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Alice WalkerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Walker noted that she composed “Women” for her mother, Minnie Lou Tallulah Grant, who worked as a maid—11 hours a day for $17 a week—to supplement her sharecropper husband Willie Lee’s $300 annual income. Poor circumstances enveloped Walker, her parents, and her seven older siblings, depriving Walker of the proper medical treatment for her damaged eye; she therefore sought solace in nature and writing. In the 1940s South, it was common for young Black children to help their parents in the fields. In fact, a plantation owner actually told Minnie that education for Black children was unnecessary, but Walker’s mother listened to her intuition and supported her children’s education wholeheartedly. When Walker began to develop her academic and literary arts skills at home and in school, her mother encouraged her to aspire to her professional writing goals. When Walker writes, “My mama’s generation” (Line 2) made sacrifices in order “To discover books / Desks / A place for us” (Lines 19-21), she is referring to Minnie Lou’s devotion to her daughter’s education.
In the poem, Walker shows how family lineage can connect with the trajectory of social movements. Rebecca, Walker’s daughter, was born in 1969 right before “Women” was published in 1973; therefore, Walker may have had three generations on her mind when composing the poem. Walker’s own involvement in the second-wave feminist movement paved the way for Rebecca’s strong voice in the third-wave feminism of the 1990s.
In her 1979 short story “Coming Apart” and again in her 1983 collection of works In Search of Our Mothers’ Gardens: Womanist Prose, Walker coined the term “womanist,” which helps frame the intention of the “Women” poem. A womanist is a Black feminist who advocates equality in the feminist movement and equality in the Black community. Walker developed the following analogy in 1983 to explain the term, “Womanist is to feminist as purple is to lavender.”
In the 1960s, Walker saw that the second-wave feminist movement of her generation consisted mostly of middle- and upper-class white women taking the lead, most of whom glossed over issues of racism and classicism. The 1970s brought more Black women to the fore who advocated change in the movement’s priorities. These women included Shirley Chisholm, the first Black candidate to run for the Democratic presidential nomination.
When Walker mentioned “acting womanish” in her essays, she was referring to women who were courageous, which is distinct from acting “girlish,” or foolish or incapable. This womanish description fits the poem’s confident depiction of the women as “Husky of voice” (Line 3) and “stout of / Step” (Lines 3-4).
By Alice Walker