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58 pages 1 hour read

Erik Larson

Thunderstruck

Nonfiction | Book | Adult | Published in 2006

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Themes

The Battle Between Theoretical and Practical-Use Scientific Exploration

A battle rages through the pages of Thunderstruck that tells the story of how scientific advancement changed over the previous century. Marconi is instrumental in shifting discovery away from the theoretical sciences towards practical-use development. His entrepreneurial mindset did not exist in the late Victorian era. Larson writes: “The closest models for this kind of behavior were unsavory—for example, the men who made fortunes selling whack medicines” (90). And yet, between 1894 and 1920, Marconi would redefine how scientific discovery was undertaken, marking the beginning of a transition from collective theoretical exploration to practical-use, concept-owned research and development led primarily by corporations.

The story begins in Europe in the late 1890s when scientists were dominating the public conversation. Marconi arrives in London to find a city where scientific lecturers draw large crowds to the Royal Institution, a venue Professor Oliver Lodge described as “a sort of sacred place where pure science was enthroned to be worshiped for its own sake” (24). Science, as practiced by professors and lecturers, is respected and revered, and it begins to replace God: “The yawning void of this new ‘Darwinian darkness,’ as one writer put it, caused some to embrace science as their new religion” (72).

It is into this theoretically primed, collaborative, and open scientific scene that a poorly-educated Guglielmo Marconi arrives with his secret device. He does not understand the science behind why his device works, only that he has honed the device using trial and error. Larson notes, “His grasp of physical theory was minimal, his command of advanced mathematics nonexistent” (90). He is quickly labelled a fraud. His idea is so new, so unfounded in theoretical science, that it “would cause some to brand him a fraud and a charlatan” (35). Marconi understands that Hertz’s waves can be used to send messages. He believes the waves will become invisible carriers for human wireless communication, but “to the rest of the scientific world, what he now proposed was the stuff of magic shows and séances, a kind of electric telepathy” (30). Thus, Marconi is pitted against the leading scientists of his time, diminished to the lesser title of inventor. His secretive and paranoid nature does not help him win over skeptics.

Oliver Lodge, “a physicist of great renown” (23), is chief among the self-labeled Maxwellians, those who view science as a theoretical exploration; knowledge for knowledge’s sake being prime among their beliefs. They hold the view that theoretical exploration expands human understanding. In opposition to Lodge is William Preece, who becomes Marconi’s mentor: “To the Maxwellians, Preece was the king of ‘practicians.’ He and Lodge had more than once come to metaphoric blows over whether theory or everyday experience had more power to uncover scientific truths” (82). While the public respects Preece for his engineering and practical knowledge, they view Preece and Lodge as opposites.

Marconi aligned himself with Preece, gaining valuable resources from the Post Office but pitting himself against Lodge and other hard scientists. In his allegiance with Preece, Marconi is practical and entrepreneurial, calculating the value of Preece’s assets and assistance against what he could lose by sharing his device with the scientific community. The author notes that Marconi “was an entrepreneur of a kind that would become familiar to the world only a century or so later, with the advent of the so-called ‘start-up’ company” (90). He was an inventor and a businessman and shrewdly hedged his bets in favor of practical-use exploration. Marconi built a valuable empire based on his idea and protected it using patents and exclusive contracts and by beating competitors in releasing newer and faster services. He pioneered the idea of corporate research and development and changed how scientific advancement is viewed in the Western world.

Driven by Obsession

Erik Larson describes Guglielmo Marconi as obsessive in his drive to realize his vision of wireless communication. But the genius behind wireless is more than obsessive; he is self-destructive. Through a comparison of the methods used by Marconi and Oliver Lodge, Larson suggests in Thunderstruck that self-destruction is the cost of genius and that anything less than obsessive focus results in failure.

After the idea for wireless communication gripped Marconi, “it did not fade and blur but retained its surety and concrete quality” (30). At 20, “Marconi’s tinkering had attained focus” (39), and he began directing all of his waking hours to the development of his idea. Marconi labored “at a level of intensity that verged on the obsession” (40). Once his idea was refined to the point of demonstrable results, he relocates to London to pursue the advancement of his vision, leaving Italy and his father behind.

In stark contrast to Marconi, Larson describes Oliver Lodge, who had demonstrated wireless potential two years prior, as having a “fatal flaw” (25) in the form of inattentiveness. Lodge is relegated to the footnotes of history while Marconi becomes a household name. The key difference between the two men of exploration is obsessive focus. Lodge writes, “‘I have taken an interest in many subjects, and spread myself over a considerable range—a procedure which, I suppose, has been good for my education, though not so prolific of results’” (25). Larson suggests that had Lodge followed his research to a conclusion, he would have arrived at the same result as Marconi years earlier.

Marconi arrives in London well-funded and with strong support. “This inventor had not yet starved, except by choice and obsession, and would not starve now” (81). He is practical and deliberate in his decisions, focusing always on what will drive his vision toward realization. In this singularity of focus, Marconi fails to take human relationships into account. It is a trait that “would color and often hamper his business and personal relationships” (102). Meanwhile, Lodge is well-liked and respected and has a cadre of followers and peers, though he is sidetracked by the paranormal and fails to pursue wireless.

Once Marconi achieves his vision of wireless communication, he becomes fixated on increasing the transmission distance. Larson notes that “Marconi’s obsession with distance deepened” (42), detailing how Marconi moves his devices at incrementally greater distances, never satisfied with any new milestone. This obsessive focus continues once Marconi has the idea to transmit across the Atlantic. Those closest to him believe he will be satiated by the realization of his vision, to their own detriment. Fiancée Josephine Holman “hoped that she would see more of him, now that his great goal had been achieved” (232), only to end up calling off their engagement after he abandons her again in favor of his work. He abandons his first wife, Bea O’Brien, in Nova Scotia and later abandons his children so he can sail the Atlantic in hopes of ever-greater wireless transmission milestones. His father and mother both die alone, and he does not attend their funerals because he is too busy to spare the time. Marconi lives only a partial life, with the majority of his time, attention, and desire focused on work. He is hailed as a genius, but at a great personal cost that he was happy to pay.

The Edwardian Era’s Crime Conundrum

At the heart of Thunderstruck, a picture of Edwardian-era English culture emerges that blends emerging science with a changing social morality. The shift away from religion and toward scientific belief spawns various schools of exploration. Chief among them are the search for truth in the sciences and the search for truth in spiritualism. In practice and belief, the two ideologies merge, and the line between the sciences and spiritualism blends: “Scientists began to coax from the mists a host of previously invisible phenomena, particularly in the realm of electricity and magnetism” (24), lending a mystical aura to emerging science. Meanwhile, “the holding of séances” had “become a common pastime” in London, and rumors that Queen Victoria “consulted often with a medium who claimed to be in touch with her dear dead husband” (24) gave credence to the practice. Spiritualism includes all manner of the occult, from séances and Ouija boards to explorations of ancient mystical texts. In Edwardian England, spiritualism and science are intertwined. When Dr. Crippen murders his wife so he can wed his secretary, Londoners are shocked and turn to the science-spiritualism world for answers.

Along with the shift away from religion toward a science-spiritualism hybrid in the early 1900s came a fascination with crime, especially the psychology of criminals. Jack the Ripper captivated Victorian England precisely because his actions were deemed godless. In a world confronting Darwin’s assertion that man evolved from nature, how could a human being be capable of such heinous acts? What evolutionary trait allowed for the barbarism? And if science could not explain the phenomenon, then perhaps the perpetrator was evil. If so, where did the evil come from? If there is no divine creator, there could be no opposing devil. These questions haunted late Victorian society. In the case of the Dr. Crippen, a seemingly well-educated and gentile soul, loved by all who knew him, murdered and mutilated his wife so he could bed his young secretary. Pure evil, and yet the man does not look or act evil. That there is no explanation for Crippen’s actions fascinates and haunts London in 1910.

While science and spiritualism fail to offer explanations for Crippen’s actions, they do offer justice. Crippen is caught by means of the latest scientific invention to wow the modern world—the Marconi. His trial focuses heavily on the forensic analysis of the human remains found in his cellar. Science is used to condemn the doctor, restoring balance to society.

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