Plot Summary
Where the Jackals Howl
Amos Klausner
Where the Jackals Howl
Fiction | Short Story Collection | Adult | Published in 1965
Plot Summary
“Where the Jackals Howl” is a 1965 short story by the Israeli author and journalist Amos Klausner who publishes under the pseudonym, Amos Oz. The story concerns the residents of a kibbutz, an Israeli community based around farming and the Jewish religion.
The story begins by describing the plains land on which the kibbutz is situated, the winds that blow over the plains during the transition period between the end of summer and the start of autumn, which is the time of the year during which the story takes place. These winds are known as "khamsin" in Hebrew. Sashka is writing at his desk while his daughter, Galila, takes a shower. While in the shower, Galila contemplates a proposition she has received from Matityahu Damkov. Damkov wants Galila to come to his room to check out some art supplies he received as gifts. Damkov has a cousin in South America named Leon.
While the sun sets over the kibbutz, the older "kibbutzniks" who live in the community rock in their chairs on their decks. The narration often shifts between various residents of the kibbutz. For example, this time the perspective shifts to that of Damkov, who appears to be as worried about whether Galila will accept his invitation to his room and she is.
The story's perspective takes on an omniscient viewpoint as the narration travels through and around the kibbutz dining hall. The reader listens in on various conversations held between the kibbutzniks about a number of topics, including the community newspaper. One kibbutznik named Tanya complains to the work supervisor that Damkov has yet to repair a lock despite being asked to do so many days ago. He suggests that Tanya take it up with Damkov, which she does.
That night, electric searchlights are described that circle the camp throughout the overnight period. There are also traps designed to ensnare jackals that would come to eat the community's crops. A baby jackal is caught in one of the traps. It is described as being "wiry" and it is clearly very hungry or else it would not have dared to invade the trap-filled territory of the kibbutz.
The source of both Galila and Damkov's apprehension is revealed: Damkov believes himself to be Galila's real father, even though she has always believed that Sashka is her father. After all, Sashka is the one who raised Galila. Moreover, Galila fears that Damkov may have lecherous designs in mind for inviting her to his room and that the art supplies are simply a pretext. Nevertheless, Galila really wants the art supplies and so, she will brave to visit Damkov's room.
Damkov offers Galila something to drink and tells her a story about a horse. While sitting on his bed, Damkov does indeed make a pass at her, but Galila gets up in disgust, accusing him of offering her art supplies as nothing more than a pretext to get her into bed. She is further disgusted because even if Damkov isn't her father, he believes he is.
After Galila leaves, Damkov "summons a dream" of the desert and ululating jackals. The use of jackals in the story is highly metaphorical; these invading outsiders have been interpreted to signify any number of things, including the author's political stance against Jewish settlements in Palestine. Whatever the metaphor of the jackal signifies, "Where the Jackals Howl" is a mysterious and evocative piece of writing.
The story begins by describing the plains land on which the kibbutz is situated, the winds that blow over the plains during the transition period between the end of summer and the start of autumn, which is the time of the year during which the story takes place. These winds are known as "khamsin" in Hebrew. Sashka is writing at his desk while his daughter, Galila, takes a shower. While in the shower, Galila contemplates a proposition she has received from Matityahu Damkov. Damkov wants Galila to come to his room to check out some art supplies he received as gifts. Damkov has a cousin in South America named Leon.
While the sun sets over the kibbutz, the older "kibbutzniks" who live in the community rock in their chairs on their decks. The narration often shifts between various residents of the kibbutz. For example, this time the perspective shifts to that of Damkov, who appears to be as worried about whether Galila will accept his invitation to his room and she is.
The story's perspective takes on an omniscient viewpoint as the narration travels through and around the kibbutz dining hall. The reader listens in on various conversations held between the kibbutzniks about a number of topics, including the community newspaper. One kibbutznik named Tanya complains to the work supervisor that Damkov has yet to repair a lock despite being asked to do so many days ago. He suggests that Tanya take it up with Damkov, which she does.
That night, electric searchlights are described that circle the camp throughout the overnight period. There are also traps designed to ensnare jackals that would come to eat the community's crops. A baby jackal is caught in one of the traps. It is described as being "wiry" and it is clearly very hungry or else it would not have dared to invade the trap-filled territory of the kibbutz.
The source of both Galila and Damkov's apprehension is revealed: Damkov believes himself to be Galila's real father, even though she has always believed that Sashka is her father. After all, Sashka is the one who raised Galila. Moreover, Galila fears that Damkov may have lecherous designs in mind for inviting her to his room and that the art supplies are simply a pretext. Nevertheless, Galila really wants the art supplies and so, she will brave to visit Damkov's room.
Damkov offers Galila something to drink and tells her a story about a horse. While sitting on his bed, Damkov does indeed make a pass at her, but Galila gets up in disgust, accusing him of offering her art supplies as nothing more than a pretext to get her into bed. She is further disgusted because even if Damkov isn't her father, he believes he is.
After Galila leaves, Damkov "summons a dream" of the desert and ululating jackals. The use of jackals in the story is highly metaphorical; these invading outsiders have been interpreted to signify any number of things, including the author's political stance against Jewish settlements in Palestine. Whatever the metaphor of the jackal signifies, "Where the Jackals Howl" is a mysterious and evocative piece of writing.