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48 pages 1 hour read

Emily McIntire

Twisted

Fiction | Novel | Adult | Published in 2023

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Chapters 10-21Chapter Summaries & Analyses

Chapter 10 Summary: “Julian”

Julian recalls an episode when he was five and alone with his mother, enjoying the peace and playing with a stuffed bear his father didn’t approve of. When his father returned, Julian tried to protect his mother from his father’s abuse. When Julian was 16, his father gave him a snake. Julian named her Isabella and used her to kill his father, reveling in the feeling of power. Julian got a tattoo of a snake to honor the occasion.

In the present, Julian is impatient with the lack of progress of Jeannie, who is leading the expedition to find the lamp. Julian visits Ali, who is being tended by his hospice nurse, Shaina. Julian offers to attend a dinner with Yasmin and a new suitor, promising Ali, “You can trust me with your daughter the same way you trust me with your diamonds” (99).

Chapter 11 Summary: “Yasmin”

Riya helps Yasmin choose her outfit for dinner. Yasmin hates feeling like she’s losing her voice and is “a mute trophy for people to lug around” (103). She is surprised to find Julian at the restaurant and is antagonistic toward him, but also feels grateful that he helps soothe her anxiety. They sit down with Alexander Sokolov, heir to a Russian diamond business.

Chapter 12 Summary: “Julian”

Julian, already annoyed by Yasmin, is further irritated when Ian calls to report problems with Darryn Anders, their rival in the search for the lamp. Ian and Aidan are leaving for Egypt the next day. Julian suddenly realizes that he wants Yasmin to marry him. When Alexander condescends to her, Julian sends Yasmin home. He finds her phone on her chair and pockets it, then accepts a ride in Alexander’s Lamborghini.

Chapter 13 Summary: “Yasmin”

Yasmin continues to think of Julian as her nemesis and Aidan as sweet and perfect. She asks Aidan to meet, then peeks in on her father while he is sleeping. She wishes her father could comfort her, but also wants to make an adult decision for herself. Waiting for Aidan so she can say goodbye before he leaves, Yasmin falls asleep. Aidan never shows.

Chapter 14 Summary: “Yasmin”

Yasmin greets her father in the kitchen. She notices that Aidan’s mother ignores her, as usual. The news reports that a Lamborghini crashed on the backroads of Badour, the town where they live.

Julian arrives, and Yasmin wonders if he had something to do with the crash. Wary, Yasmin realizes that Julian “doesn’t want to help me; he wants what’s being left to me” (124). Julian promises Yasmin that he won’t kill Aidan if she cooperates with him.

Chapter 15 Summary: “Julian”

Julian tells Ali that he loves Yasmin and wants to marry her. Yasmin plays along, telling her father she loves Julian. Ali says he is happy if Yasmin is happy, but Julian feels that Ali still does not regard him as good enough.

Later, Julian speaks with Tinashe about Darryn’s interference in their dig. His mother leaves a voice mail claiming she is going to die soon so Julian should pay attention to her. He silences a call from Riya on Yasmin’s phone, which he used to prevent Aidan from meeting her before he left.

Chapter 16 Summary: “Yasmin”

Yasmin realizes it is too late to tell her father about Aidan and wishes she hadn’t hidden so much of herself from her father. Julian comes to her room and tells her to start packing; she is moving to his house. Yasmin becomes angry and strikes him. She tells Julian she will never submit to him as his wife. Julian overpowers her and informs her that, after her father dies, Yasmin will sign Sultans over to Julian. She realizes she has no choice.

Chapter 17 Summary: “Yasmin”

As she goes through her closet, Yasmin finds a box of old photographs. She regrets that she let her passion for photography slip away after her father got sick, but as she regards the images, she recalls playing in the snow with Aidan when they were kids. Yasmin cries, but then realizes that, while she can’t save her father, “maybe I can save his legacy” (148). Riya visits and assures Yasmin she will help. Yasmin doesn’t want anyone to get hurt because of her.

Chapter 18 Summary: “Julian”

Julian intimidates a judge into validating his marriage certificate without the required waiting period, blackmailing him with a sex tape of the judge and his lover. Yasmin comes to the courthouse wearing a blood red dress. She plays along with the ceremony and calls Julian patatino, Italian for “little potato.” When he kisses his bride, Julian is surprised that he doesn’t hate having her touch him. The kiss is intense.

Chapter 19 Summary: “Yasmin”

Yasmin is impressed by the size and luxury of Julian’s home. She is upset that she enjoyed his kiss and hates how attractive he is, though “it makes sense that the devil would appear as perfection to lure away souls” (163). When she taunts Julian, he threatens her into showing him respect. He returns her phone. Yasmin informs Aidan that she married Julian. She is pleasantly surprised that the room Julian set up for her resembles her room in her father’s house: “it pisses me off that I’m immediately feeling comfort in a strange place where I’m basically being held captive” (167). She realizes the only person she doesn’t feel the need to please is Julian. In the shower, Yasmin masturbates while thinking about Julian and their kiss.

Chapter 20 Summary: “Julian”

In his office, Julian masturbates to images of Yasmin performing oral sex and wearing his ring. He drives Yasmin to her father’s house, annoyed by their sexual chemistry: “Things would be much easier for me if I wasn’t suddenly attracted to her” (178). He reminds himself that Yasmin is the enemy, “the one person who is standing in the way of what I want most” (179). He tells himself not to feel bad that she is hurt and upset.

Chapter 21 Summary: “Yasmin”

Yasmin and Julian visit Ali, who is being tended to by Shaina. Ali tries to send Yasmin away while they talk business, but Julian insists she stay: He is in love and Yasmin is his partner now. Yasmin feels grateful that Julian is standing up for her: “I hate him just a little less in this moment, and it makes me sick” (188). When Julian gives her a quick kiss on the forehead, Yasmin is unmoored: “it throws my entire world off its axis” (189).

Chapters 10-21 Analysis

The theme of The Formative Influence of Parents emerges in this section, beginning with the flashback to Julian’s childhood that explains the possessive need for control that drives him, as well as his dislike of contact. Julian’s choice not to depend for emotional support on others is further explained by the childhood stuffed bear, which provided comfort but earned disapproval from his father, leading Julian to deny and hide his need for the bear. This suggests that grownup Julian is likewise hiding and denying his need for affection, clinging to motives of ambition when his real need is for love and approval. These buried emotional wounds are hinted at in the way Julian avoids his mother’s calls, attempting to deflect her power over him, and the pain he feels at not being considered worthy of being Ali’s successor because he does not share his blood. The wish to revenge himself on Ali for not choosing him—a sort of retroactive punishment for the fathers who have failed or disappointed Julian—becomes part of his decision to marry Yasmin, then kill her to ensure he inherits and controls all of Sultans himself.

Yasmin has similar wounds; her choice to remain silent about her own preferences or needs, and to conform to behavior that will please others, especially her father, has been injurious. Her anxiety over how people will perceive her can be traced to only having her father for emotional support. Her affection for Aidan is, in part, gratitude for his friendship. Yasmin decides that part of maturing into adulthood means not troubling her father when he is sick. But rather than showing independence, this decision is only one more example of how she continues to put the welfare of others before her own needs, as she learned to do as a child.

The enemies-to-lovers trope develops into motifs of temptation and the attraction of the forbidden. The antagonism that Julian and Yasmin feel toward one another is complicated now by sexual attraction. Yasmin suspects that Julian was involved in the crash of Alexander’s Lamborghini and could likewise harm Aidan, but his willingness to harm others only makes him seem more powerful and desirable to her. Her memories of her childhood affections confirm that Julian has always been fascinating and unattainable, while Aidan was warm, comforting, and accessible. Being with Aidan was always playful, and the episode in the snow presents a contrast to the fiery hate she claims to feel for Julian. However, part of what makes the enemies-to-lover trope work is the adage that hate and love are close emotions, and that strong aversion can easily, through the alchemy of sexual attraction, turn to passion.

The fake marriage, or marriage of convenience, is another beloved trope of the romance genre; readers know that the compelled union will ultimately turn real and satisfying. The premise adds conflict here because the forced marriage eliminates from Yasmin The Power of Making and Being a Choice, the character goal she has identified, putting Julian in a role that is simultaneously antagonistic and protective. Her ability to stand against him is further weakened by their growing sexual tension. To heighten reader desire for the characters’ sexual release, the novel features many scenes where Julian uses his body and touch to intimidate Yasmin. The reader expects that this blend of hatred and attraction will result in explosive sexual contact, which is foreshadowed by the parallel scenes of autoeroticism on the part of both protagonists.

Following the enemies-to-lovers plot trajectory, the antagonism of the protagonists cracks not only due to the sexual tension, but also to small moments of emotional connection, marked by Julian’s understanding and nurturing approach toward Yasmin—defending her from Alexander, creating a comfortable environment in her quasi-prison, and standing up for her before her father. While he still thinks of her as an object he can manipulate, confirmed by his image of those around him as puppets on a string, Julian sees Ownership as a Source of Pride and Joy, so he values and takes care of his possessions. For lonely Yasmin, this attention is powerfully attractive. Whereas once Julian only wanted to control Sultans, he now wants to have Yasmin as well. This theme of ownership will become emblematic of their sexual as well as romantic attachment.

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