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71 pages 2 hours read

Grace Lin

When the Sea Turned to Silver

Fiction | Novel | Middle Grade | Published in 2016

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Chapters 42- 59Chapter Summaries & Analyses

Chapter 42 Summary

Haiyi’s employers, an opulently dressed man and woman, return home to find Haiyi admitted “beggars” into the house. Enraged, the man begins to beat Haiyi. Pinmei steps in front of Haiyi, revealing the jade bracelet. The man’s and woman’s eyes fixate greedily on the bracelet. To protect Haiyi, Pinmei offers them Amah’s bracelet in exchange for their promise to leave Pinmei, Yishan, and Lady Meng alone and never harm Haiyi again. After the employers accept the bracelet, Haiyi wipes her face with Pinmei’s handkerchief, causing her scars to vanish. With shock, Pinmei realizes that the handkerchief is actually the Paper of Answers.

Chapter 43 Summary

When Haiyi’s employers discover that her scars have disappeared, they seize the Paper of Answers and attempt to rub it over their faces, hoping for a similar transformation. Instead of healing their scars, the Paper turns them into monkeys. Haiyi shoos them out of the house.

Chapter 44 Summary

Haiyi informs the group that the emperor has departed, allowing them to leave the city. Lady Meng decides to head to the Vast Wall to search for her husband. Yishan and Pinmei are uncertain about their next steps. Pinmei recalls the emperor mentioning to the king that the Luminous Stone is located at Sea Bottom. Lady Meng offers to assist them in reaching this destination.

Chapter 45 Summary

The Black Tortoise of Winter instructs the snake to travel to the Sea King and request assistance.

Chapter 46 Summary

Haiyi provides the group with supplies while Lady Meng whistles for BaiMa, who quickly arrives. Lady Meng expresses regret that Pinmei had to give up her jade bracelet. In a gesture of comfort, Yishan pulls a thread from his sleeve and ties it around Pinmei’s wrist. Lady Meng wistfully remarks that she wishes she could have given her husband a similar bracelet. With everything prepared, they mount BaiMa and set off toward the sea.

Chapter 47 Summary

When they reach the sea, they find it completely frozen. Lady Meng prepares to depart, retrieving the mussel from Yishan. She tosses the mussel into the distance, instructing the children to follow it. Leaving BaiMa behind for the children’s journey, they exchange heartfelt goodbyes. With a leap, BaiMa jumps onto the frozen sea.

Chapter 48 Summary

BaiMa chases the mussel farther across the frozen sea, and as the ice begins to crack beneath them. As water splashes him, BaiMa’s hair transforms into shimmering scales. He transforms into a longma, a dragon horse, before plunging into the icy water with the children.

Chapter 49 Summary

A guard delivers a load of bricks to the stonecutter, instructing him to carve the emperor’s great deeds onto them. Curious, the stonecutter asks Amah why the emperor would want his deeds immortalized in stone. Amah replies that words in stone have power.

Amah tells The Story of Bauxi:

The king of the City of Bright Moonlight realizes he must build waterways to redirect a river and prevent devastating floods. However, this massive undertaking proves overwhelming. The king’s father volunteers to oversee the project but soon begins mistreating the workers. When the king tries to intervene on their behalf, his father argues that overworking the laborers is the only way to finish in time.

Moved by the workers’ suffering, the Old Man in the Moon seeks help from the Jade Emperor. In response, the Jade Emperor sends the dragon HuangLong and the tortoise Bauxi, a cousin of the Black Tortoise of Winter, to assist. The heavenly creatures pledge to stay until the work is completed, with Bauxi holding back the waters and HuangLong dredging the river.

As the project progresses, the king’s father grows intoxicated by power and demands that the heavenly creatures remain even after the work is done. Nine years later, the waterways are completed, but the king’s father insists on one final task: moving an enormous stone tablet to the riverbank. This tablet, he claims, lists all the great accomplishments of the world, and unless it is placed by the river, the project cannot be considered finished, and the creatures must remain on Earth.

When Bauxi tries to move the colossal stone, it proves too heavy and traps him. Enraged and frustrated, Bauxi turns to stone himself. HuangLong, heartbroken, stays on earth to fulfill his oath but turns invisible to mortals, ensuring that no one can benefit from his presence.

Afterward, Amah explains, the Jade Emperor decreed that mortals could never again see heavenly beasts, which is why they are no longer visible today. The stonecutter, pondering the tale, wonders what the emperor intends to do with the inscribed bricks.

Chapter 50 Summary

After a long while, Pinmei opens her eyes, awestruck by the breathtaking beauty of Sea Bottom. Following the mussel’s lead, they make their way to the Crystal Palace. BaiMa safely drops off Pinmei and Yishan before leaping into the courtyard. Bai Ma jumps onto an empty platform and transforms into one of the statues that line the courtyard.

Chapter 51 Summary

A man dressed in silver, leaning on a coral cane, greets the mussel before introducing himself to Pinmei and Yishan. He explains that the Sea King has been expecting them. Known by many names, including Stone Fish and “Joy to the Heart”—a name given to him by Meiya (228)—he is pleased to learn that Pinmei knows his story. Joy to the Heart explains that the inhabitants of the Crystal Palace take human forms to make the Sea King more comfortable, though it is difficult for him due to his cracked fin and tail. When Yishan asks why he does not keep his fish tail, Joy to the Heart replies that it would insult the goddess Nuwa. Only the Sea King’s daughter is allowed to have both a human body and a fishtail, as she was born that way.

Pinmei speculates that the Sea King’s daughter resembles Nuwa because the Sea King swallowed the red stone containing Nuwa’s blood. Joy to the Heart expresses concern for the Sea King’s daughter, whom he has not seen since he gave her a needle from the treasury.

Noticing the new longma in the courtyard, Joy to the Heart realizes it is BaiMa, who has earned his immortal form. BaiMa, like Joy to the Heart, was once a stone. The inhabitants of Sea Bottom can shift between forms, but they need the help of mortals to make a form permanent. Joy to the Heart then leads Pinmei and Yishan to meet the Sea King.

Chapter 52 Summary

Joy to the Heart escorts Pinmei and Yishan through the Crystal Palace to meet the Sea King. Surprised to see the children, the Sea King explains that he summoned help because the sea is beginning to freeze—a sign that the Black Tortoise of Winter has overstayed his welcome. Concerned, he tells them that the Black Tortoise is in trouble and needs assistance. Yishan argues that they cannot dictate the Black Tortoise’s stay, but the Sea King insists that the situation is dire. When Yishan questions how the Sea King knows this, the Sea King calls forth a snake.

Chapter 53 Summary

The snake announces to everyone, “The Black Tortoise needs help” (236), but can say nothing else. The Sea King explains to Yishan that something has trapped the Black Tortoise on Earth, although nothing can harm him. He tells Yishan that he, or someone else, must free the Black Tortoise.

Pinmei then asks the Sea King about the Luminous Stone. The Sea King reveals that the Luminous Stone is Nuwa’s tear. He explains that as Nuwa transformed, her husband pulled out a strand of her hair. The hair became the iron rod, the drop of blood attached became the red stone, and her single tear turned into the Luminous Stone. The Sea King mentions that part of the Luminous Stone is in his kingdom and offers to take Pinmei to see it.

Chapter 54 Summary

Instead of leading them to the treasury, the Sea King takes Pinmei and Yishan to the garden, where the Heavenly Lake lies. The Sea King explains that the Heavenly Lake is also the Starry River. Confused, Pinmei points out that the Starry River is in the sky. The Sea King clarifies that the worlds are connected through the Heavenly Lake, with its bottom being the sky.

When the Sea King shows them the Luminous Stone, Pinmei suddenly realizes that it is, in fact, the moon.

Chapter 55 Summary

Yishan grows frustrated that he did not remember that the Luminous Stone was the moon. Annoyed, he tells the Sea King they need to give the Luminous Stone to the emperor, but the Sea King only laughs at him. In frustration, Yishan jumps into the lake, but Pinmei quickly stops him. Determined, Yishan insists he has another plan to obtain the Luminous Stone.

Chapter 56 Summary

Yishan borrows Pinmei’s bracelet and fashions it into a lasso. As the lasso extends further into the water, it grows larger. After several attempts, Yishan successfully lassos the moon and begins to pull it up.

Horrified, the Sea King accuses them of theft. Pinmei and Yishan, realizing the gravity of their actions, immediately feel ashamed. Pinmei urges Yishan to return the moon, and he does so.

Chapter 57 Summary

Yishan reassures the stunned Sea King that they will not take the moon. The Sea King, acknowledging his misjudgment, apologizes to Yishan. Determined, Yishan vows to Pinmei that they will find another way to rescue Amah and returns the bracelet. Pinmei starts to cry and reaches for her handkerchief. Instead of the handkerchief, she pulls out the Paper of Answers. Realizing its potential, Pinmei understands that they can use the Paper to find a way to save Amah.

Chapter 58 Summary

Pinmei reviews how the Paper of Answers functions: under the light of a full moon, it can answer any question, and any immortal can read it. She asks the Sea King if he will read the Paper for them, and he agrees. As Yishan holds the Paper, he chooses not to ask how to save Amah. Instead, he inquires about how the emperor managed to trap the Black Tortoise of Winter.

Chapter 59 Summary

Pinmei yells at Yishan, who reassures her that they will find a way to rescue Amah. He explains that the emperor’s sudden rise in power is linked to the Black Tortoise’s imprisonment and that others besides Amah also need rescuing from the emperor. Pinmei begins to wonder if there is a connection between the emperor, the Black Tortoise, and Amah.

Yishan then hands the Paper of Answers to the Sea King. The Paper reveals that the Iron Rod is trapping the Black Tortoise of Winter.

Chapters 42-59 Analysis

The narrative shifts from storytelling to uncovering the deeper truths and connections behind the stories. As the characters’ viewpoints evolve, it becomes clear that Perception Shapes Reality, as a shifting understanding of the world around them mirrors their internal growth. This development underscores the theme of Finding and Creating Identity, as the characters discover hidden truths and actively work at shaping their own paths. The intertwining of personal growth with the unraveling of stories reveals the Power of Stories and storytelling in self-discovery and transformation.

Pinmei giving up the jade bracelet marks a pivotal moment in her character development. The bracelet serves as a tangible connection to Amah, offering her comfort and courage throughout the journey. Every time Pinmei touches the bracelet, it reminds her of Amah’s wisdom and strength. By relinquishing it, Pinmei establishes her identity independent of Amah, taking control of her own destiny. This moment symbolizes her growing autonomy, marking her evolution from a timid girl to a courageous individual capable of standing on her own. Her sacrifice not only emphasizes the novel’s theme of identity but also highlights the costs associated with independence, as Pinmei must relinquish the comforting ties of the past in order to shape her future.

Likewise, Pinmei’s evolution continues as she transforms from a shy, mouse-like girl into someone brave and decisive. At the start of the novel, Pinmei hides from conflict, but in this section, she takes bold action to protect Haiyi from punishment, even sacrificing her precious bracelet to save others. Her growing courage stems in part from a shift in how she perceives herself. Pinmei tells Lady Meng, “I wish I could be as brave as you” (211), viewing her many fears as cowardice. However, Lady Meng challenges this perception, telling her that bravery is not the absence of fear but facing danger despite it. This realization ties into Amah’s repeated belief in Pinmei: “I know that when it is time for you to do something, you will do it” (11). Lin highlights Pinmei’s bravery throughout the story, but it is only through Lady Meng’s words that she begins to see herself in a new light. Pinmei’s character arc is a testament to the power of perception, as the way others see her, combined with her evolving self-perception, fuels her journey from fear to courage.

Embroidery and thread, symbols recurring throughout the novel, gain deeper significance as more truths are revealed. Yishan crafts a bracelet for Pinmei from a thread of his shirt, a seemingly simple gesture, but one imbued with deeper meaning due to Yishan’s hidden identity as the Ginseng Boy. The imagery of thread continues with the Black Tortoise’s tongue, described as “a thin silk thread,” which subtly foreshadows the Black Tortoise’s location (206). Pinmei’s musings about how the emperor, the Black tortoise, the winter, and Amah are all connected reflect how these threads of fate are intertwined. The theme of stitching and unraveling threads suggests that their stories and destinies are tightly woven, with the Black Tortoise as the “central stitch” holding everything together. Perceiving these seemingly overwhelming problems as threads and stitches that can be unraveled makes them appear more surmountable. The novel’s motif of embroidery and thread underscores the idea of fate as something that can be both woven and unraveled, suggesting that while destiny may seem fixed, there is always room for agency and choice in how one shapes their path.

Lin further emphasizes how perception shapes reality in the trip to Sea Bottom, where the Starry River is seen as the sky on land but as a Heavenly Lake to the inhabitants below. The Sea King’s explanation that “to us at Sea Bottom, it seems more the size of a lake than a river” (240) illustrates how the same object can appear vastly different based on perspective. Similarly, the Luminous Stone is Nuwa’s Tear in Sea Bottom, yet it becomes the moon for those on land. These different perceptions of the same elements highlight the novel’s theme of interconnectedness between worlds, places, and cultures, emphasizing how shifting perspectives can change the understanding of reality itself.

This section also brims with transformations and revelations. Pinmei begins to question Yishan’s identity, unaware that he is the Ginseng Boy. At Sea Bottom, Yishan’s authoritative demeanor and the Sea King’s subtle deference toward him foreshadow the revelation of his true identity. BaiMa’s transformation from a horse to a longma, and eventually a statue, reflects the mythological truths at the Heart of the narrative. BaiMa can only change to a longma because of the influence of mortals and their memories, highlighting the power of stories. These transformations also suggest that Pinmei and Yishan may not be mere mortals, as they can see heavenly creatures. Additionally, Haiyi’s employers turning into monkeys echoes a recurring theme in the novel—history repeating itself and characters facing the consequences of past actions.

Finally, the trip to Sea Bottom ties together many narrative threads, particularly when it is revealed that Meiya, who raised Yishan, named the Stone Fish “Joy to the Heart.” This connection implies that the timelines are far from linear, with characters potentially living longer than expected. Joy to the Heart’s retrieval of the needle for the Sea King’s daughter echoes The Story of the Painted Lion Eyes, subtly pointing to the location of the iron rod. The recurring motifs of needles and threads connect the characters’ fates and offer clues to resolving the tangled web of their intertwined stories, suggesting that the ultimate solution lies in understanding these hidden connections. As the various narrative threads begin to converge, the novel emphasizes the importance of both remembering and reinterpreting the past in order to unravel the complexities of the present, positioning the characters’ interconnected fates as key to resolving the story’s central conflicts.

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