47 pages • 1 hour read
Anna-Marie McLemoreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Aracely calls Sam and asks him to come over and help cure a man’s lovesickness—Miel normally helps her, but today she is distant and confused, making mistakes. Sam helps Aracely gather the ingredients so she can remove the lovesickness. Miel forgets to open the window, which almost traps the lovesickness inside; Sam opens it just in time. Miel and Sam go outside and feel awkward around each other. They kiss, though Miel refuses to explain what happened with the Bonner sisters. She leaves Sam alone and confused.
Aracely tries to understand Miel’s fear of pumpkins. Miel, meanwhile, goes to the Bonners’ farm to see if the pumpkins are still turning to glass. She sees that more of them have transformed, signifying the discord within the house. Miel worries that the town will blame her for the pumpkins, and that the sisters will spread lies about her mother. She’s uncertain what they plan to do with her roses. She determines to refuse the next time they come for her. Looking around, she sees some of the glass pumpkins turning back into fruit. When Miel returns home, Aracely mentions that her regular client, Emma Owens, is due for a visit. Ms. Owens is always falling in love too fast and coming to have her heartache removed.
Miel prepares to study with Sam, and Aracely mentions that the glass in the Bonners’ farm is spreading. Miel denies knowing anything about it. She recognizes that it’s not only Sam she wants to see; she wants to flaunt her relationship with him to the Bonner sisters and prove that not everything belongs to them. She finds Sam at the farm and kisses him, accidentally putting her hand on his chest. After he returns to work, Miel considers what she knows of his body. Ivy approaches her and invites her to see something in secret. She brings Miel to a glass coffin in the woods, which is rumored to have transformative powers. The other sisters arrive and attack Miel, forcing her into the coffin. They lock her inside and leave Miel to panic alone.
Sam meets Lian near her house and greets her, but is rebuffed. Sam considers the town’s attitude toward Lian, believing she’s stupid and listless. Sam, however, knows this isn’t true. At school, he sees the Bonner girls crowded around Ms. Owens, the school secretary. He considers the racism he faces from his majority-white school, and his friendship with Miel, also a person of color. On the way home, Sam passes Miel’s house and sees Aracely at the window. He notices for the first time the similarities in Miel and Aracely’s features and realizes that they must be related.
In the glass coffin, Miel remembers a traumatic experience in which her mother carved out a large pumpkin and forced her inside, thinking it would cure her of growing roses from her wrist. Miel’s brother, Leandro, tried to help her but was pushed aside by their mother. The following day, her mother let her out and was disappointed to see the cure hadn’t worked. Finally, Peyton comes to let Miel out of the coffin, appearing guilty, and Miel thinks it’s because of how Sam helps her hide her romances with other women from her parents. Peyton tells her that each Bonner sister has spent time locked in the coffin too. Miel runs away and sees that her steps have broken some of the glass pumpkins, releasing the Bonner sisters’ energy into the air.
Miel collapses. Sam finds her on his way to hang up one of his moons. He sees the glass pumpkins and thinks Miel is upset because she feels responsible. Miel sees that Sam, in turn, feels responsible for her. She feels ashamed for her role in her brother’s and mother’s deaths, and is worried she will inadvertently bring harm to Sam. He leaves his moon with her and goes to get help.
Sam goes to Aracely for help. He is taciturn, and remembers his hesitancy to speak growing up as he became self-conscious about his high, feminine-coded voice. Sam brings Aracely to Miel, and Aracely comforts her until she’s willing to return home. He sees the effect Aracely has on Miel, and resolves to ask about their true relationship.
Ms. Owens is visiting with Aracely in preparation for her latest lovesickness cure. Aracely is hesitant about enlisting Miel’s help, but Miel insists she’s up to the task. They prepare the cure, and Miel imagines she can see glass vines growing through her house. Suddenly, Aracely shouts and Miel realizes the lovesickness is trapped inside. Instead of flying out the window, it rushes back into Ms. Owens. She runs from the room, and Aracely becomes angry at Miel for getting distracted. Aracely confesses that Ms. Owens helped cover up Sam’s birth records, allowing him to be admitted to school as a boy. She worries that now Ms. Owens will reveal the truth, and goes after her to try and make amends.
After his mother and Miel are asleep, Sam sneaks out to confront Aracely. He asks about the true nature of their relationship. At first Aracely is defensive, and she turns the focus of the conversation on him and his Gender Identity. They talk about the bacha posh tradition and begin to argue about each other’s cultures; Sam says the townspeople call Aracely a witch. She baits him into anger, telling him he’ll need his self-assurance to live as a man. When Sam starts to leave, Aracely tells him she understands his journey because she has gone through it herself. Finally, she confesses that she was born as Miel’s brother, Leandro.
After the first section establishes the novel’s conflict, this section turns inward to explore the individual arcs, interiority, and past traumas of the characters. Miel becomes lost within herself after her assault, distancing herself from her loved ones. At this point, many of her family memories are still repressed, and the gaps in her understanding leave her feeling unmoored. When she returns to the Bonner farm, she determines to stand up for herself and claim ownership of her body. Upon deciding this, she sees some of the glass pumpkins returning to flesh. Later, it’s revealed this Transformation occurs because she has, in a small way, claimed a personal truth—a motif expanded more dramatically in the novel’s climax.
Like Miel’s roses, the stained-glass coffin is subject to local legend and gossip, underscoring the way folklore, storytelling, and the perception of others drive the story’s conflicts and major turns. Miel knows the townspeople’s stories that the coffin has transformative powers to make the Bonner girls beautiful. While this is only a rumor, the coffin instigates a kind of transformation in Miel, as it forces her to confront both her powerlessness and her buried memories. Whether this is truly a result of the coffin’s power, or simply the result of solitude and a triggering, traumatic experience, is left to interpretation.
Meanwhile, Sam and Aracely become closer, each seeking aid from the other and building a unique shared connection—joined together by their love for Miel. They each reach out in times of need to help protect Miel together. They never quite become friends, but they serve as points of stability in each other’s lives. McLemore introduces conflict in their relationship when Sam discovers the hidden similarity between them, leading to a conflict about Sam’s Gender Identity and the strength he needs to live as his true self. Finally, Aracely’s confession creates a new connection between them separate from their loyalty to Miel, a shared part of themselves that Miel, despite her love for them, cannot fully embody in the same way.
Through this section, the plot gains momentum as new elements of conflict are introduced: Aracely’s lovesickness cure fails, and Miel learns Ms. Owens’s role in Sam’s family’s secrecy, raising the narrative stakes around Sam’s safety. Ivy becomes increasingly invasive in Miel’s life, creating a further imbalance of power between Miel and the Bonners.
At this point, despite the emerging details about the sisters’ individual lives, the Bonners are at their strongest. Each is supporting the others wholly and completely, even when it goes against their own personal wellbeing. The unit of the four of them is given priority over the self. Similarly, Miel is prioritizing her loved ones over her own wellbeing, illustrates two different perspectives on the theme of Family Versus Independence.
At the end of this section, the reveal of Aracely’s true identity throws the established order of Miel’s life into disarray—although she won’t discover it herself until later in the plot. Instead, the revelation serves to show Sam a new way of living and being, awakening a self-knowledge that will ultimately drive his final choice later in the novel. While the plot in this section is fairly linear, it introduces key elements that will inform further choices and conflicts as the story moves forward.
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