62 pages • 2 hours read
Ana HuangA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After an engagement shoot for one of her clients, photographer Ava Chen cannot find a ride to her home, which is adjacent to the campus of Thayer University. Stranded while a rainstorm thunders overhead, she calls her older brother, Josh, to ask for a ride. His car has been borrowed by a friend, but Josh tells Ava that a mysterious “he” will pick her up. Ava is surprised that her brother is not more worried about her situation, as he has always been overprotective of her ever since “The Incident,” a childhood event in which she nearly drowned at the age of five. Ava hints briefly at her aquaphobia—a result of this childhood trauma.
Alex Volkov picks up Ava in his Aston Martin, and she is not happy to see him. The drive back is filled with strained and stilted dialogue that illustrates the apathetic, distanced relationship between the two. When Alex stops at the bakery to pick up the cake Ava commissioned for Josh’s going-away party, he doesn’t allow Ava to get out of the car because the rain has turned her white shirt completely transparent. When Ava accuses him of staring at her, Alex claims with hostility and indifference that she couldn’t be further from his type. Even so, he offers to retrieve the cake while she waits in the car. Alex then shocks Ava by departing from his usual stoicism and making a joke, but he quickly devolves back into indifference for the remainder of the drive. He drops Ava off at her house and heads next door toward Josh’s place, where the going-away party is already in full swing.
At the party, women compete for Alex’s attention, but he does not return their interest because he knows that they would not be able to handle his preferences: “Not hard-core BDSM, but not soft. No kissing, no face-to-face contact. Women agreed, then tried to change it up halfway through, after which [he]’d stop and show them the door” (13). Suddenly Ava’s “silvery laugh” draws Alex’s gaze to her and leads to his lengthy, disdainful appraisal of her personality. Despite Alex’s conviction that most people, including himself, are fake, he realizes that Ava is genuine and pities her, believing that “[t]he world would eat her alive once she left the Thayer bubble” (15).
Josh asks Alex to protect Ava during his gap year as a medical volunteer in Central America. Josh does not trust Ava’s friends—Stella, Jules, and Bridget—to do the job properly, and because Ava’s ex-boyfriend has been harassing her lately, Alex is the only person Josh completely trusts to make sure that Ava is safe. Alex promises, even while knowing that he will most likely regret it. He rarely makes promises, but when he does, he fully commits himself to them. Alex has a flashback to a traumatic event that occurred years earlier. He recalls standing in his living room, covered in blood and staring down at three dead bodies lying at his feet. A call from his uncle, Ivan Volkov, interrupts the memory. Ivan asks whether Alex has completed their plan to get revenge on the man who destroyed their family, but Alex has not yet accomplished this. Alex’s desire for vengeance has dominated his life for 16 years, and he is determined to achieve this goal even while protecting Ava.
Ava and her close friend Jules help Josh finish moving out of his rental house, which is right next door to Ava’s place. Ava sees many similarities between Jules and Josh, which is why she has always found it strange that the two cannot stand one another. While they never mentioned why, Ava “suspected it might be because they saw too much of themselves in each other” (25). Josh and Jules trade some hostile, witty jabs meant to provoke each other as the three work to load Josh’s remaining belongings into an SUV. When nothing remains but a single, massive painting, Ava asks if Josh will donate it, but Josh instead says he will leave the painting there because Alex likes it. Ava is stunned to learn that Alex is taking over Josh’s lease and protests this arrangement because she knows that Josh is tasking Alex with being her “babysitter.”
Two days have passed. Determined to form a more cordial relationship with Alex, Ava bakes red velvet cookies. He invites her inside his house, giving her a glimpse of his private life. She expects to see evidence of his move just a day earlier, but there are no personal items or photos. He insists that he doesn’t need any, because all of his memories are perfectly preserved. When Ava mocks his ego, Alex admits that he has HSAM, an innate ability that allows him to remember nearly every detail of his life. Ava wonders what it would be like to remember everything, musing, “It would be wonderful. And terrible. Because while there were memories I wanted to keep close to my heart, […] there were others I’d rather let fade into oblivion” (34-35). She then reflects on how opposite she and Alex are. Her memories “were so twisted [that she] remembered nothing before the age of nine, when the most horrible events of [her] life had occurred” (35). When she asks what Alex’s memory is like, he tells her it feels like a movie: sometimes drama, sometimes horror. He then tells her to go home and stay out of trouble.
Two weeks after Josh’s departure, Alex is in Krav Maga training, a hand-to-hand combat technique that brings him comfort. Ralph, the owner of the gym and Alex’s only friend aside from Josh, tells Alex that the gym is opening classes up to beginners. Alex believes that Ava will benefit from such a class, and it would help lessen his worry about her and keep him focused on his plans for revenge.
Alex texts Ava about the Krav Maga class for beginners before starting his session with Ralph. An hour later, Alex checks his phone and sees no incoming messages from Ava. Her radio silence triggers a bloody memory of his family and heightens his anxiety for Ava’s safety. Alex heads for Ava’s house, where he finds Jules. Jules feigns ignorance as to Ava’s location, but when Alex threatens to ruin Jules’ law internship, she tells him Ava is with a friend. Alex finds Ava and Owen, a male photographer friend of hers, in the middle of a boudoir photography session. Ava is clad in lingerie, which catches Alex off guard. He confiscates Owen’s camera and deletes every photo before demanding that Ava get dressed and leave the room. Ava’s anger results in silence during the car ride home.
Ava and her best friends Jules, Stella, and Bridget convene for their weekly meeting to catch up with each other’s lives. Jules recounts the boudoir photography incident with Alex and Ava to the other girls. Meanwhile, Ava receives another text from her ex-boyfriend, Liam, which she ignores. Jules stresses how angry Alex seemed, mentioning that Alex rarely shows emotion. Stella interjects with her theory that he might be a psychopath, and to Ava’s own surprise, she finds herself defending Alex. Jules comes up with the idea for “Operation Emotion” and suggests they all create a list of emotions for Ava to try and elicit from Alex, as though they are “giving him an annual physical to make sure he’s functioning properly” (53). Jules manages to convince a reluctant Ava to start phase one in three days.
That night, Ava is awakened from a nightmare in which she is a young child, drowning in a lake, screaming for a mother who never comes to rescue her. Awakened by the noise, Jules offers to stay up with Ava, but Ava convinces her to go back to bed. Ava is unable to sleep for the rest of the night.
Alex ruthlessly fires Andrew, the chief executive officer (CEO) of Grumman Enterprises, while Andrew pleads for empathy. Alex internally judges Andrew for conflating business with personal life, believing that “[p]ersonal appeals had no place in the corporate world. It was eat or be eaten” (60). Alex hangs up on Andrew, unbothered by the fact that his own company, Archer Group, would soon take over Grumman Enterprises. Despite his belief that business and personal life should remain separate, Alex justifies his decision to fire Andrew by asserting that the Grumman CEO “was an asshole” who had “quietly settled with several of his past secretaries out of court over sexual harassment charges” (60). Alex also plans to fire his own assistant tomorrow for giving out his number so freely.
Alex remembers October 29, 2006—his first birthday following the murder of his family. He doesn’t care for birthdays, but when his family was alive, they always made sure that birthdays were special. The memory chronicles his first birthday as an orphan. In the memory, his child self sits at the arcade with his uncle Ivan yet refuses to play any games. Although Alex’s uncle was nice enough to take him in after the deaths of his parents, Alex rarely saw him before that day because Alex’s father and the uncle had an unexplained falling out when Alex was seven. In the memory, Alex asks for one birthday gift: revenge. In the present day, Alex recalls the years he spent seeing therapists, all of whom advised him to let go of his obsession for revenge in order to heal. However, Alex has no interest in healing; he just wants vengeance.
The car ride between Alex and Ava at the beginning of the novel indicates the emotional and personal distance between the two and sets the stage for a “grumpy/sunshine romance,” which is a popular trope among romance novels in which a gloomy character falls in love with an upbeat one. Additionally, Alex’s promise to protect Ava and his decision to move next door to her during Josh’s absence serve to introduce the trope of forced proximity, which often drives the plot of romance novels. Despite the eventual relationship that the presence of such tropes foreshadows, Alex’s unapproachable air and tendency to pursue casual flings make him seem an unlikely option for Ava. The fact that Josh is both Ava’s brother and Alex’s best friend provides a further complication that works to keep them apart for quite a while—indicative of another romance trope and the novel’s original indie subtitle, A Brother’s Best Friend Romance. Despite these challenges, Ava’s meeting with her friends, in which they agree to try Operation Emotion on Alex, will provide the opportunity that Alex and Ava need to build a viable foundation for their eventual romantic relationship. This exercise will also play a vital role in shifting Alex’s greatest motivation: the need to seek vengeance for the murder of his family.
Because Alex believes that The Vulnerability of Intimacy is a weakness he can’t afford, his emotional reticence creates a significant barrier that he and Ava together will eventually need to overcome to make any progress in their budding relationship. The existence of this psychological barrier is implied early on in Alex’s preference for sexual encounters that have no face-to-face contact or kissing, and this lack of intimacy even in the most intimate of acts directly conflicts with the fundamentals of Ava’s open, genuine personality and her craving for intimacy and connection. To introduce further barriers to the characters’ eventual bond, Ava does not view Alex in an appealing light when the novel beings, finding him to be “cold and arrogant” (12). Their initially unflattering beliefs about one another prove that they have a long way to go before they will be ready to pursue a romantic relationship with one another.
The depths of Alex’s own personal traumas are revealed when the pressure he feels after vowing to protect Ava triggers a flashback of the night his family was murdered in front of him. Alex is tormented by his inability to protect his own family from harm, and therefore, the mere thought of failing Ava in the same way essentially retraumatizes him in the present moment, indicating how profoundly The Lasting Effects of Childhood Trauma impact his daily life. To compound this issue, his lack of empathy becomes abundantly clear when he brutally fires Andrew and feels very little remorse over upending the man’s life and career. The lasting effects of childhood trauma are also shown through Ava’s memory issues and her night terrors, which are usually triggered by stressful settings and situations. For both protagonists, these struggles influence their actions, guide their motivations, and impact the development of their mutual relationship over the course of the novel.
Whenever Alex’s traumatic flashbacks occur, they start with the phrase, “Blood. Everywhere. On my hands. On my clothes” (19). Ana Huang’s intentional repetition of this phrase serves as a way to signal that Alex is being triggered and allows readers to predict oncoming traumatic flashbacks before they happen. By introducing Alex’s flashbacks and Ava’s night terrors so early in the novel, Huang hints at the deep significance that half-forgotten memories will have upon the course of the plot; each flashback also serves a pragmatic purpose of delivering exposition in an emotionally dynamic way as the author illuminates her characters’ origins little by little.
The darkness and severity of Alex’s and Ava’s pasts lend the novel an ominous and suspenseful mood. While most romances are typically lighter, and while Ava brings a spark of hope to the story through her optimistic attitude, the opening chapters hint at trouble to come. When Ava awakens from a night terror at 4:44 am, a “pinprick of dread blossom[s] at the base of [her] neck and slither[s] down [her] spine” because in her culture, four is considered unlucky due to the similarity in sound between the word for “four” and the word for “death” (56). The use of imagery to evoke this superstition adds an even more sinister connotation to the childhood memory featured in Ava’s night terror. Because the story is told through the first-person limited point of view and switches strategically between the perspectives of Alex and Ava, the novel as a whole demonstrates a sense of immediacy. The style also adds emotional depth to the narrative and establishes the intimate connection that both characters have with their trauma. In this way, the overall seriousness of the narrative, combined with occasional light-heartedness to provide contrast, focuses on the weight that these unresolved traumas have in the characters’ lives.
Huang makes extensive use of foreshadowing throughout the entire novel, not only through flashbacks and nightmares, but also through phone calls, dialogue, and internal thoughts. For example, the mystery call from Ivan about Alex’s plot for revenge, the implication that Josh only trusts Alex to protect Ava, and the torment Ava feels over her missing memories all serve as moments of foreshadowing that allude to later conflict. The obstacles, mood, and use of foreshadowing all set the stage for both a budding romance and a powerful conflict with the potential of destroying their developing relationship.
By Ana Huang