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16 pages 32 minutes read

Emily Dickinson

What Soft — Cherubic Creatures

Fiction | Poem | Adult | Published in 1896

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Themes

The Subversion and Perpetuation of Unequal Gender Norms

The foremost theme in Dickinson’s poem is gender and the speaker's somewhat subversive and abrasive attitude towards the gentlewomen. The speaker doesn’t mention men—gentlemen or otherwise—which makes it appear as if the gentlewomen are solely responsible for their “Dimity Convictions” (Line 5) and “Brittle" (Line 11) identity. In one sense, the theme of gender is empowering: The speaker treats the gentlewomen as if they have the power to manage their circumstances in life. While other men in the 1800s might have treated gentlewomen as dependent on them, the speaker regards the gentlewomen as if they’re autonomous. The speaker creates a sense of equality. By jettisoning men (besides the allusion to the fisherman), the speaker indicates that women have the resources to do more with their lives and carve out a different path instead of one fit for “Cherubic Creatures” (Line 1) afraid of “freckled Human Nature” (Line 7).

At the same time, the speaker could come across as arrogant or belittling. The absence of men in the poem suggests a skewed portrayal because it doesn’t account for how men shaped and influenced the lives of gentlewomen. It’s possible to claim that the speaker has an unsympathetic attitude toward the gentlewomen. The speaker’s condescending attitude toward the upper-class women mirrors the historically patronizing attitude of men, so, in this reading, the speaker is reinforcing unequal gender norms. This adds to the marginalization of the gentlewomen because the speaker is not acknowledging how the sexism of the time might have led the gentlewomen to adopt such a “refined” (Line 6) identity.

The Conflict Between Gentlewomen, the Speaker, and Religious Beliefs

The theme of religion occurs in Line 1 when the speaker compares gentlewomen to “Cherubic Creatures” or angels. In a religious context, angels are messengers of God and symbols of virtue and honor. As history indicates, society expected women in the 1800s to represent decency and morals. A fair number of women lacked the opportunity to create an independent identity, as they weren’t supposed to be aggressive and free but dependent on men.

In the poem, the heavenly but helpless nature of the gentlewomen creates something of a privilege as they’re immune to the world's violence: “One would as soon assault a Plush— / Or violate a Star” (Lines 3-4). Connecting gentlewomen with angels also links gentlewomen to God, therefore, hurting a gentlewoman becomes akin to desecration or sacrilege. These extraordinary delicate gentlewomen outrank luxurious fabric and romanticized stars, so their angelic qualities make violence against them unholy.

Yet the satirical tone of the poem exposes the contradiction in the angelic gentlewomen. As it turns out, their supreme softness turns them against God and the “freckled Human Nature” (Line 7) of God’s creation. These gentlewomen aren’t genuine angels because they’re “ashamed” of their “Deity” (Line 8)—the son of God, Jesus Christ. Their socioeconomic status conflicts with Jesus, who preferred the “common” class (Line 9). He didn’t keep company with gentlemen but with working-class “[f]isherman” (Line 10). The speaker tells the gentlewomen that Jesus would likely be “ashamed of Thee” (Line 12), embarrassed by their airs and pretensions.

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