52 pages • 1 hour read
Lisa JewellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ten years after her daughter’s disappearance, protagonist Laurel Mack remains unable to move past her grief and loss. Losing Ellie has completely consumed her life. She is pessimistic, paranoid, and resentful. She goes through the motions of her life without feeling purpose or meaning. Ironically, Laurel allows the loss of her “golden girl” (8) to result in losing touch with the family she still has, particularly Paul and Hanna.
However, throughout the novel, Laurel begins to heal. Her relationship with Floyd gives renewed meaning to her life. She finds herself remembering the joy in everyday tasks, such as cooking, and she makes amends with Paul for how she shut him out after Ellie disappeared. Since her relationship with Floyd brought such purpose and healing to her life, she finds it difficult to acknowledge that he’s hiding something from her. One moment, she suspects that something is off about him, but the next moment, she forgets her doubts and trusts him. By the end of the novel, despite the trauma she endured in finding out the truth about Ellie, Laurel has transformed. She heals her relationship with Hanna, recognizing that she has been a “golden girl” (353) all along; she just failed to recognize it before. She finds purpose and renewed connection to Ellie by raising her daughter, Poppy, and is finally able to heal the wounds of the past.
With her greasy red hair, stooped shoulders, and long, thin legs, Noelle Donnelly’s unattractive physical characteristics fit the classic portrayal of a villainous character. Jewell uses her strange smell of cooking oil on several occasions to point out that her presence is off-putting, especially from the perspective of young people such as Ellie and Poppy. From the beginning of the novel, the reader sees that something about Noelle is not quite right. Ellie feels a sense of unease about being alone with Noelle during their tutoring sessions, but Jewell plays with the reader’s judgments, as Noelle seems to put Ellie at ease over time: bringing her small gifts, complimenting her progress, and truly helping her improve her grades.
Even though Jewell characterizes Noelle as strange from the beginning, it isn’t until she uses Noelle’s first-person narration that the reader sees that Noelle is completely unhinged. Noelle’s psychosis grows gradually over the course of her life. She constantly lived in the shadow of her deceased sister and felt more “judged” by her parents than “loved” (166). Her lack of significant relationships and purpose in her career led to an obsession with gaining Floyd’s attention and keeping it. Noelle rationalizes her horrific actions by telling herself they will help her win Floyd over. She expresses no remorse over kidnapping Ellie, impregnating her, and leaving her to die. Noelle’s mental illness appears more disturbing because of her proper, matter-of-fact diction and ability to appear somewhat normal. Although the reader senses from the beginning that Noelle is involved in Ellie’s disappearance, Jewell creates a growing sense of horror as the reader slowly learns of Noelle’s psychotic malevolence.
When Laurel first meets Floyd, she is attracted to his classy style that resembles Paul’s, as well as his winning personality. Floyd is kind to Laurel and eager to invite her into his life. His daughter, Poppy, is clearly his pride and joy, and although his relationship with her is unconventional, he cares for her. For most of the novel, the reader’s judgments of Floyd are in flux. While Laurel sees him as the best thing that has happened to her since Ellie’s disappearance, it’s also clear that he’s linked to Noelle—and Ellie—in some dark way. From Laurel’s perspective, Floyd is sweet, confident, and thoughtful, but from Noelle’s perspective, he sounds somewhat desperate, sex-obsessed, and foolish to stay in a relationship with Noelle for so long.
Once Floyd recounts his side of the story from the first-person point of view, the reader can see that, like Noelle, he also has some mental issues. He made a calculated attempt to get to know Laurel by studying Paul’s clothing and changing his appearance to attract Laurel. He also genuinely cares for Laurel, but in a seemingly obsessive way. However, his intentions for getting to know Laurel are for the good of Poppy. He wants to make things right and return Poppy to her rightful family. This is where he differs from Noelle. Although Floyd is far from normal, he retains a sense of right and wrong and can sustain meaningful human relationships. He understands that Laurel and Poppy will only truly be able to heal once he is gone, and he finally does the “best and greatest thing” (346) by confessing the truth to Laurel and restoring Poppy to her biological family.
At age 16, Ellie Mack’s life is picture perfect. She’s beautiful, has a handsome boyfriend, is a model student, and has a wonderful summer ahead of her. Even though she is dead by the time the present-day events of the novel unfold, Jewell shows the reader her thoughts and perspective through flashbacks to the past. Ellie is shown to be intuitive about Noelle, feeling uncomfortable around her, and in hindsight, reflects on the warning signs she saw and felt. When taken captive by Noelle, Ellie shows signs of bravery, yet also naiveté. For instance, she pounds on the basement window and attempts to attack Noelle with a chair, but she is quick to believe Noelle’s words that suggest her captivity is only temporary. This belief keeps her from feeling desperate enough to try overpowering Noelle again or attempting escape. Over time, Ellie’s mental state starts to decline. She loses track of what month it is, finds herself alternating between loving Noelle and wanting to kill her, and aches for her family, particularly her mother. Despite her captivity and her horrible final days of life, Ellie’s letter in the Epilogue shows her strength, bravery, and love for Poppy and for her family.
Nine-year-old Poppy is not a typical little girl. She wears stiff and formal clothing that matches her unconventional levels of confidence and precociousness. She bears a striking resemblance to Ellie and even shares Ellie’s love of stories. Poppy’s self-assured and mature personality is simultaneously charming and unnerving. Rather than simply being free to be a child, Poppy acts according to Floyd’s coaching. Her grim philosophy that life is meaningless seems to come from Floyd as well. When Poppy talks about Noelle, she has no feelings of affection for her, nor does she express sadness over the fact that Noelle left. This suggests that, even though Poppy doesn’t remember Ellie, she can sense that Noelle is not her true mother, and they never shared a bond. At the end of the novel, Poppy adapts surprisingly well to the loss of Floyd and is quick to accept Laurel as her new mother. Under Laurel’s care, Poppy will be free to embrace childhood in a way that she could not under Floyd’s careful control. At the end of the novel, Poppy and Laurel give meaning to one another’s lives and restore the mother-daughter relationship that was lost when Ellie died.
By Lisa Jewell