pressure on Chris to say that she will become part of the investigation. Chapter 20 is another diary entry from Joyce. She feels her special skill is being overlooked and underestimated; she is one who always finds the compromise and settles the arguments “in a way that advantages her” (50).

Part 1, Chapters 11-20 Analysis

Joyce’s growth continues as she immerses herself in a new way of life. Her excitement along with the others in The Thursday Murder Club is relevant as they finally have an opportunity to be involved in a real case. Elizabeth’s strengths also come, out as she starts to put her plan into action. She convinces Ron and Ibrahim to manipulate Chris into getting Donna on the investigation, as Elizabeth promised her. Elizabeth is a character who often lives outside of the law by her own choosing; there is little information revealed about what Elizabeth once did for a living, but it is obvious through her actions that she is very good at investigating and getting what she wants out of people.

The theme of the elderly being underestimated continues when the group exploits younger people’s impressions of the residents at Coopers Chase. Elizabeth easily fakes a robbery by going into the police station upset and crying, pretending to be a confused woman who was robbed and felt unsafe speaking to anyone other than a female officer. The same pattern occurs in the meeting between Ron, Ibrahim, and Chris. Even though Chris saw Ron recently, he says “[he] would have barely recognized him” with his “mismatched pajamas, an unzipped tracksuit top […] looking around vacantly, mouth open (47). Ron is a mess, and Chris feels awkward, as if he is imposing on a private scene. He falls for the trick that Ron’s mental and physical health have declined precipitously, and Ibrahim gets Donna on the case.

When Donna lingers in the briefing room to find out more about Tony’s murder, gender bias can be seen for Donna at her place of work. In the beginning, she is in the room because she is bringing tea to the detectives; the fact that she is bringing tea is a cliché task given to women in the office where the men are given most the substantive investigative duties. By introducing her this way, it establishes the gendered hierarchy ranking Elizabeth brings up to Donna later on. The need to prove herself and stop them from underestimating her is something that Donna focuses on several times during her character arc. Her need to solve the case shows her true desire to be taken seriously in her career and life.

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