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Statius, Transl. Jane Wilson Joyce

Thebaid

Fiction | Novel/Book in Verse | Adult | Published in 92

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Books 10-12Chapter Summaries & Analyses

Book 10 Summary

As night falls, both side lick their wounds. The Thebans have more to be happy about than the Argives, as they have now killed four of the Seven heroes. Amphiaraus, Tydeus, Hippomedon, and Parthenopaeus are dead; Polynices, Adrastus, and Capaneus remain. Eteocles, emboldened by these victories, places more emphasis watching the enemy camp than his own. He does not want the Argives to escape (15-48).

Faraway in Argos, women supplicate Juno with a beautiful robe, asking her to strike down her old romantic rival Semele’s town, Thebes (49-69). Juno is torn. She knows Jupiter and the Fates are against the Greeks but would hate for her worshippers to go unrewarded. Chance offers one opportunity: with Eteocles’s men surrounding the Argive camp, Thebes is unguarded (70-80). She sends the messenger goddess, Iris, to the house of Sleep. 

Statius takes his time describing the quiet kingdom of the god (84-105). Sleep himself is dozing, unwashed, and smelly. Dreams flitter about his room (106-117). Iris’s dazzling light wakes everyone but Sleep himself, who requires extra effort (118-25). Iris shares Juno’s command: Make the Theban leaders sink into a deep slumber, in exchange for Juno (and Jupiter’s) favor. She leaves (126-36). Sleep obeys and flies to Thebes—dropping everything into slumber in his wake—and drags the entire Theban camp into a deep sleep.

The Argives’ new seer Thiodamus (we met him in Book 8, lines 271-341) is suddenly possessed. He tells Adrastus that Amphiaraus—whom he now believes is a god—has appeared to him and chastised the Argives to attack immediately, while they have the chance (160-218). While some—even the impious Capaneus—find it dishonorable to fight at night, Thiodamus leads the night raid himself, accompanied by Actor, Agylleus, and others (219-61). With Juno’s moonbeams guiding the way, the band mercilessly slaughters scores of helpless sleeping Thebans (262-325). Near daybreak, Actor suggests “Enough […] Scarcely a man from that great battalion has, I think / escaped the massacre […] Set success / a limit—even dread Thebes has her divinities!” (330-5). Thiodamus yields and offer the victims as sacrifices to Apollo (336-46).

Two Argives, Hopleus and Dymas, reflect on how their dear leaders—Tydeus and Parthenopaeus, respectively—remain unburied (347-69). Diana brings the moon closer to help them search the battlefield (370-5). They find the corpses and almost get them home when they are caught by a Theban patrol, led by Amphion. Though Amphion urges peace, Hopleus is killed quickly. Dymas, too, is abused. He begs that they bury Parthenopaeus and kills himself rather than give up information on the Argive plans (384-444). Amphion intends to taunt the Argives with the decapitated heads of Hopleus and Dymas but underestimates the vastness of the Argive force. He flees back to Thebes with the Argives hot on his trail (445-88).

All the Theban gates are closed but one, the Ogygian Gate, which is now hotly contested. The battle soon spreads to the other six as well (489-555). The citizens of Thebes are panicked; “you’d think War / had got in!” (559-60). People throng to the altars, which are “unresponsive” (564). They behave like a swarm of bees dislodged in their hive (574-79). Many call for Eteocles to be deposed, wondering why they should give their lives for his family’s blood guilt (580-7). Some ask the seer Tiresias what they should do. He feels certain Thebes will fall, but with the assistance of his daughter Manto, he asks the gods. They convey that the Serpent of Mars demands a human sacrifice: Menoeceus, Creon’s son (589-615). Creon begs Tiresias to suppress the prophecy, but Rumor spreads the news.

Statius asks the Muse Clio to help describe why Menoeceus would welcome such a death (616-31). The personification of Valor came to Earth to encourage him, disguising herself as Manto “to ensure the oracles win full trust” (640). She finds him on the battlefield and tells him he will win glory not here, but by “sending his soul skyward” for the gods, who call for a mortal sacrifice (661-70). Menoeceus recognizes her for a goddess and is completely sold on suicide (672-85). Creon begs him to stop and take pity on his parents, wondering if it is Tiresias or Eteocles who are truly behind this, not the gods (686-718). Menoeceus lies, claiming he is just in the city to help his brother Haemon, and runs off (722-33).

Capaneus has entered an aristeia when Menoeceus takes up a place on the walls of Thebes (738-61). He dedicates his death to the salvation of the city and kills himself (762-82). The Argives withdraw in shock. The Thebans worship Menoeceus as “Founder of Thebes,” even more so than its real founders (783-91). Creon mourns that his previously healthy and functional family has been destroyed not by the enemy, but by his son’s own hand, while Oedipus and Jocasta’s dysfunctional family remains intact (791-814). Menoeceus’s mother is inconsolable (815-26).

Capaneus’s aristeia—paused by Menoeceus’s suicide—resumes at line 827. He even manages to scale the wall of Thebes. The Thebans give him a good fight, but he literally pulls down the ramparts (827-82). The Theban-allied gods—Bacchus, Apollo, Heracles—are aghast, while the deified hero Perseus, Juno, and Minerva mourn the Argives. Jupiter is untouched by the sadness of either side (883-97). He is moved to action only when Capaneus taunts the gods for leaving Thebes defenseless, volunteering to fight Jupiter himself. Jupiter laughs even as the other gods encourage punishment—suddenly, Jupiter strikes Capaneus down with a lightning bolt. Capaneus dies completely without regret (906-39). 

Book 11 Summary

The body of Capaneus plummets to earth from the walls of Thebes, struck down by Jupiter (1-8). Statius compares him to the Giant who assaulted Apollo’s mother Leto, whose horrifying corpse left no doubt of his power (9-17). The Thebans take heart at his death, but watch, aghast, as Jupiter also prevents the Argives from retreating (18-25). An Argive trumpeter tries to sound the retreat and is instantly killed, though his horn plays on (49-56).

Tisiphone, now bored of the conflict, calls up her sister Megaera to set up the final duel between Polynices and Eteocles (57-76). She is exhausted by how insatiably evil men are, whom it is her job to incite, and mentions Tydeus specifically (“You’ve seen—surely he’s shown up among Stygian shades?—the leader whose mouth is foul with blood, whose lips stream black / muck? I gave him his wretched foe’s head, and he ate it! / Insatiable!” (85-87)). Tisiphone wants Megaera to choose one of the brothers and help her set him against each other in single combat (92-112). In heaven, Jupiter urges the gods to turn their eyes away from the impious conflict that is coming (121-35).

Megaera finds Polynices debating whether to fight or flee; a frightening dream of a silent, mournful Argia has made him wary (136-46). Megaera juices him up with rage and Polynices rushes to tell Adrastus that he will do what he should have done long ago, before the rest of the Seven were killed: He will fight Eteocles one-on-one. He bids farewell to Argia and hopes she finds a better husband than he (155-92). Before Adrastus can respond, Tisiphone, disguised as an Argive, steals him away, urging him to “Snap to it! No dawdling! Let’s make haste […]!”

Meanwhile, Eteocles is performing a sacrifice to Jupiter, thinking the Argives are defeated. He attributes the victory to Jupiter’s connections to Thebes—e.g. the rapes of Io and Semele—and thanks him, but a black flame knocks off his crown and the sacrificial cow spews blood everywhere (205-38). A messenger tells Eteocles that Polynices is approaching. The courtiers encourage Eteocles to hang back and let them do the dirty work, but Creon, still mourning his son Menoeceus, verbally abuses Eteocles at length for being the cause of the war and a plague on Thebes (238-96). Eteocles shrugs off the accusations, claiming that Creon is not angry for his son—he just wants the throne for himself. He will deal with Creon later, as the priority is fighting Polynices (298-314).

When Jocasta hears that the duel is drawing near, she confronts Eteocles and tries to make him kill her if he intends to proceed, but he pushes past her (315-53). Antigone tries the same with Polynices, calling down to him from a tower as he pelts the walls with pikes. She lies and says that though Polynices called, Eteocles will not answer (354-82). Polynices’ rage ebbs, but Tisiphone breaks down the gates and Eteocles charges out. Polynices shows his true colors: “[H]e glared at his brother—for, deep in his heart, jealousy burned / at the other’s vast retinue, regal casque” (396-8).

The brothers charge each other and begin their final battle. The citizens of Thebes all gather on the ramparts to watch—shockingly, Dis sends the Theban dead up from the Underworld to watch the spectacle too (416-23). Adrastus tries to stop Eteocles and Polynices one last time, appealing to the former to lay down his pride and to the latter as father to son, but he fails. He drives his red horse Arion (featured prominently in the chariot race of Book 6) away from the conflict and abandons the war entirely (424-46).

Statius moves us to a far corner of heaven, where a personification of Devotion (Latin: Pietas) sits apart, “offended by Earth and the Council of Gods (457). Like Jocasta and Antigone, she is distressed at the fight between two brothers, wishing she lived in the Underworld instead (457-71). Though she is sure she wastes her time, she decides to try to intervene. Her presence instantly makes the brothers and their armies feel shame, but Tisiphone drives her off: “Make way, hussy! Mine this / field, and mine this day!” (485-6). The fight resumes.

Polynices promises he will atone and kill himself for his crimes if he can only kill Eteocles (504-8). His javelin hits Eteocles’s horse and, believing the fight won, Polynices charges. The two men fight on foot, “they clash without scheme, without skill—mere brute force now, and rage, and the fire of hatred” (524-5). Finally Polynices stabs Eteocles in the groin, mocking him as he stumbles (540-51). In his joy and greed he moves to strip Eteocles’s arms, who has one last trap in store: he buries his sword in his brother’s heart and, vaunting over him, dies (560-73). In an aside to the reader, Statius hopes no-one will remember this foul moment again—only kings should keep it in mind (574-9).

At their death, Oedipus emerges and begs Antigone to throw him on the corpses of his sons. He mourns them loudly, asking Devotion why she only now affects him with remorse. He wishes his eyes would grow back so he could rip them out again, growing furious when Antigone does not allow him to kill himself (580-633). In the palace his wife Jocasta commits suicide with a sword, to the horror of their other daughter, Ismene (634-47).

Creon ascends to the throne. His first action as king—“first hint and gauge of Creon’s reign (so steeped was he / in the savage ways of the palace”—is to deny the Argives the right to bury their dead (661-4). He mocks Oedipus and expels him from Thebes, though he knows himself to be the lesser man. Citing everything he has been through, Oedipus refuses to be cowed by two-bit pretender. He ironically blesses Creon’s rule over Thebes, hoping it will turn out just like his own (673-706). Antigone begs Creon to be the bigger man and pity her father, who presents no real threat to his reign and is cruel only because of his horrible lot in life (707-47). Creon deigns to let them stay in the Theban countryside but bars them from civilized areas like shrines and homes (748-56). The Argive army starts wandering home (757-61).

Book 12 Summary

Not quite believing the war is over, the shell-shocked Thebans begin dismantling the city’s defenses and burying the Theban corpses. “Often too,” Statius tells us, “they were fooled (Fortune snickered the while) and shed / tears over their foes—no sure way for the wretches to tell / whose flesh they should honor and whose tread underfoot” (35-7). After three days they assemble enough wood to build pyres for the Thebans; unburied, the Argive ghosts wail (55-9). Creon specifies that his son Menoeceus (who committed suicide in Book 10, 616-782) receive special treatment. Creon laments at his bier that Menoeceus had longed for glory and snaps that he does not care if he is judged for not allowing the Argives to be buried (60-104).

Meanwhile a group of mourning women races from Argos to Thebes, led by the Polynices’ widow Argia (her sister Deipyle, Tydeus’s widow, accompanies her, as does Hippomedon’s widow Nealce and Capaneus’s widow Evadne) (105-28). Hecate—the goddess Diana in a more witchy form—guides the way in the night, while Iris preserves the Argive corpses until they arrive (129-40). A man named Ornytus tells the women of Creon’s ban on burial and suggests they return home and commemorate the dead in empty tombs—or perhaps request help from the hero Theseus, the neighboring king of Athens (141-66). When the women disagree on what to do, Argia hatches a plan: They will continue on to Athens while Argia alone appeals to Creon and his “thunderbolts” in Thebes herself (199). She is desperate to bury Polynices before he decomposes. Tirelessly, she crosses the countryside with the assistance of an older man, Menoetes (166-242).

Under cover of night, Argia begs the spirit of the city of Thebes to aid her and searches the gory battlefield for Polynices (255-90). Juno, on her way to Athens to petition Theseus on behalf of the other Argive women, sees her and pities her. She convinces the moon goddess Cynthia to shed more light on Argia’s way and finally, Argia finds Polynices’ corpse (291-321). She begs him to “lift [his] head and unseeing eyes” to show her his ancestral home, then blames herself for her role in the tragedy and promises he will be buried properly (322-48). A second mourner arrives: Antigone, who snuck out of Thebes. At first she confronts Argia—“Reckless woman!,” she says, “Whose soul, what limbs do you seek? / This night is mine!” (366-7)—but when Argia reveals her identity, the two commiserate as daybreak approaches (349-405).

They cleanse Polynices’ body in the river Ismenos and look for wood and fire to burn him—and happen to use the same pyre as was used for Eteocles. The corpses of the brothers, together again, tussle for position on the pyre. Antigone marks what is happening and declares that Creon has won, as they still cannot temper their anger (409-46). Theban watchmen catch sight of the pyre and Argia and Antigone suicidally taunt them with their success in honoring Polynices. They are arrested (447-63).

In Athens, Minerva and Juno accompany the Argive women (264-80). In the heart of the city there is an altar to the personification of Clemency in a lovely grove of olive and laurel trees. It is known to peoples of many nations as a place to seek peace and relief from suffering. The Argive women come here just as Theseus arrives home from war (481-520).

Theseus’s victory parade—including his new barbarian wife, Hippolyte—is splendid (521-39). Theseus sees the Argive women and agrees to hear their plea. Evadne, Capaneus’s wife, identifies them as fellow Greeks who complain not that their husbands were slain—war is war, after all—but rather that they cannot be buried. She asks Theseus’s assistance in setting things right, as the gods, including Jupiter, have done nothing, and she has heard Theseus is a noble man (540-86). Theseus is moved by their plight and wonders “What Erinys [i.e. Fury] has brought on this madness, / so strangely unkinglike?” (590-1). He agrees to help and leads his weary but eager troops to Thebes (599-648). He looks “a very Jupiter” (650) at the head of the army, bearing a shield with his own image (649-76).

Back in Thebes, Antigone and Argia are being sent to their execution when the messenger Phegeus arrives, bringing word of Theseus’s arrival. Creon refuses to change course (677-98). The exhausted Thebans can barely convince themselves to prepare for battle (698-708). Theseus arrives and does the dead the honor of not fighting on top of their corpses, but the Thebans are too tired to respond (715-40). Still, Theseus attacks in a mini-aristeia (730-53).

Theseus calls for Creon, who taunts him with the Thebans’ slaughter of Tydeus, Hippomedon, and Capaneus (754-65). Theseus laughs at him and kills him with his spear, “thundering” to hell to open its gates for Creon (767-81). The Thebans beg Theseus to tour their city. Widows stream about the battlefield like crazed worshippers of Bacchus (789-96).

Statius concludes by telling the reader he is too exhausted to go on detailing the funerals. He addresses the Thebaid itself, which he has worked on for twelve years, wondering if it will outlive him. He encourages it not to try to surpass its model, Virgil’s “Aeneid divine” (797-819).

Book 10-Book 12 Analysis

In this last quarter of the work, we finally reach the Thebaid’’s climax—the long-awaited battle between Eteocles and Polynices in Book 11—as well as an unexpected epilogue in Book 12. First, we wrap up loose ends on the battlefield in Book 10 and learn the Fates of the only surviving members of the Seven besides Polynices: Capaneus and Adrastus.

Like Tydeus, a fit of rage and madness makes Capaneus into a monster. We already know he is impious; in Book 3 he threatened the seer Amphiaraus and made clear his disdain for oracles, but in scaling the walls of Thebes and challenging Jupiter himself, Capaneus goes a step further and commits the ultimate sin of impiety: He compares his strength to that of a god (to Jupiter, no less). The rest of the Pantheon are appropriately upset—in myth, all of them have exacted dire punishment on mortals who claimed something similar—but in one of the eerier moments of the epic, Jupiter simply laughs. At first it is unclear what his intentions are—is he so unhinged, so unrecognizable that he will allow Capaneus to get away with this?—when suddenly, he strikes Capaneus down with a thunderbolt. This exercise of ultimate power will be echoed twice before the poem ends, though Jupiter now, surprisingly, exits the stage. This will be his last major action of the poem. The corpse of impious Capaneus, meanwhile, is compared to a Giant, the mythological race which once challenged Jupiter and even tried to siege Olympus itself. This connection was foreshadowed in Book 4, when we learned Capaneus’s armor was decorated with a Giant (165-87).

Before the final battle, Adrastus is also given his final spotlight. His appeal to Eteocles and Polynices is a neat callback to previous epics. He asks Eteocles to put down his pride—much as Aeneas’s father Anchises did to Aeneas in Virgil’s Aeneid. He also appeals to Polynices as father to son—much as the king of Troy, Priam, did to Achilles in Homer’s Iliad. However, unlike Achilles, Polynices and Eteocles will not put their rage aside—they will fight it out to the end.

In their final battle Polynices and Eteocles are nearly indistinguishable. They have always been foils to each other, but now they are mirrors. Any nobility Polynices might have shown beforehand goes out the window now that the moment has arrived. Like Amphiaraus’s wife Eriphyle and the baby Ophletes’ mother, he is consumed by jealousy (Book 11, 396-8). There is no honor in the brothers’ fight, or in their dual murder of each other. Interestingly, Statius hopes everyone forgets it except for kings—perhaps the most pointed hint that Statius hoped the leader of his time, the Roman emperor Domitian, might absorb the Thebaid’s lesson.

But the Theban madness of Polynices and Eteocles does not die with them. Creon immediately takes up the mantle of dictatorship, “so steeped was he / in the savage ways of the palace” (Book 11, 661-4). To save Polynices, Argia dares to risk Creon’s “thunderbolts” (Book 12, 199). Is Creon Jupiter’s mortal successor? He is the first of Jupiter’s proxies, but will not be the last. More unsettling still are hints of Jupiter in Thebes’s savior, the hero Theseus, “a very Jupiter” himself (Book 12, 650). In a strong repetition of Jupiter’s murder of Capaneus, Theseus, too, laughs at Creon before striking him with his spear, and “thunders” for hell to open its gate (Book 12, 771).

Statius is heavy-handed with this sort of redoubling and repetition in the final moments of the epic. In Book 11, Tisiphone vaunted over the goddess Devotion, taunting “Make way, hussy! Mine this / field, and mine this day!” (485-6). In Book 12, a crazed Antigone says almost the exact same thing to Argia: “Reckless woman! whose soul, what limbs do you seek? / This night is mine!” (366-7).

On the one hand, Statius wraps up his story with a nominally happy ending. Theseus has brought peace back to Thebes. The dead are honored, as they deserve. On the other hand, these echoes are unsettling. Just when it seems that everything has finally ended, everything starts again. Statius leaves us with a sobering thought. Upon the succession of a new leader (not unlike a new emperor, perhaps?), celebration, pomp, and circumstance hide the reality that Thebes’ (and Rome’s) destiny is cyclical, and its true inheritance is perpetual civil war.

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