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Anne GriffinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The time is 10:10 pm, the final toast is to Sadie, and the drink is Midleton Whiskey. Maurice says he’s saved the best for last. His doctor told him to cut back on alcohol as it isn’t the answer to loss. Maurice wonders what his doctor knows about loss. Sadie, though not much of a drinker, always liked this particular whiskey on special occasions. He feels he has to go to her, though he worries about how she’ll receive him.
He met Sadie when she worked in a bank. He still likes to go in person for his banking, even though Kevin has successfully got him into internet banking. He remembers being smitten with Sadie immediately. He was kind to her when she got flustered as she was new to her job. They found it easy to talk to each other. He loved her mischievous humor. He reminisces about their early courtship: taking her to a dance on the handlebars of his bike, and their first kiss on the lips. Three months down the line, he was terrified about meeting her family and accidentally offended her with a joke, as he didn’t yet know about Noreen.
In the present, Maurice acknowledges that in the rest of their lives together, he didn’t treat Sadie as well as he had when they were courting, which he wants to make amends for. His stinginess with money meant that there were things she wanted them to do together which they never did, like dining at a specific fancy restaurant or staying in the hotel’s honeymoon suite. He dined there earlier today and has booked the suite for tonight. He would never let them have tea out as they had a kettle at home. She loved Earl Grey but only had it once a day, having ordinary tea the rest of the time as Earl Grey was more expensive. Maurice remembers that shortly before she died, she demanded an Earl Grey tea and a dessert after their Sunday carvery at a restaurant. He got it for her but lied and said they were out of ice cream to accompany it, despite knowing she loved ice cream. He left and waited in the car before she finished while she chatted to the young mother next to them about how to get a child to eat vegetables. They didn’t talk for the rest of the day. In the present, Maurice finishes his meal at the restaurant with an Earl Grey, but it doesn’t assuage his guilt.
Maurice considers their opposing attitudes to wealth—his love for it and her dislike of it. After she died, he found that she’d squirreled away about £7,000 in her personal belongings. He wonders if he really did his best for her but thinks that he always loved her and that he’d have been much worse without her.
Going to the toilet, he sees his father in reflection, who is proud of him. In the foyer, he bumps into Hillary, Emily’s mother and Thomas’s niece. She asks if Maurice knew her great-uncle Timothy, gesturing at the photo that he had assumed was Hugh because Emily said it was Thomas’s father. Hillary reveals that Amelia Dollard had an affair with Hugh’s younger brother, so Hugh hated Thomas violently. He was bitter and aggressive; Hillary implies that her mother was only conceived because Hugh drunkenly raped Amelia. She describes how her parents hated the house but were driven back by economic circumstances and died from alcohol use disorder. She credits Jason with saving her. She and Maurice bond over their terrible loneliness in the absence of their spouses.
Hillary reveals that she overheard Maurice and Emily make their deal to save the hotel. She blames Maurice for his heartlessness to Jason. However, she blames herself for trapping Emily in the hotel and in their family history—she couldn’t bear to lose the hotel as it was Jason’s creation, so she allowed Emily to go ahead with the deal. She asks Maurice to buy out the rest or get Emily to sell to set her free.
Back at the bar, Emily is proud of how well the event is going. Maurice gets her champagne and himself another Midleton and toasts Sadie. He tells Emily that Hillary knows about their deal and asks if she would want to sell the hotel. Emily is proud of everything she’s achieved; Maurice says her mother is too and that she has raised the Dollard family up. Emily tells him that no one could have saved Thomas except Hugh, even if he’d given back the coin the day he found it. He reveals to her that he is the one booked into the honeymoon suite.
He goes out for air and dances in a sudden downpour, which stops abruptly. On his way to his suite, Svetlana finds him to return his Jefferson’s whiskey. They joke about the band. He heads upstairs, missing how he and Sadie would always argue over taking the lift.
The time is 11:05 pm, in the honeymoon suite. Maurice admires it and waltzes around, imagining he’s holding Sadie. He crushes up a combination of pills, which he got from a drug dealer friend of David’s.
He leaves a voice recording on his phone for Kevin, telling him how proud he is of him. He says he worked hard over the last two years and read all his articles. He is sorry for his distance as a father, and he loves him. He has left almost everything to Kevin and his family. He has put some aside for David. He is leaving Emily the rest of the hotel and thinks she might get on with one of Kevin’s friends. He tells Kevin he needs to go to Sadie now, as he cannot live without her. He says he will always be there with Kevin and that Rosaleen, his wife, must take his hand.
Maurice lies down on the bed and takes the pills with the Jefferson’s whiskey from Kevin. He tells Sadie he is coming home.
In the final section, Griffin tells the fifth and last story through Maurice’s last toast, to his wife, Sadie, and includes a final short chapter that acts as a conclusion, wrapping up all the sections into an overall ending. The novel’s structure suggests that the book has building to Maurice’s toast to Sadie. Sadie is woven throughout the rest of the chapters, and Maurice opens Chapter 6 by saying, “I’ve left the best ‘til last in every way” (212). This creates an atmosphere of finality, foreshadowing the conjoined acts of Maurice’s death and the end of the book. It also shows how Sadie defines Maurice’s life. She embodies The Relationship Between Love and Grief: Though she is not present as a ghost-like Tony or Molly, she is inextricably woven through all of Maurice’s important memories and emotions. His love for her is ever-present and so too is his grief once she is absent.
Maurice’s grief is tinged with regret: He feels that in life he took her for granted, encapsulating the themes of The Struggle to Communicate and Wealth Versus Human Connection. Griffin illustrates this by juxtaposing Maurice’s recollection of their courtship with his description of their life afterward. Maurice uses heightened, poetic language to describe his first memories of Sadie. He remembers in great detail her appearance and specific moments of their courtship, such as the first time he held her hand and their first kiss. These details encapsulate his infatuation and align with tropes of the romance genre. He wanted to treat her well and was embarrassed at taking her to the dance on his bike. He lay his jacket over it to try to protect her beautiful dress, showing that he believed that she deserved material comfort and luxury. The anecdote of the tea encapsulates how Maurice’s treatment of Sadie changed later in their relationship. The romance of the early courtship was replaced by the mundane everyday: Griffin uses tea, an inexpensive and commonplace drink, to reflect the long-term reality of life together. Maurice prioritized wealth at the expense of his connection to his wife: He was against having tea out because it was cheaper at home. This incident also shows their struggle to communicate. He knew that Sadie loved Earl Grey and that she enjoyed eating out but still thought she agreed with his policy up until shortly before she died when she finally said she wanted to have tea in the hotel after their Sunday lunch. Throughout Ireland and the British Isles, tea has a social and cultural significance: Sharing a pot is a vehicle for companionship and conversation and a token of care. However, when Maurice and Sadie got home, she only made tea for herself, so they used separate pots, symbolizing the divide between them. Griffin shows how prioritizing wealth above connection is intertwined with difficulty communicating and that both can interfere with a loving relationship.
Maurice’s regret regarding Sadie is mirrored by his complex feelings about the coin, which she always thought he should return. These are two elements of his history that haunt him, showing The Way the Past Shapes the Present. Griffin develops this theme through one final twist in the coin storyline, as Hillary reveals the true root of Thomas’s problems: Hugh Dollard, his father figure, hated Thomas and blamed him for everything as he was the product of Amelia’s affair with his brother. Maurice and the Dollards’ history is filled with secrets, but when he and Hillary finally manage to speak honestly, it frees Maurice from the ways that the past has trapped him. The two bond over their grief over their spouses and laugh together—they find that their shared humanity is greater than their inherited enmity, freeing Maurice from his obsessive hatred of the Dollards. Maurice also realizes that the coin is not to blame for everything that has happened. Emily says that Hugh would’ve hated Thomas regardless, so returning the coin earlier would not have helped. This knowledge frees Maurice from the sense that he is bound to Thomas by this object and that they are responsible for each other’s pain. Honesty also enables Maurice to respect Emily’s freedom: Her mother asks him to force Emily out of the hotel, believing her to be trapped there, but when Maurice actually asks Emily, she is proud of her achievements there. He leaves her his share of the hotel in his will so she can make her own free choice. Griffin therefore resolves this storyline by suggesting that though the past inevitably shapes the present, communication enables understanding and helps people to choose how the past impacts the present.
The conclusion of this storyline and the freedom it gives Maurice carries the story into the closing chapter. With closure on this important narrative in his past, Maurice is now able to figuratively move on. His other regrets relate to Kevin and Sadie, and in the final pages, he finds ways to live these out before he dies. He overcomes his struggles to communicate with his son by leaving a voice note, finally speaking to him openly. His battle over the last two years to read all of Kevin’s work despite his struggles with the written word is a gesture showing his love and respect for Kevin. He dies by suicide in the honeymoon suite that Sadie always wanted to stay in, showing that in the end, he wishes to prioritize her over money. He dances around the room, imagining he is with her, which echoes his memory in the opening chapter of dancing around their hotel room together at Kevin’s wedding when he promised her they would stay here someday. Griffin uses this repeated image to bring the narrative full circle, showing that Maurice’s love for Sadie is the force that has shaped his life and his death. The tableau of them dancing together illustrates their companionship despite everything, metaphorically showing that they have been partners throughout the dance of life.
As the first-person narrator, Maurice’s death necessarily aligns with the end of the story: The conclusion of the book figuratively reflects the conclusion of a life. His final words are addressed to Sadie, showing that, despite the other events and forces at play throughout his life, love is at the center of his story.
Aging
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Grief
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Memory
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Mortality & Death
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The Past
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