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51 pages 1 hour read

Stacey Lee

Under a Painted Sky

Fiction | Novel | YA | Published in 2015

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Background

Socio-Historical Context: Westward Expansion and Minoritized Population Experiences on the Oregon Trail

Content Warning: This section of the guide discusses racism and suicide.

The year 1849, when this novel takes place, was a key moment in American social and historical history. The Louisiana Purchase of 1803—the United States’ acquisition of the territory of Louisiana—and the Land Act of 1820—which made public land available to purchase—had opened up vast amounts of new territory for immigrants and pioneers who were interested in moving West and obtaining new farmland. The beaver fur trade was beginning to die down, leaving adventurers and fortune seekers looking for their next opportunity. This came in 1848, when gold was discovered in California. The Gold Rush of 1849 led up to 30,000 men, women, and children to join the pioneers on the Oregon/California trail that year alone (“The Forty Niners”. The Library of Congress, n.d.). An estimated 300-500,000 people crossed by land between the years 1841 and 1884 in a journey that could take up to six months (“Basic Facts About the Oregon Trail.” National Historic Oregon Trail Interpretive Center, n.d.). As many as one in 10 emigrants died along the trail (“Life and Death on the Oregon Trail.” Oregon-California Trails Association, n.d.), primarily of disease but also of gun accidents, acts of nature, animal stampedes, murder, and suicide.

While many emigrants traveling on the Oregon Trail (whether pioneers or Argonauts, as the gold miners were called) were from Europe, three minoritized racial or ethnic groups were well-represented, as Under a Painted Sky explores. The first, exemplified by Annamae and her brother, were African Americans. While she and Isaac were enslaved, achieved self-liberation from their enslavers, and left for the free territories west of Missouri, many African Americans who joined the Westward Expansion were not enslaved at birth. Peety is a representative of the second group as a Mexican person from Texas. Texas until 1835 was part of Mexico, but the white settler population tried to secede, resulting in a war that ended in 1845 when Texas became part of the United States. The treaty of Guadalupe Hidalgo gave Mexican people there the right to become US citizens (Margaret E. Montoya. “Latinos and the Law.” National Park Service, n.d.), but this did not end the discrimination that they experienced. Chinese people were the third largest population to join the Westward Expansion. Many were part of the building of the Transcontinental Railroad starting in 1864, while others arrived earlier during the Gold Rush (1848-1855). Most Chinese emigrants arrived by ship, but some, like Samantha, made the overland journey from the East Coast. Samantha speaks of there being only one other Chinese family in New York when she lived there. By 1850, the number of Chinese Americans on the US Census was 4,018 and grew to almost 35,000 a decade later (“Chinese-Americans 1785-: Demographics.” Southern Connecticut State University, n.d.).

Overt and systematic racism was inflicted on all three populations, including on the trail, but this novel focuses on the experience of Chinese and African American individuals. Chinese Americans were subjected to ethnically based taxes and were often denied access to housing and work. Because slavery still existed in the country, white people treated even Black Americans who were not enslaved with suspicion and upheld anti-Black racist views and policies. Those who had achieved self-liberation were still in danger of being returned to their enslavers. The Missouri Compromise of 1820 had kept the “balance” of enslaving and free states by admitting Maine as a free state and Missouri as an enslaving state; it also mandated that land west of Missouri that had been part of the Louisiana Purchase remain free of slavery. The Compromise of 1850 strengthened the laws surrounding fugitive enslaved people, which required enslaved people who were caught in free territories or states to be returned to their enslaver. How Samantha (Sammy) and Annamae (Andy) negotiate their racial and ethnic identities as well as their gender are key themes in Under a Painted Sky.

The Chinese community experienced significant discrimination during the period in which the novel is set. The first documented cases occurred around the period of this novel, which was the first time that groups of Chinese people were amassing in the United States, either as workers on the Transcontinental Railroad or as miners in the California Gold Rush. While most Chinese people arrived by boat to the West Coast, some did come to the East Coast and then travel overland like Samantha in the novel. Laws were enacted that specifically targeted the Chinese population, such as the Anti-Coolie Act of 1862 and the Chinese Exclusion Act of 1882. Other acts targeted Chinese women expressly, such as the Page Act of 1875, which stereotyped women of the community as sex workers.

Literary Context: Young Adult Historical Fiction

Young adult (YA) fiction novels are texts aimed at readers between the ages of 12 and 18. YA’s emergence can be traced to the publication of two popular books: S. E. Hinton’s The Outsiders and Robert Lipsyte’s The Contender. Both published in 1967, they changed the trajectory of books aimed at younger readers, which had previously typically portrayed a romanticized version of life and only represented white people. Hinton and Lipsyte challenged the middle-class, white narratives set in “small town USA” with infusions of gritty social realism. In the decades that followed, YA literature continued to focus on hard-edged social commentary on contemporary issues such as abortion and gender identity (Cart, Michael. “How America Invented ‘Young Adult’ Fiction for a New Kind of Teenager.” Zocalo, 2018).

The 21st century has seen a continued expansion of YA into new media and genres. Graphic novels and manga, which incorporate visuals into the narrative, as well as numerous crossovers between book and film, have become increasingly popular. New genres and sub-genres found a home in YA, including sci fi, dystopia, fantasy, horror, romance, and historical fiction. Plots often feature complex storylines in which teenage protagonists must struggle against an oppressive or dangerous adult world.

YA historical fiction is a sub-genre of YA fiction and exemplifies many of its characteristics. The protagonist is often an oppressed teenager who “usually begin[s] in a position of extreme vulnerability created not only by their youth, but also, variously, by race, creed, class and gender” (Brown, Joanne and Nancy St. Clair. The Distant Mirror: Reflections on Young Adult Historical Fiction. Rowman & Littlefield, 2005. 4). This applies to Samantha and Annamae, who are vulnerable between the two of them on all four counts. YA historical fiction can also be considered a blended genre, which explores similar issues to works of contemporary realism but also often includes “such widely diverse elements as horror, fantasy, romance, and adventure” (Distant Mirror, 12). While the novels can be historically accurate (as Under a Painted Sky is, with a few small exceptions), they often reflect on the past from a modern position and thus offer “a revised perspective on the past” (Distant Mirror, 13).

Popular with adults of all ages, YA historical fiction is widely used in education to engage younger readers in critical thinking about complex social issues that existed in the past and continue into the present. However, they risk simplifying events. While historical narratives are never an objective reconstruction of the past, this is even more true of historical novels, which are fictionalized versions of the past told from the perspective of the present: “[N]ew social sensibilities have changed the way Americans have viewed the past” (Scott McLeod, Anne. “Writing Backward: Modern Models in Historical Fiction.” The Horn Book, 1998, 26-33. 27). Under a Painted Sky navigates perspectives on race and culture (and to a lesser degree sexual orientation) in a historical context.

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By Stacey Lee