48 pages • 1 hour read
Emily McIntireA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Julian studies the will he has forged in Yasmin’s name; it leaves everything to Julian. He feels gratified when Yasmin joins him on the plane, bringing her camera. When she falls asleep, Julian takes her to the bedroom and falls asleep beside her. When they wake, Julian touches her, thinking, “I’d rather keep her in this bubble we’ve created […] and we can pretend, even for a little bit, that this is more than what it is” (287). When he asks her again, “Are you mine?” (288) and she doesn’t answer, he leaves her alone in the bed.
As they drive to the compound, Yasmin wrestles with Julian’s question. She wants to say yes, but “It isn’t fair. Not when he’s taken away the choice entirely. I’m his whether I want to be or not” (290). Seeing him be cold again, she realizes how he’s begun to change with her. She knows he’s not morally upstanding, but her feelings for him are real, and she finally admits to herself that she cares for him. She tells him she’s his, but he doesn’t believe her yet.
Julian instructs Yasmin to stay in the bedroom of the compound. He realizes he no longer cares about inheriting Sultans; he only wants to be with her. Despite the forged will, he knows he won’t be able to kill her.
He confronts archeologist Jeannie, who is hiding something. Jeannie claims Ian has been making a mess of things. Julian closes down the dig and abandons the search for the lamp, which he no longer cares about.
The next morning, Ian is surprised to see that Julian has arrived early, and Aidan is surprised to see Yasmin. Aidan makes her coffee, but not the way she likes it. Julian gives her a fresh cup made the right way. Aidan asks to talk with Yasmin alone.
Yasmin knows she has to end things with Aidan. Aidan asks if they still have a chance; when she tries to leave, Aidan kisses her. Julian sees.
Julian is furious that Aidan touched Yasmin while she is wearing his ring. He storms away to the bedroom, and Yasmin follows. Julian confesses that he hurts people: “I bribe and blackmail and kill” (310). She forgives him. Julian tells her he wants her, all of her, forever. Yasmin admits that she is in love with him. They have sex. Julian feels content because “it feels like she’s choosing me. And she’s the only one who ever has” (317).
Yasmin can’t sleep, reflecting on her feelings for Julian: “I’m done ignoring the darkness inside me that understands everything that Julian is” (318). She takes her camera outside and runs into Jeannie, who has bright blue hair. Jeannie is the one who texted Yasmin offering help. She warns Yasmin that someone is trying to kill her and gives Yasmin the lamp.
The next day, as they leave, Aidan stares at Yasmin, and she feels sad for what they have lost. Nervous about the lamp being discovered, she asks Julian to prevent customs from inspecting her suitcase. They have sex during travel. Julian is forceful, which Yasmin appreciates: “Everyone has always walked on eggshells around me, and I never realized until him how much I needed the opposite” (327). When they return, Yasmin checks her voicemails and learns her father has slipped into a coma.
Yasmin says goodbye to her father and sits with him as he dies. She worries she will never feel whole again with him gone. The next day, she sends Julian to work and contacts the lawyer, Gazim, to tell him she won’t initiate a divorce. Going through Julian’s desk, Yasmin finds the forged will. Ian comes to the house. Yasmin calls Riya and asks for her help. Then Ian hits Yasmin, knocking her unconscious.
Julian visits his lawyer to draft an arrangement protecting Yasmin. He is no longer possessive about the diamond business: “She could burn Sultans to the ground with me inside, and I’d die happily, knowing she was queen of the ashes” (336). He is a powerful man who has gone from rags to riches, but Yasmin has changed him for the better. He calls his mother to announce that he is severing contact with her. With Yasmin, Julian finally knows what real family is and what it feels like to be chosen over everyone else. After the conversation, Julian feels that invisible chains have been broken.
He returns to the house and sees that Yasmin has found the will. He feels desperate to explain that things have changed—that “I fell for her, I fell out of love with the idea of power, because she gives me everything I’ve been missing instead” (340). He finds a broken vase, watches the security footage, and sees that Ian has kidnapped Yasmin.
Yasmin is being held hostage at the warehouse where Julian taught her how to drive. Julian appears with the lamp. Ian is angry that Julian betrayed their plan and became interested in Yasmin instead. Darryn only wants the lamp. Riya appears and attacks Darryn, who shoots her. Julian attacks Ian. Aidan unties Yasmin, who crawls to Riya’s side. Julian tells Yasmin to leave and save herself, so Yasmin allows Aidan to pull her away.
Aidan takes Yasmin to a small cottage on the edge of Badour. Yasmin, listless and hollow, fears Julian is dead. She overhears Aidan on the phone and realizes that Aidan is also in on the plot with Ian and Darryn. Searching Aidan’s bag, Yasmin finds a gun. Aidan admits that he wants more than what he and his mother have always had. When he attacks her, Yasmin shoots him.
Julian takes Ian and Darryn to his hidden room, draped with plastic. With Isabella at his side, he mutilates Ian while Darryn bleeds out from a gunshot wound. Julian gives the dead bodies for Isabella to dispose of, and takes a shower. Yasmin stumbles through the door, shaken but grateful to find Julian alive. Riya has also survived. As they embrace, Julian is relieved: “I’ve spent my entire life feeling less than. I spent countless years and killed numerous people, all to work toward gaining the upper hand and becoming something more. Who knew this whole time, all I ever needed was her” (362). Yasmin makes him feel like the most powerful man in the world.
Two months later, Julian and Yasmin are in bed. Riya is mending from her wound. They buried the lamp with Yasmin’s father. Yasmin brings up that Julian was planning to kill her, laughing that she changed his mind through sex. Julian “still can’t quite believe that this is my life. That I’m hers, and she chose me” (365). He surprises Yasmin by showing her the photography darkroom he has added to the house. He wants to be the rest of her firsts and her forever. He would build a whole new world for her.
Five years after Ali died, Yasmin and Julian are running Sultans together. She leaves most of the work to him. They are now also in the antiquities trade, as well as the diamond market.
On the night of an event to honor Yasmin’s photography work, Julian finds a pair of red panties in his briefcase and goes home to find Yasmin baking cookies. They have sex and declare their love for one another, confirming that each belongs to the other, forever.
Character profiles for Julian and Yasmin list information like their physical characteristics, family relationships, memories and regrets, and story goal.
The last section contains several action set-pieces and a series of plot twists: Jeannie’s recovery of the lamp, Ian’s double-cross, and Aidan’s betrayal. While the lamp doesn’t matter to the storyline—unlike in the fairy tale used as inspiration, it has no magical powers—it is a device to introduce the climax.
The novel’s surprise antagonists—Ian and Aidan—mirror Julian in important ways. Ian wants to usurp Julian’s power in much the way Julian wanted to usurp Ali’s, while Aidan, in a parallel to the original story of Aladdin and the lamp, wants to achieve wealth and rise out of the working class. Aidan’s ambitions, and his willingness to manipulate and kill, thus make him similar to Julian. The main difference between the three is The Power of Making and Being a Choice. In betraying Yasmin, Aidan chooses loyalty to his mother and the desire for the lamp, confirming his unfitness as a partner. Because Aidan is the lover Yasmin doesn’t choose, he is an obstacle to her being with Julian. Rather than continuing to be helpless, Yasmin chooses to embrace Julian’s amoral worldview and kill Aidan. Yasmin’s lack of remorse over killing underlines the similarities between her and Julian, further confirming their compatibility. Murder, conventionally considered villainous, is, in Twisted, justified. Ian’s decision to deceive his boss is predicated on the choice to prioritize Yasmin over his initial plan to take over Sultans. However, Julian’s vengeance on Ian and Darryn, much like his actions toward Officer Tate, confirms that while love for Yasmin may have softened his heart, love has not changed his moral stance or ethics; he is still driven to achieve and protect when he wants, and to exact revenge when his possessions have been threatened or something of his has been disrespected. This confirms that, despite being the protagonist, Julian remains a villain.
Ali and Julian’s mother recede from the narrative; The Formative Influence of Parents, whether through protection or conflict, diminishes as Yasmin and Julian make decisions around each other’s desires. While Yasmin has exchanged one guardian for another, this exchange is made palatable by confirmation that it is her choice; the fake marriage has developed into real feelings. Whereas much of the book saw Yasmin feeling frustrated and silenced, when she acknowledges her feelings for Julian, she expresses them immediately, suggesting that has found her voice. The suggestion that Yasmin, too, has darker elements to her character confirms that she is the appropriate partner for Julian, as he has discovered and set free this side of her. His support of her photography and building her a darkroom confirms that, rather than imprisoning her, he wants to facilitate her self-expression. That ideal lovers bring out the best in each other is a cherished convention of the romance genre.
Disputes over possession twine through several conflicts. The fight over the lamp is an external conflict that mirrors Julian’s repeated question to Yasmin—“Are you mine?”. The novel’s valorization of Ownership as a Source of Pride and Joy conflates romantic love with the idea of literally belonging to one’s partner. That Yasmin sacrifices Aidan and returns confirms to Julian that she has made her choice of partner, and this act of choosing carries transformative weight. Admitting his love for her concludes Julian’s character arc; he has learned to want what is best for another person, even, he claims, at the cost of his own desires. As hinted throughout, Julian’s ambition to own Sultans has been replaced with the need to have Yasmin. Once she is confirmed as his possession, he makes it his goal to keep her happy—which includes being sexually satisfied, as the epilogues show.
That Julian and Yasmin see each other as cherished mutual possessions proves the depth of their emotional attachment and commitment, which is further confirmed in the phase, “a whole new world,” an allusion that will amuse fans of the Disney movie, since it references a song Aladdin and Jasmine sing to one another. The concluding vows of fidelity are not only a beloved romantic convention but also, in a final irony, evoke the famous marketing slogan of the diamond retailer De Beers that “diamonds are forever.”
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