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Britney SpearsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes references to substance use disorder, abusive relationships, the sexualization of minors, coercive psychiatric treatment, abortion, and suicide.
Britney Spears grows up in an emotionally tumultuous home. Her father is an alcoholic, and her parents, Jamie and Lynn Spears, fight constantly. As a child, she spends a lot of time outside, singing to herself. When she is outside in nature, she “[feels] God.”
Spears sings all the time as a child. Music is very important to her; she describes it as “magic.” She grows up in Kentwood, Louisiana, a close-knit community where Christianity is very important. Jamie’s father, June, was abusive and sent his wife Jean, Jamie’s mother, to an asylum following the death of her baby. While at the hospital, Jean was put on lithium. June did the same thing to his second wife. When Jamie was 13, Jean died by suicide. Jamie continues his father’s pattern of abuse with Spears and her older brother, Bryan.
Spears’s parents got married young and struggled financially due to Jamie’s drinking habits. Eventually, they both managed to start successful businesses. Growing up, Spears is close with the women in her extended family, including her mother’s sister, Sandra, and her cousin, Laura Lynne. She loves attention and naturally gravitates toward dancing, singing, and gymnastics. People in her life start telling her that she is destined to be a performer.
When Spears is four, her brother, Bryan, is in an accident on a four-wheeler. He breaks many bones and has to be airlifted to a hospital and put in a full-body cast. Spears takes care of him and sleeps beside him every night. Even after his casts come off, she continues to share a bed with him until the sixth grade.
Spears’s father starts drinking again, and his businesses begin to fail. The family goes through increasing financial trouble, and Jamie begins having mood swings that scare Spears. Jamie is especially hard on Bryan and abusive toward Lynne. He drinks so much that he passes out on the couch at night and Lynne starts screaming at him, waking up Spears and Bryan. Spears begs her mom to just put him to bed because he is too drunk to hear her.
Despite the family turmoil, the Spears household is a popular destination for Spears’s friends and other neighborhood kids, and their home is always full. Spears is desperate to get everyone’s attention.
At five, Spears enters a local dance competition. She wins and begins taking part in regional competitions, where she does very well. When she is eight, her parents take her to Atlanta to audition for The All-New Mickey Mouse Club. Spears does well in the audition but does not get a part because she is too young. The casting director suggests that Lynne take Spears to New York to get work and recommends an agent.
Six months later, Spears’s mom sends a tape of Spears singing to the agent, Nancy Carson. Nancy agrees to sign Spears to her talent agency after meeting with her in New York. Soon after, Spears’s little sister, Jamie Lynn, is born. Spears’s mother suffers a postpartum hemorrhage a few days later, which Spears witnesses. Following this, Spears experiences intense panic and anxiety if she is separated from her mother. Only when she is performing does she feel in control.
At age 10, Spears is invited to be a contestant on Star Search. The host, Ed McMahon, interviews her and another contestant and asks her if she has a boyfriend. When she says no, he suggests himself as a potential candidate. She does not win the competition. A while later, Spears gets a role as an understudy in an off-Broadway musical. She, her mother, and Jamie Lynn live in New York for the run of the show. Though landing the role is validating, the schedule is very difficult for Spears. When she is expected to perform on Christmas Day, she quits the show and goes back to Kentwood.
Though she decides that the schedule of New York City theater is too much for her, the experience is good for Spears, and she decides to audition again for The Mickey Mouse Club. While she waits to hear back, she discovers a love of basketball and becomes a point guard on her school team.
Spears lands a role in The Mickey Mouse Club. The show is a “boot camp for the entertainment industry” (31). The kids have “extensive dance rehearsals, singing lessons, acting classes, time in the recording studio, and school in between” (31). Spears connects with fellow cast member Justin Timberlake. Her mother and sister come to live with her in Orlando while filming takes place. The Mickey Mouse Club proves to Spears that she wants to sing and dance as a career. However, when filming wraps, she returns to Kentwood and tries to have a normal life for a while.
At 13, Spears starts driving a car, drinking alcohol with her mother, and smoking cigarettes. Her mom discovers that Spears has been smoking when she smells smoke on her while Spears is driving. Her mother gets angry and causes an accident in which Spears veers off the road. Spears also starts dating Bryan’s best friend, who is 17, in secret. She misses a lot of school because she leaves early to go spend time with her boyfriend. Despite liking aspects of her normal life, Spears also misses performing. Timberlake is forming a band called *NSYNC with other young stars from The Mickey Mouse Club. Spears decides to pursue a solo career. She records a demo and sends it to some entertainment executives in New York.
At 15, Spears meets Clive Calder, the executive of Jive Records. She instantly likes him, and he signs her to his record label. Her mother is unable to come live with her in New Jersey, so family friend Felicia Culotta becomes her temporary guardian while she records music. A year later, Spears’s first album is coming along well. She works incredibly hard and often does not take breaks. She connects with Max Martin, a Swedish music producer who helps her record “...Baby One More Time.” He listens to her vision for the song and lets her have creative input.
Spears works on the music video for “...Baby One More Time.” She goes on a mall tour to promote her first album. No one knows who she is until the video for “...Baby One More Time” is released. After the song is a hit, Spears starts getting noticed everywhere she goes. She skyrockets to fame and success. She begins touring with Justin Timberlake and *NSYNC and appearing on MTV.
During the time that they spend touring together, Spears falls in love with Timberlake. She notices that the two of them get asked different questions in interviews: She is frequently asked about her body (specifically her breasts) and her dating life, while he is not.
Spears’s rapid rise to fame thrusts her into the spotlight, and many people criticize her for what she wears, saying that she is “dressing ‘too sexy,’ and thereby setting a bad example for kids” (50). She is troubled and confused by this criticism, objecting to the implication that being sexy means she cannot also be talented. In reaction to the public pressure of fame, she starts taking Prozac and reading religious books. With the money she earns, she clears her father’s debts and builds her mother a house.
In 2001, Spears performs at the Super Bowl halftime show. Her career continues to flourish, bringing many notable successes, including singing with Michael Jackson in Madison Square Garden and appearing in Pepsi commercials. She also stars in a Shonda Rhimes-penned movie, Crossroads. Shooting the movie is an intense experience for Spears since she follows a fully-immersive, method approach to acting. Not wanting to lose her sense of self further, Spears decides not to pursue acting any further.
At 19, Spears feels like she is living the dream. She is offered a role in the movie musical Chicago but turns it down and goes on to regret not taking a chance and doing something different.
Spears and Timberlake live together in Orlando. Spears feels that the relationship is a special one. However, there are times that Timberlake cheats on her, especially when he is on tour. Spears does not tell him that she knows. The one time she kisses someone else, she admits it to Timberlake. Unexpectedly, Spears discovers she is pregnant. Timberlake tells Spears that they are too young to have a baby and pressures her to get an abortion. Without going to a doctor (for fear that the information will leak to the press), Felicia Culotta procures medication to induce a non-surgical abortion at home. Spears takes the pills at home in her bathroom as Timberlake plays his guitar and sings to comfort her. The experience is traumatic and painful for Spears, both physically and emotionally. Afterward, Spears notes that she is “messed up for a while” (64).
Spears’s descriptions of her early life in Kentwood, Louisiana, emphasize her experience of Music as a Source of Power. When her home life gets challenging, she wanders the woods behind her house and sings, turning to music as a stabilizing and empowering force. When she needs attention from her parents or from other kids, she dances on tables. Music gives Spears access to affection, confidence, and inner peace depending on her needs. In some cases, it even allows her to feel a sense of connection to the divine. Once she becomes a successful singer, music facilitates Spears’s access to social and economic power, making her famous all over the world, with enough money to support every member of her family. Over the course of her memoir, Spears’s connection to music mirrors her connection to herself. The eventual commercialization of her musical talent and the way in which the value of her music is repeatedly conflated with the value of her personal image makes it more difficult to find the organic inspiration and power she experienced with music as a child amid the unimaginable pressure of a career in which even her own body is no longer her own, but rather a commodity that everyone around her feels entitled to exploit.
The young age at which Spears becomes the primary financial provider for her family complicates her transition between childhood and adulthood, laying the groundwork for the theme of Reclaiming Womanhood and Autonomy that defines Spears’s arc. Still a teenager, she carries all the responsibility of an adult, including the need to fight for creative control over her music as a young artist building an internationally recognized career in an industry that wants her to be both highly sexual and perpetually virginal. She also shoulders the responsibility for her public-facing persona in her videos, images, and performances despite the fact that whole teams of recording executives (predominantly men) contribute to its construction. She receives heavy criticism from people who believe that her provocative image and performances set a bad example for young people without any acknowledgement of the context in which they exist or an interrogation of the power structures in place.
Spears’s first pregnancy marks a key moment in which the pressures of her career and the responsibility she feels to those in her life take precedent over her preferred choices, even when it comes to her own body and well-being. During her relationship with Justin Timberlake, Spears feels coerced into having an at-home abortion. While she agrees to the clandestine procedure, she claims it’s not the choice she would’ve made herself. Timberlake does not want her to go to a hospital or see a doctor, which means that she goes through the process without any anesthesia, marking the first of many incidents where Spears feels as though her body does not really belong to her. This book is the first time that Spears has talked in detail about many of these challenging and traumatic experiences.
Nearly every aspect of Spears’s life during her teen years is defined by The Pressures of Celebrity Status. Spears starts working as a singer and actress when she is still a child, quitting her job as an off-Broadway understudy when the schedule’s demands become too difficult to manage. She tries to balance her burgeoning career with her desire to have a normal adolescence—something many people who become famous as children find similarly challenging as their professional lives become increasingly intense.
The pressures Spears experiences are exacerbated by systemically entrenched misogyny. Many interviewers make sexual comments to and about her, even when she is still a child and then a teenager. In these early chapters, Spears calls out the misogyny she experienced, noting that boys her age did not receive similarly invasive questions or comments. One of the ways that Spears deals with the mushroom cloud of her success is to start taking Prozac, an antidepressant used to treat depression and anxiety; Spears does not specify her diagnosis, though she later discusses experiencing both depression and social anxiety. Even at the height of her career, during what she describes as some of the best times in her life, the stresses of fame and success prove difficult for her to manage as she comes of age in the public eye with inconsistent levels of support from those around her. The challenges Spears describes in this section of the book foreshadow the escalating abuse and exploitation she experiences later in her career.