47 pages • 1 hour read
Anna-Marie McLemoreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sam decides to rehang his moons all over town as a demonstration of his love for Miel even though she feels betrayed by him for keeping Aracely’s secret. While he’s painting, Aracely comes to his house looking for Miel. Sam believes Miel has been avoiding them, but Aracely shows him that her own wrist has begun bleeding, suggesting a connection with Miel’s.
Miel is bleeding out in the woods. She discovers she has wandered to the glass coffin, and thinks about the futility of the Bonner sisters’ wishes and how they have taken all her light, just as she thought they had stolen the moon the night she came out of the water town. Delirious, Miel collapses beside the stained-glass coffin.
Miel thinks back to one of the moons Sam made her, which was pale pink like a rose. She holds on to him and sees that he is crying rose petals instead of tears. A new stem grows from Miel’s wrist and stabs Sam’s wrist, drawing blood out of his body. Miel resists, but Sam restrains her so that his blood can heal her. As she recovers, she hears the Bonner girls approach.
As the Bonner girls come closer, Miel tries to convince Sam to leave her alone. He refuses. She confesses that the sisters know his secret, and Sam considers the relationship he has with his body and his birth identity, Samira. He realizes the truth: He is the only person who can decide his own identity, not anyone else. Sam and Miel stay to confront the Bonner girls together. When they arrive, Sam tells them that he is a boy, and “[he] always [has] been” (252). At that moment, a crack appears in the glass coffin.
Miel considers her relationship with Aracely and her dead mother, and the memories of her past. She tells Ivy that she knows her mother loved her, and another crack appears in the coffin. Peyton admits she’s attracted to girls, and Lian reveals that she understands more than anyone thinks. With each truth, a new crack is made. Ivy becomes increasingly uncomfortable with the revelations. Chloe reveals the name of her baby daughter: Clara. Miel realizes Ivy’s secret is that she has no secret—no identity outside her place with her sisters. She had wanted the roses from Miel’s wrist because she thought they would restore her sisters to her, keep their collective power, and give her life purpose. She admits out loud that nothing belongs to her alone. The glass coffin shatters. After the explosion, the glass floats up to the sky. Chloe, Lian, and Peyton leave Ivy alone. Ivy and Miel realize they have changed hair colors; Miel’s is now red, while Ivy’s is dark. When they look around, they see that all the glass pumpkins have shattered too.
Sam considers his taken name, Samir, and his birth name, Samira. He feels Samira is a shadow or a sister, external to his body. The next time he goes to Miel’s house, he has removed the binder he wears around his chest. He worries about Miel’s reaction, but Miel sees it as an acceptance of who he is on the inside. They each reflect on their transformations and the link of shared experience between Miel and Ivy. Miel and Sam prepare to undress completely for the first time, a new intimacy, trust, and confidence in their relationship.
This closing section brings the novel to its climax and completes the inner Transformation of each of the core characters. It opens with Sam reflecting on the choice he has made and deciding to re-hang his moons around town as a symbol of his self-acceptance and love for Miel. In this way he is both literally and figuratively restoring light to the town, as well as embracing a sense of belonging in his community—the part of himself known as “Moon.” This scene demonstrates that he is reconciling and embracing the various facets of his being. Conversely, Miel is literally and figuratively coming undone. Her injury serves as the novel’s pre-climax, or “false climax”; a dramatic scene that releases the narrative tension, only to reveal the true climax still to come. Miel’s escape takes her to the glass coffin, the place that began her difficult transformation. The coffin becomes the apex of the story as Miel, Sam, and the Bonner sisters are each drawn there by their unconscious need for change. While both Sam and Miel have spent most of the novel fighting their personal battles separately, this climactic scene brings them together to face their adversary as a unit.
The fracturing of the glass coffin—a symbol of both powerlessness and Transformation—signals the completion of Sam’s and Miel’s coming-of-age arcs as they step fully into their true selves. Sam’s declaration of his Gender Identity to the Bonner sisters begins the destruction of the glass coffin, leading Miel to claim her own truth about her heritage. Sam and Miel’s example creates a domino effect in which a series of truths are revealed, beginning with Peyton—the youngest of the Bonner sisters, and arguably the one with the most individual identity. She represents a subtle generational divide that makes her more approachable and slightly removed from the solidarity of her sisters. Her truth gives way to Lian’s acknowledgment of her own power, which leads to one of the most powerful and contentious truths of all: Chloe’s acknowledgement of her daughter. In this moment, she sheds the identity of a “Bonner girl” and grows into her identity as a mother. Later, this inner shift will lead to Chloe leaving town and her sisters for good. When Ivy’s truth is finally revealed, the shattering of the coffin represents a rebirth for Ivy—a chance to begin building her identity from the ground up. In the end, she and Miel each leave a part of themselves imprinted on the other.
In the novel’s resolution, McLemore highlights the idea that Transformation involves a degree of letting go. Miel finds peace with the spirit of her mother by claiming her mother’s love and releasing the pain of the past. Sam finds peace of his own through the not-quite-spirit of Samira. He acknowledges that although they are not the same person, they share a connection that ties him to his family. In the freedom of their newfound peace, Sam is able to share his entire body with Miel in a way he had never been ready to before.
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