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44 pages 1 hour read

Dave Barry

The Worst Class Trip Ever

Fiction | Novel | Middle Grade | Published in 2015

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Symbols & Motifs

Gadakistan

Some characters from The Worst Class Trip Ever, such as Brevalov , Woltar, and Lemi, are from a fictional country named Gadakistan. The narrative includes descriptions of some of the country’s imaginary cultural traditions, such as fork-throwing, and its political history is also described, as when Victor learns about the existence of a Gadakistani rebel group called “Ranaba Umoka” (113) in Gadakistan’s fictional language. As Victor explains, “According to Wikipedia, Gadakistan […] just had a war of independence, and the head military guy, Gorban Brevalov, declared himself the leader. […] [H]e declared that he was an ally of the United States, which apparently was a big deal” (92).

 Although the country is fictional, Barry’s descriptions imply that it is designed to be a stereotypical and overgeneralized conglomeration of many different Middle Eastern and Central Asian countries. This impression is reinforced by Gadakistan’s supposed political relationship with the United States, which is reminiscent of contemporary geopolitical issues. However, the deliberately vague descriptions of the country’s attributes is meant to critique the protagonists’ uncritical reliance on ill-considered stereotypes to inform their understanding of the world. For example, the children in the story identify Woltar and Lemi as potentially dangerous terrorists because their perspective is heavily skewed by the inherent biases of the news media. As a result, Gadakistan is a symbolic representation of a fantasized, dangerous “Other.” Even the Gadakistani president’s name, Gorban Brevalov, is designed to mimic the names of famously anti-American Soviet leaders. By using Gadakistan as a symbol, the narrative avoids targeting a specific country and instead combines the salient characteristics of several historical enemies of the US. While the resultant effect is intended to be satirical, it is also important to note that such a representation is heavily stereotyped, culturally insensitive, and even racist.

The Dragon

Dragon Head, or Ranaba Umoka, is the name of the Gadakistani rebel group fighting against President Brevalov’s leadership. As a result, the symbolism of the dragon runs through the entire novel, as it depicts the main characters’ attempt to thwart Brevalov’s coup against the US president.

Wyatt and Matt first notice that Woltar and Lemi are traveling with a mysterious dragon head while they are on the plane to Washington, DC. They later discover it again in the house where the two men are keeping Matt prisoner. Wyatt and his friends therefore deduce that Woltar and Lemi are members of the rebel group and mistakenly believe that they are terrorists, and this misunderstanding drives the plot forward. At the end of the book, the dragon is revealed to be a giant kite. Wyatt uses it to fly over the White House fence and save the US president, thus becoming a hero. Significantly, Wyatt initially comments on the dragon’s menacing appearance (sharp teeth, spikes, and claws), but the creature eventually comes to embody heroism and noble values.

Wyatt’s Height

Wyatt’s physical appearance is characterized by his short stature, on which he repeatedly comments throughout the story, revealing a key source of his insecurity with Suzana. As he admits at the beginning of the story, “I really, really like Suzana Delgado, who is […] perfect, except for her height, which is: tall. Or at least taller than me. I’m kind of short. Okay, I’m not ‘kind of’ short. I’m short” (15). The choppy, awkward tone of this passage betrays Wyatt’s ongoing anxiety over his appearance as he navigates the challenges of adolescence. As the story progresses, Wyatt’s attitude toward his size reflects his level of self-confidence, and as he slowly comes to terms with his appearance, this transformation reflects his emotional growth. Initially, Wyatt feels dejected about being short and laments the fact that his rival, Suzana’s boyfriend, is much taller than he is. However, Wyatt’s small stature allow him to fly Lemi’s kite when no one else can, and he becomes a hero by saving the president’s life, thereby gaining more confidence. At the end of the novel, Suzana kisses Wyatt, who notes: “She had to lean down a little to do it. But not too much. I’m definitely catching up” (180). This private reflection reveals Wyatt’s newfound emotional maturity and hints at his future development as he continues to grow both physically and emotionally.

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