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47 pages 1 hour read

Anna-Marie McLemore

When the Moon Was Ours

Fiction | Novel | YA | Published in 2016

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Chapters 27-37Chapter Summaries & Analyses

Chapter 27 Summary: “Lake of Summer”

In the stained-glass coffin, Miel floats through memories of her past. She remembers how, at the suggestion of their priests, her mother held her under water to try and drive out the curse of her roses. She fought to survive and escaped down the river. As Miel tries to escape the glass coffin, she remembers the first time she saw Sam and mistakenly thought he was Leandro, who died trying to save Miel from drowning.

Chapter 28 Summary: “Unknown Sea”

Sam and Aracely prepare for the lovesickness cure, and Aracely mentions that Miel is at school. Sam realizes Ivy lied and thinks they’re cutting class together. Sam thinks about how he pushed down his feelings to keep his friendship with Miel secure, and now he feels he has ruined things by acting on his feelings. Aracely begins her cure, selecting ingredients and using her hands to massage the lovesickness away. Sam remembers when he and Miel were young, and he put gold star stickers on her skin. Later that day, he pulled them off to reveal tan lines in the shapes of constellations. He decides he wants to stop the cure and hold on to his feelings. He acknowledges that both his love for Miel and his Gender Identity are a part of him—both make him who he is. Sam leaves the house and goes around to the moons he has hung, taking most of them down.

Chapter 29 Summary: “Lake of Softness”

In the coffin, Miel can feel Sam’s light fading. She remembers the moons he made for her when she needed love or comfort. Sam arrives and rescues Miel from the coffin. They kiss and make amends without speaking.

Chapter 30 Summary: “Lake of Dreams”

Sam brings Miel to his house, because Miel doesn’t want Aracely to know what happened to her. She refuses to tell Sam who locked her in the coffin. Miel thinks back to a happy memory in which she, Leandro, and their mother made alfajores together. She offers to teach Sam how to make them, and they go into the kitchen to prepare them. As they cook, Miel asks Sam why he wasn’t in school; he admits he got into a fight. Miel considers Sam’s mother’s expectations of him, and apologizes for pushing him to talk about his identity. She accidentally burns herself on the hot liquid, and Sam puts her burnt hand to his lips. They each overcome their shyness and begin kissing. Miel explores his body with her hands, considering the differences between them and Sam’s relationship with his own body. She wonders if his shape is what made the Bonner girls guess his secret.

Chapter 31 Summary: “Lake of Joy”

Miel comes home and announces she wants to carve a pumpkin for the yearly lighting tradition. Aracely is astonished, knowing Miel’s phobia of them. Miel is still cautious and hesitant, but determined to overcome her fear.

Chapter 32 Summary: “Small Sea”

Sam remembers offering his help to Lian in school, knowing how she struggles with reading. However, he knows that she is more intelligent in other areas than she lets on. He finds her at the farm and announces he’s quitting. Later, Peyton finds Sam and ensures he’s still willing to cover up her relationships. Sam agrees and inquires about the pumpkin she used to carry around when she was small. Peyton lights up and remembers her pumpkin “Lady Jane Grey,” admitting that her sisters turned it into a pie. She remembers the day she met Miel at the water tower and accidentally frightened her with the pumpkin. She tells Sam she wasn’t trying to scare Miel, and Sam realizes she was only a little girl trying to share her favorite toy.

Chapter 33 Summary: “Lake of Goodness”

Miel approaches the river with her carved pumpkin. She passes some elderly women from the community who smile at her; she realizes they’re proud of her for overcoming her notorious fear. She goes to the river and releases her pumpkin with the others, but the rushing sound of the water brings back her traumatic memories. Miel feels as though part of her is still inside the floating pumpkins, so she goes to them and starts pulling the tops off. She remembers being a disappointment to her mother because of her roses, and her father warning her mother of the harm Miel would bring. She realizes her father left them because of her and continues looking through the pumpkins in the water. Aracely and Sam catch Miel and bring her back. Miel remembers the day she first saw Sam and thought he was her brother, except now she sees those same features in Aracely’s face. She realizes that every time she thought Aracely wanted to ask her a question, she really wanted to confess the truth. When Miel looks at Sam, she sees that Sam already knew. Betrayed, Miel runs away.

Chapter 34 Summary: “Sea That Has Become Known”

Sam stands in his room painting moons. He thinks about how his moons have always expressed his love when he was unable to say it out loud. He regrets Miel’s anger, but feels justified in not telling her about Aracely because it wasn’t his secret. His mother comes in and invites him to eat, then questions him about Miel’s behavior at the lighting. Sam tells her they aren’t friends anymore, and thinks about the father he never knew. His parents got married because his father wanted a visa and his mother wanted a child. They divorced shortly after. Sam and his mother talk about his past and his decision to become her son. Sam gathers the courage to tell her he wants to remain a boy. She sees his determination and agrees to support him.

Chapter 35 Summary: “Bay of Dew”

Miel looks through Aracely’s closet, searching for signs of Leandro. As Miel processes her feelings, Aracely approaches and explains how the river transformed her into a woman. Miel is hurt that she wasn’t also transformed, but was instead caught in the water tower in a state between life and death. Aracely says that she was able to sense Miel’s presence, and convinced the town the water tower was a safety hazard to be knocked down. She explains that they come from a family of witches where everyone has a gift. Miel was the first to be born with roses in a hundred years. The revelation prompts the memories Miel had previously repressed.

Chapter 36 Summary: “Bay of Mists”

Miel runs away as she remembers her father cautioning her mother against the curse of Miel’s roses. An ancestor with roses had poisoned her own family. Miel’s father was determined to repress them, and tried to burn them away with a hot knife. Leandro was initially resistant, then helped his father harm Miel. She still has the burn scar from the incident. Miel’s mother and father argued and were unable to come to an agreement, prompting Miel’s father to leave them. However, her mother continued trying to cure Miel at the recommendations of their priests. Aracely finds her and tries to apologize for the past. Miel expresses her guilt over her mother’s and Leandro’s deaths. She forgives Aracely for hiding her secret and tells her she’s smart for hiding her true self given the prejudice of the townspeople. Aracely argues that she’s doing the opposite—she’s become her true self.

Chapter 37 Summary: “Lake of Spring”

Miel confronts Ivy and tells her she won’t participate anymore, threatening to reveal Peyton and Lian’s secrets. She determines to uncover Ivy’s secret too, but Ivy says it’s not possible. As they argue, a new rose begins growing from Miel’s wrist. Miel realizes that Ivy is driven by the fear of losing her sisters and their shared identity. She taunts her, and in response, Ivy pulls out the growing rose from its roots. Miel screams and bleeds profusely. Lian arrives, having heard the screaming, and Miel fears the sisters will hold her down until she bleeds to death. She throws one of the glass pumpkins at them and runs away.

Chapters 27-37 Analysis

During this section where conflict divides Sam and Miel, McLemore parallels their arcs of self-discovery as they discover important truths about who they are—truths that will ultimately bring them back together. Though the settings are different, each is evolving from a state of unknowing to knowing. While Sam tries to cure his lovesickness, Miel allows herself to be locked in a chrysalis state in the coffin, unraveling old memories in which previously established narrative threads—the rumors about Miel’s mother and Miel’s seemingly irrational fear of pumpkins—are given context and meaning, truth that ultimately sets Miel free from the guilt and shame she has carried for so long. Simultaneously, Sam stops Aracely’s cure and reclaims his lovesickness, recognizing that it’s as much a part of him as his Gender Identity; trying to rid himself of either would mean denying his true self. Sam finds Miel in the woods just as she found him in the river. He pulls her back from darkness just as she pulled him from the water, only this time they come together rather than being pulled apart.

Their reunion catalyzes a turning point in Miel’s arc, demonstrating how far she has come. Now ready to stand up for herself and face her fears, Miel announces she wants to carve a pumpkin. Not only is this a direct confrontation of her phobia, it’s also a step toward becoming part of the community rather than holding herself apart. She resolves to take part in a local tradition that previously had been out of reach for her. When Miel sees some local women expressing pride that she has overcome her fears, she realizes she isn’t wholly unwelcome. She’s a part of her town and her community. The experience triggers more traumatic memories for Miel, but she realizes processing them is a necessary part of her growth.

The continued emergence of Lian and Peyton Bonner as individual characters independent of their family collective underscores the theme of Family Versus Independence and becomes an important foundation for the climax of the novel. Sam is both insightful and trustworthy, and Peyton sees him as an ally. Sam realizes that in another context, Peyton could have been a friend; however, the role she plays in her family isolates her from others as it does each of the sisters in their own way. By contrast, the revelation of Miel’s sisterly link with Aracely initially drives them apart. Although painful, this experience severs the final barricade between Miel and her memories, leading her to understand them and herself in a new way and healing the rift between herself and Aracely.

McLemore again parallels Sam and Miel’s arcs structurally, with Sam’s mother accepting and supporting Sam at the same time Miel embraces Aracely as her sister. Sam and his mother come together to reflect on Sam’s father, his upbringing, and the events that led them to where they are now. In examining the various threads that make him who he is, Sam finds the courage to speak honestly to his mother about his Gender Identity—not as part of a cultural tradition of family care, but as part of embodying the spirit inside of him.

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