51 pages • 1 hour read
Barbara O'NealA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material for this guide includes descriptions of alcohol/drug addiction and recovery, the sexual assault of a child, suicidal ideation, abortion, and parental neglect.
Dr. Kit Bianci is taking a break from a busy night in the emergency room when she sees a news report concerning a fire in a nightclub in New Zealand. Kit thinks she sees her sister, Josie Bianci, walk behind the reporter, but her sister supposedly died 15 years prior when a terrorist group detonated a bomb on a train outside Paris, France.
Kit goes surfing after her shift, choosing to go to the cove where she grew up. Kit and Josie’s parents once owned a restaurant, Eden. Both Kit’s childhood home and the restaurant were perched on a cliff above the cove, but they were destroyed in the Loma Prieta earthquake in 1989. Kit and Josie’s parents were passionate about the restaurant and each other but were neglectful parents.
At home, Kit receives a call from her mother. Kit’s mother, who is in recovery from alcohol addiction, lives nearby in a condo Kit bought for her. Kit’s mother saw the same news report and believes Josie is alive. Kit’s mother convinces Kit to fly to New Zealand to find Josie by promising to stay in Kit’s house to care for her cat, Hobo.
Mari Edwards is blindfolded as her husband, Simon, drives her away from their home outside Auckland, New Zealand. As they drive, they discuss aspects of their personalities, causing Mari to reflect on the two children she and Simon share, Sarah and Leo. When they arrive at their destination, Mari is excited to see it is Sapphire House, a well-known home built in the 1930s by a famous actress, Veronica Parker. The house has been a fascination for Mari since she moved to New Zealand 15 years prior, and Simon announces that he has purchased it for her. The house had been owned by Veronica’s recently deceased sister, Helen.
Mari walks through the house, falling instantly in love with the 1930s era décor in all but three rooms. The kitchen, the sitting room, and Helen’s bedroom have been updated—rooms Helen used—but the rest of the home remains as it was when Veronica was alive. Mari knows that Veronica was born in New Zealand but became famous as an actress in Hollywood. In 1932, she met George Brown, an Olympic swimmer, when she was part of the welcoming committee for New Zealand’s Olympic athletes in Los Angeles. She and George fell in love, and this inspired Veronica to move back to New Zealand and build the house. However, George was married, and his wife refused to divorce. On April 9, 1938, Veronica was found stabbed to death in the primary bedroom, and George was accused of the murder, but no suspects were ever arrested. George isolated himself and died three years later.
Kit falls asleep on the plane bound for New Zealand and has a dream she’s had countless times before. She is sitting on the beach with her childhood dog, Cinder, watching her foster brother, Dylan, surf. When the wave begins to break up, she knows she should warn him, but also knows how happy he is and chooses not to. Dylan falls from his board and goes under. Cinder begins to bark, but Dylan doesn’t come up. Kit wakes.
Kit reflects on her childhood, memories mostly of her, Josie, and Dylan playing on the beach. She remembers being close to Josie as a small child, but that Josie became distant as an adolescent, often acting out, becoming promiscuous, and developing an addiction to drugs and alcohol. She also recalls a time when their mother woke them early while they were sleeping in a tent on the beach and showed them a treasure chest that she claimed came from mermaids. This is one of a few good memories Kit has of her mother. Kit struggles to accept her mother as both loving and neglectful.
Kit arrives in Auckland and goes to the high-rise building where she has rented an apartment through Airbnb. She stumbles to the elevator, overwrought with jet lag, having a brief interaction with a good-looking man who speaks Spanish. In her apartment, she falls into bed and sleeps until morning. The following day, she goes to the shops to buy a charging cord for both her phone and laptop. As she walks through the Central Business District (CBD) of Auckland, she considers showing Josie’s picture to the employees of the shops in hopes of locating her. She visits the site of the nightclub fire and realizes most of the victims were young Asian women, causing her to wonder why her sister was there. As she views the impromptu memorial laid out for the victims, she thinks about her role as an emergency room doctor and acknowledges that she has become disillusioned by some of the darkness she sees in humanity in her role. She is also reminded of the phone call she received the morning her mother informed her of Josie’s death.
Mari is up early to get her children ready for school. She has a brief conversation with her daughter, Sarah, on the way to school, noticing again Sarah’s new apathy regarding school and irritation at her teachers. This has inspired Mari and Simon to make an appointment to speak with Sarah’s teacher that morning. During the meeting with the teacher, Simon and Mari learn that another student has been bullying Sarah. Simon is angry that the teacher failed to reprimand the bullies and that it appears the teacher lied to him. Simon does not like lies. Mari steps in and promises to call the parent of the bullies’ ringleader to settle things.
Mari goes up to Sapphire House after the meeting and collects feijoa fruit from a tree that grows over the driveway—a fruit she loves but Simon dislikes. Mari walks around the house making notes of the things that need to be done before she and her family can move in. She finds a landline telephone and it brings back memories of her childhood, making her think of her father, a brilliant chef who ran their family restaurant, Eden.
Mari continues her inventory, thinking about Veronica’s murder, and she wonders who might have been her killer. She explores an office and looks closely at the books and finds both a collection of elegant books clearly meant as décor and other books that suggest an interest in fiction and local history. She also finds a collection of books on mermaids that again conjures memories of Mari’s childhood. This makes her think of tattoos she and her sister, Kit, share of mermaid scales with the words Big Sister for Josie/Mari and Little Sister for Kit. Mari acknowledges how much she misses her sister, Kit, but tries to push the memories down as she has grown accustomed to doing.
Kit walks around the shops, noting that most of them are tourist oriented, therefore not likely places a resident might shop. However, she notices a stationery store and decides to stop, considering asking the clerk about Josie. She, Josie, and Dylan learned calligraphy as children and love inks of all colors. Kit buys several bottles of ink, but she doesn’t ask about Josie.
Kit goes to a small Italian restaurant for dinner and orders food she believes her father would appreciate. Beside her is a handsome Latin man who introduces himself as Javier. They share a bottle of wine and discuss the food. Javier tells Kit he was the man who held the elevator open for her the previous morning, and she’s slightly embarrassed she doesn’t remember him. He tells her he’s in Auckland to visit a friend, Miguel, who is a musician playing at another restaurant nearby. They share brief anecdotes about their childhoods, with Javier revealing that his father was a bureaucrat, and this led to his older sister being kidnapped as a child.
Javier asks Kit to go with him to see Miguel perform. They order drinks and Javier becomes affectionate with Kit, making it clear he is interested in an intimate relationship. Kit is not interested in commitments, so she typically avoids men she might catch feelings for. Javier seems to be interested in her romantically, and this causes her to hesitate to respond to his touch. When Javier gets on stage and begins to sing, Kit knows he has the power to make her fall in love, and she leaves so that this cannot happen.
Mari is doing the dishes with Sarah when she notices just how much like Kit Sarah is. She has the same wild, curly hair and an interest in science. Sarah isn’t excited about moving to Sapphire House until she learns it has a greenhouse for her many experiments. When Sarah goes up for a bath, Mari takes the dogs outside. Watching the dogs play reminds Mari of her childhood dog, Cinder. Mari recalls a night when it was storming, and Cinder began to bark a warning seconds before there was a knock on the door. When Mari’s mother opened the door, a boy was there, wet from the storm and covered in bruises. Mari’s mother took him in, moving five-year-old Kit into seven-year-old Mari’s bedroom to make space for him. This boy was Dylan. She wonders why her mother didn’t call the authorities and instead lied to everyone, saying that Dylan was her nephew.
Mari joins Simon as he watches a movie. She uses her computer to look up information on Veronica Parker, including one of Veronica’s early movies. She reflects on how Veronica began her career prior to the Hays Code, a guideline in Hollywood that governed the morality of the industry. Her early movies reflect this, placing Veronica in the role of a “victorious vixen,” but her later work, after the Hays Code, reduced her roles and made it difficult for her to get roles. When Veronica returned to New Zealand, a local director promised to make her the star of his new movie, but the movie was never made.
Kit wakes up early in the morning and calls her mother. She is pleased to learn her mother is staying at her house with Hobo, as promised. They discuss Josie and some methods by which Kit might be able to locate her.
After the call, Kit recalls one of the last times she saw Josie. Kit was in medical school in San Francisco and overwhelmed with studies and rotations. She had resisted seeing Josie for a while because she was busy, and Josie was lost in addiction. Josie traveled often due to her obsession with surfing, so Kit decided that since she might not see her again soon, she would finally make time to see her. They had lunch, talked about their childhood neglect and their grief over Dylan, as well as Josie’s vagabond lifestyle. After lunch, they spontaneously went to a tattoo artist to get their mermaid scale tattoos. Kit mentions that their dog, Cinder, died before the earthquake happened.
Kit uses her laptop to pull up the footage from the news story on the nightclub fire and prints a picture of Josie from the video. She views a map and locates a set of stores in the CBD where a resident might shop, deciding to show Josie’s picture there in hopes of finding her.
O’Neal introduces the theme of The Lasting Effects of Childhood Trauma immediately through Kit’s reflections on her childhood. Kit’s visit to the cove where she grew up allows for the introduction of character background by revealing the location of the family home and business sitting precariously on a cliff above this semi-private cove. The connection between Kit’s relationship with her parents and her childhood on the cliffside suggests that this location is a physical manifestation of the lack of security Kit and Josie had because of their parents’ neglect. The fact that the restaurant was called Eden, which is understood to mean a place of great happiness, is ironic when considered that it was the site of neglect and trauma for Kit and her sister, Josie. This childhood trauma is further complicated by the juxtapose of Kit’s good memories with her mother. She struggles to identify their relationship and how she feels about her childhood. Throughout the novel, the sisters will revisit childhood events and begin to come to terms with their unresolved feelings that have continued to affect their adult lives.
The location of Sapphire House is a foil of sorts for the restaurant, Eden. While Eden mirrors the precariousness of Kit and Josie’s childhood, Sapphire House represents an idyllic future for Mari and her family. The fact that Veronica Parker was murdered in the house and that the mystery of Veronica’s death peaks Mari’s interest suggests a subconscious connection to the secret Mari hides from her husband in regard to her life as Josie Bianci. Mari’s interest in learning the truth about Veronica’s death suggests Mari desires this type of truthful release. Much of Josie/Mari’s character development involves her growth toward eventually letting go of her past and sharing her secrets with her husband and children.
There are three traumatic events introduced in these chapters. The first is a fire at a nightclub in Auckland, New Zealand, where several people were killed. The second, occurring in the narrative past, was a terrorist bomb that destroyed a train traveling outside of Paris, France, and killed many people. The final one is the mention of the Loma Prieta earthquake of 1989 that resulted in the deaths of 63 people. All of these events led to property damage and the deaths of innocent people. It is unusual for more than one such event to impact the life of a person, let alone three. Kit’s exposure to these events immediately sets her apart as someone who has experienced great amounts of trauma in her life, not only creating sympathy for her as a character, but showing that she is not a stranger to difficult situations. The fact that Kit is also an emergency room doctor who sees the darker side of humanity on a daily basis reinforces that Kit is often surrounded by trauma. All of these things combined with the introduction of the neglect Kit experienced as a child describe a character who is strong and independent yet resistant to trusting others. Kit has been taught that allowing people close to her will only result in pain. Kit’s character most clearly embodies the theme of The Fear of Emotional Connection because of the role trauma plays in her past and present experiences.
O’Neal introduces the theme of Addiction as a Coping Mechanism when Kit’s mother is revealed to be in recovery from alcohol addiction. This discussion of recovery foreshadows Kit learning that her sister Josie has also entered into recovery for her own struggle with addiction. It also shows that Kit’s mother struggled with addiction when Kit was a child, explaining some of the behavior of Kit’s mother during her childhood. This will be expanded upon as more information about Kit and Josie’s childhood is introduced later in the novel. The relationship between trauma and addiction is alluded to in these first few chapters and will continue to parallel one another throughout O’Neal’s novel.
The introduction of the character of Javier functions as a foil to the male characters in Kit’s past, including Dylan and her father. Javier is kind and patient, a passionate man who doesn’t use his passion as a weapon, but as a way to celebrate his love of life. The fact that Kit sees Javier’s good qualities as red flags represents the jaded way in which her past experiences filter her perception of the world and people around her. Kit doesn’t want to become involved in a relationship that requires a long-term commitment because in the past, her relationships have all ended in pain. The only exceptions to this rule are her cat, Hobo, who is just as untrusting as she is, and her mother, who is the source of some of Kit’s trauma. For this reason, Kit walks away from Javier, but their first meeting foreshadows future meetings and the possibility of a romance despite Kit’s fears. At the same time, Simon is introduced as a loving and devoted husband whom Mari still can’t believe is real after an 11-year relationship. Simon is also a foil to Dylan, Mari’s father, and other men in her life. Her inability to believe he is real reflects the remnants of her struggles with relationships that are similar to Kit’s. However, the fact that Mari is able to engage in a long-term relationship with Simon while Kit cannot suggests that Mari’s new identity may play a role in her confidence and happiness, however unstable this illusion may be.