48 pages • 1 hour read
Emily McIntireA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Yasmin and Julian’s love affair illustrates the rewards of freely choosing a life path and partner, in contrast to having one’s fate dictated by others. Yasmin in particular struggles with having her choices limited by others, while Julian finds joy in feeling that he has been chosen—and thus deemed valuable—by another.
Yasmin’s distress at having her life choices limited by parental or cultural decree is a theme borrowed from the source material. The Disney animated film Aladdin predicates its conflict on the Sultan’s insistence that his daughter, Jasmine, marry a respectable suitor of her father’s choosing. In Twisted, Yasmin, who has already hidden her love of photography and her love from Aidan from her father, finds herself facing a similar obligation to marry, but unable to freely choose the man she believes she loves. Though she enlists Julian’s help and then marries him, she feels she didn’t have a fair choice when the alternative was to disappoint her father or harm Aidan. Imprisoned in Julian’s home, forbidden by him to leave—and unable to do so on her own, since she doesn’t drive—Yasmin feels like a pet in a cage, not so different from his snake, Isabella. The one choice available to her, with Riya’s help, is to consult the lawyer who can help her leave Julian and achieve the freedom of choice she longs for.
As she comes to care for Julian, Yasmin faces a different choice: continue on the path she’s begun, or follow her feelings and treat her marriage as if it has become real. Having this power to decide proves liberating for her. When she chooses to tell Julian she is his, she no longer feels an impediment to her freedom; she has broken free from her prison. In like manner, when she is abducted by Ian and then Aidan, Yasmin returns to Julian, confirming her decision to be with him. Having options gives her agency in her relationship and makes her feel like a partner, not a prisoner.
For Julian, knowing that Yasmin has freely picked him as her partner is profound because he feels no one else has ever put him first: His mother hurt him, Ali did not choose him as a successor, and there is no one else he feels close to. While Julian’s actions as a villain have constrained the choices of others and compelled them to do his bidding, his actions as a man in love are to give Yasmin her freedom. This has the consequence of confirming her wish to be with him and reassuring him that he is chosen. The epilogues that flash forward into their future illustrate the emotional rewards of being with one’s chosen partner, as well as the joy of feeling cherished inside an intimate relationship, confirming the rewards of making, and being, an appropriate choice.
The effect parents have upon their children is explored in several ways in the novel, most urgently through harmful or negative impacts.
The fathers of Ali and Julian share several similarities: They are immigrants from other countries who build businesses in the United States that support their families. Julian’s father inherits a dry cleaning business that passes to Julian, though he doesn’t want it. Ali’s father becomes a jewelry retailer and passes the business to Ali, who builds it into an empire, in part to satisfy his own ambitions, and in part to do credit to his father’s sacrifices. Ali focuses on Sultans as the legacy he will leave for Yasmin; his belief that the business belongs in the family dictates his decision that Yasmin’s husband should take over—not Yasmin herself, and not Julian. Though Ali seems to treat Julian as a type of foster son or apprentice, in the end he believes that bloodline inheritance is the most legitimate way to pass on his own father’s achievement.
Ali’s protectiveness toward Yasmin has shaped many of her behaviors, most notably her wish to please people through decorous behavior and complying with their commands. His guard over her frustrates her as she realizes how many basic adult life skills she has never learned, like how to drive. The dynamic suggests that, even when motivated by love, a parent’s overbearing attention can be restrictive and conflict with the child’s natural disposition.
Julian’s abuse at the hands of his mother offers a more direct example of the lasting damage that parents can inflict. As an adult, Julian recognizes that his mother channeled her anger by inflicting pain on him. Helpless to defend his mother from his father, or himself from either parent, Julian gained a legacy of rage, and as an adult he refuses to allow anyone to have control over him—a refusal that extends to a dislike of being touched. As a child, he felt that he was helping his mother by allowing her to take out her feelings on him; this might be one source of the way pain, control, and dominance have such a sexual charge for Julian. His feelings toward his mother remain conflicted, stemming from a childhood belief that it was his job to protect her and exacerbated by her emotional manipulation. Through much of the novel, Julian believes he needs to submit to his mother’s demands that he show her affection. Only when he has an example of real mutually affirming affection in Yasmin, does Julian realize it will be healthier for him to cut ties to his mother altogether.
The parents of secondary characters echo this theme, too, suggesting that ties to parents govern a child’s choices well into adulthood. Riya’s father chose her profession, insisting she become a lawyer to help his oil business. Aidan’s loyalty toward his mother leads him to join the conspiracy to rob Ali and Julian of the lamp, which he believes will provide a path to wealth and allow his mother to leave Ali’s employment. Even when absent, a parent can hold influence. For Yasmin, her dead mother represents the ideal of the strong, loving wife whom her husband adored—an example Yasmin fears she will not live up to. As Yasmin and Julian both build Ali’s legacy through expanding Sultans, they illustrate the impact of parents in shaping the lives of their children through lessons learned, affection given or denied, and what they teach their children to value.
The novel explores the joys and rewards of ownership not just of material objects, but also of the emotions of other people.
Dispute over the possession of Sultans is a key source of conflict in the novel. Julian and Yasmin’s stakes in ownership of the business make them adversaries when the novel opens. To Ali Karam, his company and his daughter are the two most important things in the world, so he pairs them in the belief that Yasmin is the obvious heir deserving to possess the company. Yasmin has no interest in owning the company until she realizes what it means to her father and feels invested in preserving his legacy—which, at first, means keeping Sultans out of Julian’s hands. She wants Sultans mostly to thwart her rival.
At the novel’s opening, Julian’s two most important possessions are his snake, Isabella, and the metal staff he uses to torture his adversaries, but desire to possess Sultans motivates him to propose that Yasmin marry him. As his attraction to her grows, Julian’s desire to possess Sultans gives way to his pride in possessing Yasmin, marked by the pleasure he gains from observing his wedding ring on her finger—to him, this is a mark of his ownership. He fulfills the claim he made to his victim in the prologue that “[t]he girl and everything that comes with her are mine” (3).
Part of Julian’s pride in ownership can be traced to his feeling that he had nothing as a child—no emotional support apart from the teddy bear he had to hide from his father. But his need to protect his mother from his father’s abuse was also motivated by a sense of possession; he felt his mother was his to take care of. This prioritization of ownership extends to Yasmin. Before he has sex with her, Julian is determined to establish that she confirms being his—that she can affirmatively answer his question, “Are you mine?”. When she does so, Julian feels that he can consummate the marriage. His pleasure at possessing his beloved wife is intertwined with his preference for dominance in sexual relations; however, Yasmin is also positioned as the culmination of his ambition—the thing he wants more than he wants power over Sultans. In choosing her safety over possession of the lamp, Julian confirms his love, and thereafter their shared pride in owning Sultans is enhanced by their romantic declarations of fidelity to one another.
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