47 pages • 1 hour read
Anna-Marie McLemoreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Miel is the Latin protagonist of When the Moon Was Ours. Her name is the Spanish word for “honey,” allowing the two central characters to play on the word “honeymoon.” Miel’s most unusual feature is the roses that grow from her wrist, which in time, come to be accepted as one of the many otherworldly, inexplicable things that occur in their town. However, the rose combined with her association with Aracely, who cures the townspeople’s lovesickness, is enough for rumors to swirl that they are both witches.
The novel begins when Miel’s relationship with her best friend Sam grows from childhood friendship to something more adult and complex. Because Sam keeps his Gender Identity a secret from the townspeople, and because of her own past trauma, Miel feels an almost desperate sense of responsibility for her loved ones. For example, she hides the Bonner girls’ threats from Sam, determined to handle them alone. Miel feels deep guilt over the deaths of her mother and brother, Leandro, whom she believes both died because of her roses. Now, the Bonners’ desire for those same roses causes them to threaten to expose Sam. As a result, Miel tries so hard to handle everything herself that she almost dies at the Bonners’ hands.
Anna-Marie McLemore includes an author’s note at the end of the novel in which they underscore many of the novel’s themes and emotional truths within the context of their own lived experiences, many of which parallel Miel’s. Miel is fully supportive of Sam’s Gender Identity, yet becomes frustrated at the limitations of how much she can understand. When she learns the truth about Aracely’s origins, Miel feels angry and betrayed by Sam for being held at a distance. She feels betrayed that Sam withheld Aracely’s secret from her, but in time she comes to see the complexities of such personal journeys. Sam and Aracely’s experiences are their own, just as Miel’s are hers. Love allows them to hold each other’s secrets, questions, and struggles without judgment, sharing both pain and triumph.
Sam is a Pakistani, transgender boy living in a closed-minded, majority-identity town. He’s an outsider because of his dark skin as well as his non-traditional gender expression; other boys bully him because his soft features don’t align with what they believe to be traditional, heteronormative masculinity. Sam spends much of the novel caught between names and identities, living between Sam (an anglicized version of his birth name), Samir (a masculinized version of his birth name), Samira (his birth name), and Moon (his nickname in the town). His only close relationship is with Miel, who has been his best friend since childhood. They become part of a unit, sharing a deep, almost symbiotic connection, similar to what the Bonner sisters share; however, each holds the other at a distance because of their own individual struggles. While Miel navigates her childhood trauma and the responsibility she feels for others, Sam is on a personal journey of self-discovery regarding his Gender Identity, his family, and his changing relationship with Miel. Although Miel tries to be understanding and supportive, Sam feels hesitant to explore this part of himself with her before he fully understands it himself.
The tension Sam feels between his Gender identity and his relationship to his mother and his family heritage holds him back from fully acknowledging the person he knows himself to be. He finds a way to bridge this tension through the practice of bacha posh, which allows him to maintain a connection to his grandmother and her traditions while also giving him a safe way to explore his Gender Identity. He also connects to his Pakistani traditions through food, and through his work pollinating pumpkin blossoms, which mirrors his family history of harvesting saffron (notably, his work with the pumpkins also allows him to fill his physical education requirements so that he doesn’t have to face the gender stigmas of a boys’ locker room). Sam finds an unexpected connection with Aracely when he learns that she comes closer than anyone to fully understanding his internal conflict. The discovery of Aracely’s transformation leads him to give himself over to the river in hopes that it will decide his fate for him, an act that Miel sees as an attempt at suicide. While Sam spends much of the novel divided, by the end he is able to bring these disparate sides of himself together and lives as his true self, acknowledging where he has come from and where he is going.
Aracely is Miel’s guardian, a local healer specializing in cures for lovesickness. For the early portion of the novel, her past and the nature of her relationship to Miel is a mystery. She is a neighbor to Sam and his mother, and when they take Miel in after her emergence from the water tower, Aracely offers Miel a permanent home. Initially, she appears to be a solid and temperate figure in the community. She makes her living through an unusual therapeutic practice of removing heartache from both women and men, and though this practice elicits some stigma from the town, she is generally respected and has a secure place within it. Aracely exemplifies the novel’s theme of Transformation having been literally transformed by the river from her form as Miel’s brother, Leandro, to her current form as a woman. As Aracely herself acknowledges, the river simply revealed her true self—she lived as a boy because that was what her family needed her to be. When Aracely gave her life for Miel’s, the river revealed her true inner nature—a moment of literal and figurative rebirth. Aracely’s transformation and new connection to Miel was also the cumulation of a journey of redemption; Leandro failed to protect Miel from their father when their father abused her, even acting as an accomplice to her abuse, believing it was an act of protection. In this way Miel’s near death gave Leandro a chance to make a different choice. He willingly gave his life to protect her, and so was rewarded with a new beginning.
Like Miel, Aracely feels responsible for those around her. She extends her friendship and protection to Miel, Sam, Sam’s mother, and even Ms. Owens. As someone who has experienced family trauma, Aracely takes comfort in this ability to support others. When Sam begins acting out and gets into a fight at school, Aracely challenges him to embrace his true nature, which leads to conflict between them, and ultimately both renewal and healing. In her new shape and her new life, Aracely sheds the cowardice of her childhood self and becomes the powerful, maternal figure she was always meant to be.
The four sisters Chloe, Lian, Ivy, and Peyton are often referred to as “The Bonner girls,” a single, collective unit. Their loyalty to one another and their emotional connection transcends the standard bonds of sisterhood; there is an element of magical realism to their family bond, suggesting that they share thoughts, feelings, and collective strength. They recognize that they are strongest together, and are able to draw on each other’s power to become a larger whole:
And when their hands fell on her, she knew it was true, that they were one animal in many bodies. When one set of fingers lost its grip, another tightened. When Miel threw her weight against one of them, another pulled her back so the force dissipated and did not land (65).
Until the recent events preceding the novel, the town experienced the Bonner sisters as an unstoppable, largely impersonal force. However, Chloe’s pregnancy upended their status in the community; it also gave Chloe an interpersonal connection outside of the union she had with her sisters. As Miel recognizes, this was the first crack in the structure the Bonner girls had built for themselves. The desperation to reclaim this unity is what ultimately drives the conflict of McLemore’s plot. In seeking to once again become “the Bonner girls,” however, Chloe, Lian, and Peyton all deny parts of themselves that have been suffocated and repressed. Chloe prioritizes being a sister when she really wanted to be a mother; Lian dumbs herself down to fit the preconceived role she is given in her family. The novel implies that Lian may have a learning disability such as dyslexia, leading her to struggle with reading and writing. Instead of receiving treatment or support, however, she accepts her place in the social hierarchy of her family, living out a performance of that prescribed role. Finally, Peyton has been unable to fully give herself over to a relationship, forced to hide her sexuality in shame. It’s only when these inner truths are revealed that each sister is able to step into her full potential and individuality. Yet this potential is not gained without a degree of sacrifice; they willingly release their collective power as the Bonner girls and acknowledge that in some way they are leaving each other behind on their journeys into the future.
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